This book by a well-known translator and critic is divided into
two parts, the first dealing with the linguistic and other more
technical aspects of translating poetry, the second involved with
more practice-oriented matters. The chapters in Part One examine
the specific constraints of language and the unavoidable linguistic
bases of translation; the constraints of specific languages; forms
and genres; and prosody and comparative prosody. Part Two looks at
the subjective element in translation; collaborative translation;
the translation of oral poetry; and the translator's
responsibility.
Languages discussed include Indonesian, Japanese, Chinese, Old
and Middle English, French, German, Spanish, Italian, Persian,
Russian, Latin, and Greek. The book argues, inter alia, that
literal translation is impossible; that no translation can fully
create the original but that good literary translation can create a
usable approximation; that translation is secondary not only to the
original work being translated but also to the linguistic (and
literary) nature of the language being translated into; that the
literary translator's primary responsibility is to the work he is
translating; that there is nothing ever definitive about any
translation; that the poetry translator must be a poet and poems
should not be translated into prose; and that there must be a
subjective identification between translator and translated
work.
This is the first attempt to systematize linguistic information
about the translation of poetry. It is also the first book to range
widely over the languages and literatures of the past and the
present, and European and Asian languages and literatures as well.
Raffel is the first author to combine in one study linguistic and
scholarly knowledge and extensive experience of translation.
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