Delmira Agustini (1886-1914) has been acclaimed as one of the
foremost modernistas and the first major woman poet of
twentieth-century Spanish America. Critics and the reading public
alike were immediately taken by the originality and power of her
verse, especially her daring eroticism, her inventive appropriation
of vampirism, and her morbid embrace of death and pain. No work
until now, however, has shown how her poetry reflects a search for
an alternative, feminized discourse, a discourse that engages in an
imaginative dialogue with Ruben Dario's recourse to literary
paternity and undertakes an audacious rewriting of social, sexual,
and poetic conventions.
In the first major exploration of Agustini's life and work,
Cathy L. Jrade examines her energizing appropriation and
reinvention of modernista verse and the dynamics of her
breakthrough poetics, a poetics that became a model for later women
writers.
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