First published in 1972, the work provides an introduction to Dada
and Surrealism. It explores the two movements and their cultural
significance. It also looks at those who called themselves Dadaists
and Surrealists, including their aims and achievements. In doing
so, the book identifies the meaning that the two terms have
acquired, which is often remote from the claims advanced by the
chief adherents of each movement. This book will be a valuable
resource to those studying Dada and Surrealism and its relationship
to modern literature.
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