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La Colmena (Spanish, Paperback)
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La Colmena (Spanish, Paperback)
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There are reasons to believe that Camilo Jose Cela knew perfectly
well what he was doing as he wrote, between 1945 and 1950, -La
colmena-, a novel that would counterweight the positive image the
Franco regime was striving to build. In his foreword to the first
edition Cela justifies and describes his text as a -pale reflection
... a humble shadow of the daily, harsh, deep and painful reality.-
His portrait of a sad and desperate Madrid immediately drew the
attention of the censors: the novel was banned in Spain until 1955,
four years after its first edition was released in Argentina. The
idea of portraying the daily Madrid reality constitutes the very
essence of -La colmena- and, quite paradoxically, gives the text
its universal reach. In the first place -La colmena- is a novel
with no main character or plot in a traditional sense: a host of
characters (more than three hundred between real and fictitious)
and sub-plots, run along the streets in this intricate work. Its
unity, though, resides in the most frequently mentioned character,
Martin Marco, whose wanderings along the distinct Madrid boroughs
and spaces render the novel a certain structural coherence. At the
same time the novel sets the -hive- characteristic right from its
title, so the laborious existence of the characters allow the
reader to explore the diverse corners of the city and the people
that strive to survive there. But the -hive- image is also a
paradox. Undoubtedly there is the racket and constant movement, but
the teeming characters are portrayed as unemployed worker bees,
thus without purpose or hope. In this sense Cela's Madrid is a
space in which misery, poverty and decay are deeply rooted. The
inhabitants of this city do not know where they are going to, or
what is their purpose or destiny. And it will be from here that the
most relevant topic of -La colmena- -solitude and isolation- stems.
There is no real communication between characters as they all live
immersed in their own, isolated, existential vacuum. -La colmena-
became an immediate inspirational model for a new generation of
young writers, that started publishing in the '50s centering their
interests in the exploration of the social and political conditions
of their present Spain. Though Cela abandoned the detailed
depiction of reality in his following work (-Mrs. Caldwell habla
con su hijo-, 1953) -La colmena- stood as a reference for the
social realistic novel during a decade. For many writers, mainly
those who foresaw to use their narrative works as social and
political tools to criticize The Franco regime, Cela's novel became
the indisputable starting point, both to reveal and transform the
Spain ill-being.
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