Throughout his directorial career, Clint Eastwood's movies have
presented sympathetic narratives of characters enduring personal
trauma as they turn to violence to survive calamity or sustain
social order-a choice that leaves them marginalized rather than
redeemed. In this collection of new essays, contributors examine
his films-from The Outlaw Josey Wales to Sully-as studies on PTSD
that expose the social conditions that tolerate or trigger
traumatization and (in his more recent work) imagine a way through
individual and collective trauma.
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