This book is the first major study of Canadian women filmmakers
since the groundbreaking "Gendering the Nation" (1999). "The
Gendered Screen" updates the subject with discussions of important
filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne
Stopkewich, Lea Pool, and Patricia Rozema, whose careers have
produced major bodies of work. It also introduces critical studies
of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and
new media video artists.
Feminist scholars are re-examining the ways in which
authorship, nationality, and gender interconnect. Contributors to
this volume emphasize a diverse feminist study of film that is
open, inclusive, and self-critical. Issues of hybridity and
transnationality as well as race and sexual orientation challenge
older forms of discourse on national cinema. Essays address the
transnational filmmaker, the queer filmmaker, the feminist
filmmaker, the documentarist, and the video artist--just some of
the diverse identities of Canadian women filmmakers working in both
commercial and art cinema today.
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