The friendship between William Morris and Edward Burne-Jones began
when they met as undergraduates in 1853 and-despite their
differences in temperament and in attitudes to political
engagement-lasted until Morris's death in 1896. This friendship was
one of the defining features of both their lives, and yet the
overlap in their artistic projects has not previously been
considered in detail. In this deeply thoughtful book, Caroline
Arscott explores particular aspects of the paintings of Burne-Jones
and the designs of Morris and concludes that there are close
interconnections in theme, allusion, and formal strategy between
the works of the two men. She suggests that themes of bodily pain,
desire and appetite are central to their vision. Through careful
readings of Burne-Jones's painting and Morris's designs for printed
wallpapers and textiles, she shows that it is possible to bring
together fine art and design in a linked discussion that
illuminates the projects of both artists. Published for the Paul
Mellon Centre for Studies in British Art
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