On June 23rd, 1950, Pavese, Italy's greatest modern writer
received the coveted Strega Award for his novel "Among Women Only."
On August 26th, in a small hotel in his home town of Turin, he took
his own life. Shortly before his death, he methodically destroyed
all his private papers. His diary is all that remains and for this
the contemporary reader can be grateful.
Contemporary speculation attributed this tragedy to either an
unhappy love aff air with the American film star Constance Dawling
or his growing disillusionment with the Italian Communist Party.
His Diaries, however, reveal a man whose art was his only means of
repressing the specter of suicide which had haunted him since
childhood: an obsession that fi nally overwhelmed him.
As John Taylor notes, he possessed something much more precious
than a political theory: a natural sensitivity to the plight and
dignity of common people, be they bums, priests, grape-pickers, gas
station attendants, offi ce workers, or anonymous girls picked up
on the street (though to women, the author could--as he
admitted--be as misogynous as he was aff ectionate). Bitter and
incisive, "This Business of Living, " is both moving and painful to
read and stands with James Joyce's Letters and Andre Gide's
"Journals" as one of the great literary testaments of the twentieth
century.
Cesare Pavese (1908-1950), was educated in Turin. In 1930 he
began to contribute essays on American literature to "La Cultura,"
of which he later became editor. In 1935 he was imprisoned for
anti-fascist activities. This experience formed the basis of "The
Political Prisoner." Between 1936 and 1940 nine of his books were
published in Italy, these included novels, short stories, poetry
and essays. His books have been fi lmed and dramatized, and
translated into many languages.
John Taylor, a frequent contributor to the "Times Literary
Supplement, Context," the "Yale Review," the "Antioch Review," the
"Michigan Quarterly Review," and "Chelsea," has introduced numerous
European writers and poets to English readers, often for the first
time. Some of his works include "The Apocalypse Tapestries, Paths
to Contemporary French Literature" (Volumes 1 and 2) and "Into the
Heart of European Poetry."
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