Literary critics and cultural historians have for too long written
the question of race out of mainstream accounts of English
literature. In this work, Bryan Cheyette draws on a wide range of
literary texts and social and political perspectives from the 1870s
to the 1940s to show that the emerging cultural identity of modern
England involved constructing Jews both as a force that could be
transformed by a superior culture, and as a race outside the
English nation. Dr Cheyette combines cultural theory, discourse
analysis and new historicism with close readings of work by Arnold,
Trollope and George Eliot, Buchan and Kipling, Shaw and Wells,
Belloc and Chesterton, T.S. Eliot and Joyce to argue that the Jew
lies at the heart of modern English literature and society: not as
a fixed stereotype, but as the embodiment of confusion and
indeterminacy.
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