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The Art of Translating Prose (Paperback)
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The Art of Translating Prose (Paperback)
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There has been very little linguistically sound discussion of the
differences between poetry and prose, and virtually no discussion
of any sort of the practical consequences of those differences for
the translation of prose. The Art of Translating Prose presents for
both the specialist and nonspecialist the core strategies employed
by the author in translating a variety of important prose texts,
and in the process delineates a coherent program or theory that can
inform each act of translation. Burton Raffel considers and
effectively illustrates the fundamental features of prose, those
features that most clearly and idiomatically define an author's
style. He addresses those features that must be attended closely
and imaginatively as one moves them from the original-language
work. Raffel's insistence on concentrating on the artistic
viability of the translation continues themes he explored in other
books, most notably The Forked Tongue and The Art of Translating
Poetry. Raffel finds the most important determinant--for prose,
though not for poetry--to be syntax, which he argues must be
tracked if the translation is to reflect the original author's
style in a meaningful way. Raffel ties together theory and practice
to establish sound standards for the evaluation of prose
translations, and he provides examples in considerations of
versions of such books as Madame Bovary, Germinal, and Death in
Venice. Burton Raffel is Distinguished Professor of English at the
University of Southwestern Louisiana and author of many books,
including Artists All (Penn State, 1991) and The Art of Translating
Poetry (Penn State, 1988). He is the translator of Rabelais's
Gargantua and Pantagruel (Norton, 1990), winner of the 1991
French-American Foundation Translation Prize; Balzac's Phre Goriot
(Norton, 1994), and a forthcoming new version of Cervantes's Don
Quijote.
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