Initially propounded by the philosopher J rgen Habermas in 1962
in order to describe the realm of social discourse between the
state on one hand, and the private sphere of the market and the
family on the other, the concept of a bourgeois public sphere
quickly became a central point of reference in the humanities and
social sciences. This volume reassesses the validity and reach of
Habermas's concept beyond political theory by exploring concrete
literary and cultural manifestations in early modern and modern
Europe. The contributors ask whether, and in what forms, a social
formation that rightfully can be called the "public sphere" really
existed at particular historical junctures, and consider the senses
in which the "public sphere" should rather be replaced by a
multitude of interacting cultural and social "publics." This volume
offers insights into the current status of the "public sphere"
within the disciplinary formation of the humanities and social
sciences at the beginning of the twenty-first century.
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