Few, if any, early modern European cities boasted a population
as racially, ethnically, and religiously diverse as Renaissance
Venice, from German merchants living in the Fondaco dei Tedeschi to
the Jewish inhabitants of the Ghetto. This fascinating book focuses
on the wealthy elite of that immigrant population. From monumental
palaces to pictorial cycles, Blake de Maria examines the artistic
patronage commissioned by and associated with rich immigrant
merchants who relocated to Venice with the aim of becoming Venetian
"cittadini, " or citizens.
As newcomers to the city, immigrant merchant families had to
acquire the material commodities necessary for everyday life, and
the need to establish an appropriate spiritual identity proved
equally pressing. De Maria investigates important aspects of the
artistic, commercial, and familial activities of naturalized
citizen families, and considers the communal functions of this
merchant clan, their social identity as naturalized citizens, their
contributions to the fabric of early modern Venice, and their
complex relationship with Venice's native population. Rich in new
material and full of human interest, the book sheds light on a
significant, hitherto little-known sector in Venetian artistic
patronage.
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