Namdev is a central figure in the cultural history of India,
especially within the field of "bhakti," a devotional practice that
has created publics of memory for over eight centuries. Born in the
Marathi-speaking region of the Deccan in the late thirteenth
century, Namdev is remembered as a simple, low-caste Hindu tailor
whose innovative performances of devotional songs spread his fame
widely. He is central to many religious traditions within Hinduism,
as well as to Sikhism, and he is a key early literary figure in
Maharashtra, northern India, and Punjab.
In the modern period, Namdev appears throughout the public
spheres of Marathi and Hindi and in India at large, where his
identity fluctuates between regional associations and a quiet,
pan-Indian, nationalist-secularist profile that champions the poor,
oppressed, marginalized, and low caste. Christian Lee Novetzke
considers the way social memory coheres around the figure of Namdev
from the sixteenth century to the present, examining the practices
that situate Namdev's memory in multiple historical publics.
Focusing primarily on Maharashtra and drawing on ethnographies of
devotional performance, archival materials, scholarly
historiography, and popular media, especially film, Novetzke
vividly illustrates how religious communities in India preserve
their pasts and, in turn, create their own historical
narratives.
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