Gay-friendly dance clubs, upmarket bars, and party circuits--such
commercial venues evoke the image of a gay globe, but what happens
when they are bound to a landscape of disorder, mass poverty, and
urban decay? Vividly describing this world of contradictions
through the prism of twenty-first-century Manila, "Under Bright
Lights" challenges popular interpretations of the "third world
queer" as a necessarily radical figure.
Drawing on ethnographic research, Bobby Benedicto paints a
remarkably counterintuitive portrait of gay spaces in postcolonial
cities. He argues that Filipino gay men's pursuit of an elusive
global gay modernity sustains the very class, gender, and racial
hierarchies that structure urban life in the Philippines. Benedicto
examines, for example, how practices such as driving enable the
emergence of a classed gay cityscape, and how scenes of networked
global cities engender discourse that positions Manila within a
global system of "gay capitals." And yet he also analyzes how the
fantasy of gay globality is imperiled when privileged gay men from
Manila, while traveling abroad, encounter Filipino labor migrants
and come face-to-face with the exclusionary racial orders that
operate in gay spaces overseas.
Unique in its methodological approach, "Under Bright Lights"
employs affective, first-person storytelling techniques to capture
the visceral experience of Manila and gay life in a third world
city.
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