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Digital Scenography in Opera in the Twenty-First Century
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Digital Scenography in Opera in the Twenty-First Century
Series: Ashgate Interdisciplinary Studies in Opera
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Digital Scenography in Opera in the Twenty-First Century is the
first definitive study of the use of digital scenography in Western
opera production. The book begins by exploring digital
scenography’s dramaturgical possibilities and establishes a
critical framework for identifying and comparing the use of digital
scenography across different digitally enhanced opera productions.
The book then investigates the impacts and potential disruptions of
digital scenography on opera’s longstanding production
conventions, both on and off the stage. Drawing on interviews with
major industry practitioners, including Paul Barritt, Mark Grimmer,
Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K.
Harrington, Finn Ross, S. Katy Tucker, and Victoria ‘Vita’
Tzykun, author Caitlin Vincent identifies key correlations between
the use of digital scenography in practice and subsequent impacts
on creative hierarchies, production design processes, and
organisational management. The book features detailed case studies
of digitally enhanced productions premiered by Dutch National
Opera, Komische Oper Berlin, Opéra de Lyon, The Royal Opera,
Covent Garden, San Francisco Opera, Santa Fe Opera, Théâtre Royal
de la Monnaie, The Metropolitan Opera, Victorian Opera, and
Washington National Opera.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Ashgate Interdisciplinary Studies in Opera |
Release date: |
May 2023 |
First published: |
2022 |
Authors: |
Caitlin Vincent
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Dimensions: |
234 x 156mm (L x W) |
Pages: |
198 |
ISBN-13: |
978-0-367-55393-7 |
Categories: |
Books
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LSN: |
0-367-55393-7 |
Barcode: |
9780367553937 |
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