First published in 2001, this book sets out to shed light on
traditional controversies in Mill scholarship, underscore the
significance of the contribution Mill made to associationist
psychology, argue he is not entirely successful in explaining why
art matters, and that this failure is linked to a deep tension in
his mature work - rooted in his unwillingness to shake off the
moral psychology he was raised on. The book examines various
episodes and tensions in Mill's life and work and how they relate
to and informed his philosophy - while also giving a critical
account of it. This book will be of interest to students of
philosophy.
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