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Sounds - A Philosophical Theory (Hardcover)
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Sounds - A Philosophical Theory (Hardcover)
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Vision dominates philosophical thinking about perception, and
theorizing about experience in cognitive science has traditionally
focused on a visual model. In a radical departure from established
practice, Casey O'Callaghan provides a systematic treatment of
sound and sound experience, and shows how thinking about audition
and appreciating the relationships between multiple sense
modalities can enrich our understanding of perception and the
mind.
Sounds proposes a novel theory of sounds and auditory perception.
Against the widely accepted philosophical view that sounds are
among the secondary or sensible qualities, O'Callaghan argues that,
on any perceptually plausible account, sounds are events. But this
does not imply that sounds are waves that propagate through a
medium, such as air or water. Rather, sounds are events that take
place in one's environment at or near the objects and happenings
that bring them about. This account captures the way in which
sounds essentially are creatures of time, and situates sounds in a
world populated by items and events that have significance for us.
Sounds are not ethereal, mysterious entities.
O'Callaghan's account of sounds and their perception discloses far
greater variety among the kinds of things we perceive than
traditional views acknowledge. But more importantly, investigating
sounds and audition demonstrates that considering other sense
modalities teaches what we could not otherwise learn from thinking
exclusively about the visual. Sounds articulates a powerful account
of echoes, reverberation, Doppler effects, and perceptual
constancies that surpasses the explanatory richness of alternative
theories, and also reveals a number ofsurprising cross-modal
perceptual illusions. O'Callaghan argues that such illusions
demonstrate that the perceptual modalities cannot be completely
understood in isolation, and that the visuocentric model for
theorizing about perception --according to which perceptual
modalities are discrete modes of experience and autonomous domains
of philosophical and scientific inquiry--ought to be abandoned.
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