"Racial Stigma on the Hollywood Screen from WWII to the
Present"""charts how the dominant white and black binary of
American racial discourse influences Hollywood's representation of
the Asian. The Orientalist buddy film draws a scenario in which two
buddies, one white and one black, transcend an initial hatred for
one another by joining forces against a foreign Asian menace.
Alongside an analysis of multiple genres of film, Brian Locke
argues that this triangulated rendering of race ameliorates the
longstanding historical contradiction between U.S. democratic
ideals and white America's persistent domination over blacks.
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