Opera in the first half of the eighteenth century saw the rise of
the memorable composer and the memorable work. Recent research on
this period has been especially fruitful, showing renewed interest
in how opera operated within its local cultures, what audience
members felt was at stake in opera performances, who the people -
composers and performers - were who made opera possible. The essays
for this volume capture the principal themes of current research:
the 'idea' of opera, opera criticism, the people of opera, and the
emerging technologies of opera.
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