Focusing on a burgeoning area of interest, this new study
illustrates relations between legal and theatrical discourses in a
range of plays. The essays focus on four general areas of interest
to establish the vital connections between early modern drama and
law during this seminal period in their professionalization: legal
language and its construction of social norms and realities,
positive law and the status of nature; the concept of property and
its contractual guarantees; and the creation of power and authority
under the law.
General
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