Research in and around popular culture continues to flourish.
And its study is, more than ever, a key component of Media and
Communications Studies courses, and a vital part of Cultural
Studies and Cultural Sociology curricula.
The sheer scale of the available research exploring popular
culture?and the breadth and complexity of the canon on which it
draws?makes this new four-volume Routledge collection especially
timely. It answers the urgent need for a wide-ranging collection
which provides ready access to the key items of scholarly
literature, material that is often inaccessible or scattered
throughout a variety of specialist journals and books from a broad
range of disciplines.
Volume I (?History and Theory?) brings together the best work on
the rise of popular culture as a subject for serious academic
study, uncovering its roots and exploring its rapid development in
the years after the Second World War. Key debates (e.g. between
base and superstructure, hegemony and control, colonialism and
postcolonialism) are traced to provide users with a clear
understanding of the foundational approaches that inform the more
applied examinations of popular culture in the succeeding
volumes.
Volume II assembles the most important thinking on ?Ideology and
Representation?, including work drawn from feminism, structuralism,
post-structuralism, and postmodernism. Volume III gathers crucial
work on ?Fissures and Fusions?, while the last volume in the set is
organized around ?Critical Departures?.
Popular Culture is supplemented with a full index, and includes
a comprehensive introduction, newly written by the editor, which
places the collected material in its historical and intellectual
context. It is destined to be valued by scholars and advanced
students as a vital research and reference resource.
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