In medieval and early modern times, scribes, painters,
illustrators, translators and authors obviously had specific ideas
of what was meant by fidelity to the original; the modern observer
frequently regards their transfers as imprecise and wilful. It
would, however, be too simple to speak of a 'typically medieval'
manner of reproduction. The papers in this volume show that the
only sensible approach is to differentiate between the various
forms and concepts of reproduction in the Middle Ages and Early
Modern Age. The interdisciplinarity of this volume results in a
complex picture that brings out the different nature of medieval
'transfers' because it considers the particularity of each case.
The volume sees itself as a contribution to a cultural history of
artistic reproduction.
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