In New Legends of England, Catherine Sanok examines a significant,
albeit previously unrecognized, phenomenon of fifteenth-century
literary culture in England: the sudden fascination with the Lives
of British, Anglo-Saxon, and other native saints. Embodying a
variety of literary forms-from elevated Latinate verse, to popular
traditions such as the carol, to translations of earlier verse
legends into the medium of prose-the Middle English Lives of
England's saints are rarely discussed in relation to one another or
seen as constituting a distinct literary genre. However, Sanok
argues, these legends, when grouped together were an important
narrative forum for exploring overlapping forms of secular and
religious community at local, national, and supranational scales:
the monastery, the city, and local cults; the nation and the realm;
European Christendom and, at the end of the fifteenth century, a
world that was suddenly expanding across the Atlantic. Reading
texts such as the South English Legendary, The Life of St.
Etheldrede, the Golden Legend, and poems about Saints Wenefrid and
Ursula, Sanok focuses especially on the significance of their
varied and often experimental forms. She shows how Middle English
Lives of native saints revealed, through their literary forms,
modes of affinity and difference that, in turn, reflected a
diversity in the extent and structure of medieval communities.
Taking up key questions about jurisdiction, temporality, and
embodiment, New Legends of England presents some of the ways in
which the Lives of England's saints theorized community and
explored its constitutive paradox: the irresolvable tension between
singular and collective forms of identity.
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