Shakespeare / Nature sets new agendas for the study of nature in
Shakespeare's work. Offering an expansive exploration of the
intersections between the human and non-human worlds, chapters by
19 experts focus on the rich and persuasive language of nature,
both as organic matter and cultural conditioning. Each chapter is
grounded in a close reading of Shakespeare's plays and poems and
among the many themes considered are natural theology in Macbeth;
the influence of the stars in Romeo and Juliet, King Lear, Hamlet
and Macbeth; monstrous bodies in Richard III and The Tempest;
kinship in King Henry V; places and spaces in Love's Labour's Lost,
and acting sex scenes in a range of plays including Measure for
Measure, Titus Andronicus and The Two Gentlemen of Verona.
Approaching ‘Nature’ in all its diversity, this collection
explores the multifaceted and complex ways in which the human and
non-human worlds intersect and the development of a language of
symbiosis that attempts to both control as well as create the terms
of human authority. It offers an entirely new approach to the
subject of nature, bringing together divergent approaches that have
previously been pursued independently so as to explore their shared
investment in the intersections between the human and non-human
worlds and how these discourses shape and condition the emotional,
organic, cultural, and psychological landscapes of Shakespeare’s
play world. Contributors approach Shakespeare’s nature through
the various lenses of philosophy, historicism, psychoanalysis,
gender studies, cosmography, geography, sexuality, linguistics,
environmentalism, feminism and robotics to provide new and nuanced
readings of the intersectional terms of both meaning and matter.
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