This book argues that the fundamental shift in Chinese Cinema away
from Socialism and towards Post-Socialism can be located earlier
than the emergence of the "Fifth Generation" in the mid-eighties
when it is usually assumed to have occured. By close analysis of
films from the 1949-1976 Maoist era in comparison with 1976-81
films representing the Cultural Revolution, it demonstrates that
the latter already breaks away from Socialism.
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