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Schubert the Progressive - History, Performance Practice, Analysis (Hardcover, New Ed)
Loot Price: R3,980
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Schubert the Progressive - History, Performance Practice, Analysis (Hardcover, New Ed)
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The eleven essays that comprise this volume represent some of the
most significant strands of current Schubert research. Arising from
an international conference organized by the Schubert Institute
(UK) and the University of Leeds in 2000, the emphasis of the
papers is on issues of performance practice, analysis and
hermeneutics. In the opening essay of the book, Charles Rosen
illuminates some of Schubert's compositional practices and their
implications for performers. Further performance problems are
explored by Walther Durr who highlights the paradox between
Schubert's precise notation of pitches and rhythm and his
imprecision in relation to dynamics and articulation. As Roy Howat
makes clear in his essay, the performer needs to read between the
lines of even the best Schubert editions. Aspects of Schubert's
style are explored in other essays. Clive McClelland discusses the
composer's use of ombra style, while Brian Newbould examines
Schubert's techniques of compression and expansion as illustrated
in his dances and in sonata movements. Robert Hatten explores the G
major Piano Sonata as pastoral, and James Sobaskie and Nicholas
Rast provide complementary analyses of the A minor Quartet. The
organization of musical time in Schubert and his relationship in
this regard to later composers is the subject of Susanne Kogler's
essay, while Walburga Litschauer discusses Schubert's early piano
sonatas and previously unknown versions of them. Various enigmas
surrounding Schubert's life and music are discussed by Roger
Neighbour. With contributions from both internationally acclaimed
and younger scholars, this volume represents a further step in the
multifaceted direction that Schubert research is taking.
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