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Black Pulp - Genre Fiction in the Shadow of Jim Crow (Paperback)
Loot Price: R571
Discovery Miles 5 710
You Save: R55
(9%)
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Black Pulp - Genre Fiction in the Shadow of Jim Crow (Paperback)
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Was R626
Loot Price R571
Discovery Miles 5 710
You Save R55 (9%)
Expected to ship within 12 - 17 working days
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A deep dive into mid-century African American newspapers, exploring
how Black pulp fiction reassembled genre formulas in the service of
racial justice In recent years, Jordan Peele’s Get Out,
Marvel’s Black Panther, and HBO’s Watchmen have been lauded for
the innovative ways they repurpose genre conventions to criticize
white supremacy, celebrate Black resistance, and imagine a more
racially just world—important progressive messages widely spread
precisely because they are packaged in popular genres. But it turns
out, such generic retooling for antiracist purposes is nothing new.
 As Brooks E. Hefner’s Black Pulp shows, this tradition of
antiracist genre revision begins even earlier than recent studies
of Black superhero comics of the 1960s have revealed. Hefner traces
it back to a phenomenon that began in the 1920s, to serialized (and
sometimes syndicated) genre stories written by Black authors in
Black newspapers with large circulations among middle- and
working-class Black readers. From the pages of the Pittsburgh
Courier and the Baltimore Afro-American, Hefner recovers a rich
archive of African American genre fiction from the 1920s through
the mid-1950s—spanning everything from romance, hero-adventure,
and crime stories to westerns and science fiction. Reading these
stories, Hefner explores how their authors deployed, critiqued, and
reassembled genre formulas—and the pleasures they offer to
readers—in the service of racial justice: to criticize Jim Crow
segregation, racial capitalism, and the sexual exploitation of
Black women; to imagine successful interracial romance and
collective sociopolitical progress; and to cheer Black agency, even
retributive violence in the face of white supremacy. These
popular stories differ significantly from contemporaneous,
now-canonized African American protest novels that tend to
represent Jim Crow America as a deterministic machine and its Black
inhabitants as doomed victims. Widely consumed but since forgotten,
these genre stories—and Hefner’s incisive analysis of
them—offer a more vibrant understanding of African American
literary history. Â
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