Simple songs or airs, in which a male poetic voice either
seduces or excoriates a female object, were an influential vocal
genre of the French Baroque era. In this comprehensive and
interdisciplinary study, Catherine Gordon-Seifert analyzes the
style of airs, which was based on rhetorical devices of lyric
poetry, and explores the function and meaning of airs in French
society, particularly the salons. She shows how airs deployed in
both text and music an encoded language that was in sensuous
contrast to polite society s cultivation of chaste love, strict
gender roles, and restrained discourse."
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