Bruce Babington analyses the achievement of one of the central
partnerships in British film history, the screenwriters of famous
films by Hitchcock and Carol Reed, who became the
producer-writer-directors of a succession of famous and well-loved
films including Millions Like Us, Two Thousand Women, Waterloo
Road, The Rake's Progress, I See a Dark Stranger, The Blue Lagoon
and The Happiest Days of Your Life. This study of the pair is
notable both for its contextualising of them within English and
British culture over four decades, including British cinema's
'golden age' of the war and immediate post-war years, and for its
close reading of films that have been critically neglected, despite
their popularity. Scholarly but not pedantic, the book shows its
subjects to be not ordinary mainstream practitioners but
deceptively serious filmmakers registering the 'ideological
weather' of wartime and post-war Britain in engaging and creative
ways. -- .
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