Why should the digital bring about ideas of progress in the theatre
arts? This question opens up a rich seam of provocative and
original thinking about the uses of new media in theatre, about new
forms of cultural practice and artistic innovation, and about the
widening purposes of the theatre's cultural project in a changing
digital world. Through detailed case-studies on the work of key
international theatre companies such as the Elevator Repair Service
and The Mission Business, Bill Blake explores how the digital is
providing new scope for how we think about the theatre, as well as
how the theatre in turn is challenging how we might relate to the
digital.
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