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Soviet Salvage - Imperial Debris, Revolutionary Reuse, and Russian Constructivism (Hardcover)
Loot Price: R2,784
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Soviet Salvage - Imperial Debris, Revolutionary Reuse, and Russian Constructivism (Hardcover)
Series: Refiguring Modernism
Expected to ship within 12 - 17 working days
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In Soviet Salvage, Catherine Walworth explores how artists on the
margins of the Constructivist movement of the 1920s rejected
“elitist” media and imagined a new world, knitting together
avant-garde art, imperial castoffs, and everyday life. Applying
anthropological models borrowed from Claude Lévi-Strauss, Walworth
shows that his mythmaker typologies—the “engineer” and
“bricoleur”—illustrate, respectively, the canonical
Constructivists and artists on the movement’s margins who
deployed a wide range of clever make-do tactics. Walworth explores
the relationships of Nadezhda Lamanova, Esfir Shub, and others with
Constructivists such as Aleksei Gan, Varvara Stepanova, and
Aleksandr Rodchenko. Together, the work of these artists reflected
the chaotic and often contradictory zeitgeist of the decade from
1918 to 1929 and redefined the concept of mass production.
Reappropriated fragments of a former enemy era provided a wide
range of play and possibility for these artists, and the resulting
propaganda porcelain, film, fashion, and architecture tell a
broader story of the unique political and economic pressures felt
by their makers. An engaging multidisciplinary study of objects and
their makers during the Soviet Union’s early years, this volume
highlights a group of artists who hover like free radicals at the
border of existing art-historical discussions of Constructivism and
deepens our knowledge of Soviet art and material culture.
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