Nietzsche's remarks about women and femininity have generated a
great deal of debate among philosophers, some seeing them as
ineradicably misogynist, others interpreting them more favorably as
ironic and potentially useful for modern feminism. In this study,
Kay Picart uses a genealogical approach to track the way
Nietzsche's initial use of "feminine" mythological figures as
symbols for modernity's regenerative powers gradually gives way to
an increasingly misogynistic politics, resulting in the silencing
and emasculation of his earlier configurations of the
"feminine."
While other scholars have focused on classifying the degree of
offensiveness of Nietzsche's ambivalent and developing misogyny,
Picart examines what this misogyny means for his political
philosophy as a whole. Picart successfully shows how Nietzsche's
increasingly derogatory treatment of the "feminine" in his
post-Zarathustran works is closely tied to his growing resentment
over his inability to revive a decadent modernity.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!