The first comprehensive book on alcohol in pre-modern India, An Unholy Brew: Alcohol in Indian History and Religions uses a wide range of sources from the Vedas to the Kamasutra to explore drinks and styles of drinking, as well as rationales for abstinence from the earliest Sanskrit written records through the second millennium CE. Books about the global history of alcohol almost never give attention to India. But a wide range of texts provide plenty of evidence that there was a thriving culture of drinking in ancient and medieval India, from public carousing at the brewery and drinking house to imbibing at festivals and weddings. There was also an elite drinking culture depicted in poetic texts (often in an erotic mode), and medical texts explain how to balance drink and health. By no means everyone drank, however, and there were many sophisticated religious arguments for abstinence. McHugh begins by surveying the intoxicating drinks that were available, including grain beers, palm toddy, and imported wine, detailing the ways people used grains, sugars, fruits, and herbs over the centuries to produce an impressive array of liquors. He presents myths that explain how drink came into being and how it was assigned the ritual and legal status it has in our time. The book also explores Hindu, Buddhist, and Jain moral and legal texts on drink and abstinence, as well as how drink is used in some Tantric rituals, and translates in full a detailed description of the goddess Liquor, Suradevi. Cannabis, betel, soma, and opium are also considered. Finally, McHugh investigates what has happened to these drinks, stories, and theories in the last few centuries. An Unholy Brew brings to life the overlooked, complex world of brewing, drinking, and abstaining in pre-modern India, and offers illuminating case studies on topics such as law and medicine, even providing recipes for some drinks.

Lethal Spots, Vital Secrets provides an ethnographic study of varmakkalai, or "the art of the vital spots," a South Indian esoteric tradition that combines medical practice and martial arts. Although siddha medicine is officially part of the Indian Government's medically pluralistic health-care system, very little of a reliable nature has been written about it. Drawing on a diverse array of materials, including Tamil manuscripts, interviews with practitioners, and his own personal experience as an apprentice, Sieler traces the practices of varmakkalai both in different religious traditions-such as Yoga and Ayurveda-and within various combat practices. His argument is based on in-depth ethnographic research in the southernmost region of India, where hereditary medico-martial practitioners learn their occupation from relatives or skilled gurus through an esoteric, spiritual education system. Rituals of secrecy and apprenticeship in varmakkalai are among the important focal points of Sieler's study. Practitioners protect their esoteric knowledge, but they also engage in a kind of "lure and withdrawal"--a performance of secrecy--because secrecy functions as what might be called "symbolic capital." Sieler argues that varmakkalai is, above all, a matter of texts in practice; knowledge transmission between teacher and student conveys tacit, non-verbal knowledge, and constitutes a "moral economy." It is not merely plain facts that are communicated, but also moral obligations, ethical conduct and tacit, bodily knowledge. Lethal Spots, Vital Secrets will be of interest to students of religion, medical anthropologists, historians of medicine, indologists, and martial arts and performance studies.

Wendy Doniger and Martha Nussbaum bring together leading scholars from a wide array of disciplines to address a crucial question: How does the world's most populous democracy survive repeated assaults on its pluralistic values? India's stunning linguistic, cultural, and religious diversity has been supported since Independence by a political structure that emphasizes equal rights for all, and protects liberties of religion and speech. But a decent Constitution does not implement itself, and challenges to these core values repeatedly arise---not least in the first decade of the twenty-first century, when the rise of Hindu Right movements threatened to destabilize the nation and upend its core values, in the wake of a notorious pogrom in the state of Gujarat in which approximately 2000 Muslim civilians were killed.
Focusing on this time of tension and threat, the essays in this volume consider how a pluralistic democracy managed to survive. They examine the role of political parties and movements, including the women's movement, as well as the role of the arts, the press, the media, and a historical legacy of pluralistic thought and critical argument. Featuring essays from eminent scholars in history, religious studies, political science, economics, women's studies, and media studies, Pluralism and Democracy in India offers an urgently needed case study in democratic survival. As Nehru said of India on the eve of Independence: ''These dreams are for India, but they are also for the world.'' The analysis this volume offers illuminates not only the past and future of one nation, but the prospects of democracy for all.

Modern Hindu Personalism explores the life and works of Bhaktisiddhanta Sarasvati (1874-1937), a Vaishnava guru of the Chaitanya school of Bengal. Ferdinando Sardella examines Bhaktisiddhanta's background, motivation and thought, especially as it relates to his forging of a modern traditionalist institution for the successful revival of Chaitanya Vaishnava bhakti. Originally known as the Gaudiya Math, that institution not only established centers in both London (1933) and Berlin (1934), but also has been indirectly responsible for the development of a number of contemporary global offshoots, including the International Society for Krishna Consciousness (Hare Krishna movement). Sardella provides the historical background as well as the contemporary context of the India in which Bhaktisiddhanta lived and functioned, in the process shedding light on such topics as colonial culture and sensibilities, the emergence of an educated middle-class, the rise of the Bengal Renaissance, and the challenge posed by Protestant missionaries. Bhaktisiddhanta's childhood, education and major influences are examined, as well as his involvement with Chaitanya Vaishnavism and the practice of bhakti. Sardella depicts Bhaktisiddhanta's attempt to propagate Chaitanya Vaishnavism internationally by sending disciples to London and Berlin, and offers a detailed description of their encounters with Imperial Britain and Nazi Germany. He goes on to consider Bhaktisiddhanta's philosophical perspective on religion and society as well as on Chaitanya Vaishnavism, exploring the interaction between philosophical and social concerns and showing how they formed the basis for the restructuring of his movement in terms of bhakti. Sardella places Bhaktisiddhanta's life and work within a taxonomy of modern Hinduism and compares the significance of his work to the contributions of other major figures such as Swami Vivekananda. Finally, Bhaktisiddhanta's work is linked to the development of a worldwide movement that today involves thousands of American and European practitioners, many of whom have become respected representatives of Chaitanya bhakti in India itself.

Tantric traditions in both Buddhism and Hinduism are thriving throughout Asia and in Asian diasporic communities around the world, yet they have been largely ignored by Western scholars until now. This collection of original essays fills this gap by examining the ways in which Tantric Buddhist traditions have changed over time and distance as they have spread across cultural boundaries in Asia. The book is divided into three sections dedicated to South Asia, Central Asia, and East and Southeast Asia. The essays cover such topics as the changing ideal of masculinity in Buddhist literature, the controversy triggered by the transmission of the Indian Buddhist deity Heruka to Tibet in the 10th century, and the evolution of a Chinese Buddhist Tantric tradition in the form of the True Buddha School. The book as a whole addresses complex and contested categories in the field of religious studies, including the concept of syncretism and the various ways that the change and transformation of religious traditions can be described and articulated. The authors, leading scholars in Tantric studies, draw on a wide array of methodologies from the fields of history, anthropology, art history, and sociology. Tantric Traditions in Transmission and Translation is groundbreaking in its attempt to look past religious, linguistic, and cultural boundaries.

Hindu Christian Faqir compares two colonial Indian saints from Punjab, the neo-Vedantin Hindu Rama Tirtha (1873-1906) and the Christian convert Sundar Singh (1889-1929). Timothy S. Dobe shows that varied asceticisms, personal exemplary models, and material religion exuded their ambivalent and powerful public presence in Protestant metropolitan centers as much as in colonial peripheries. Challenging ideas of the invention of modern Hinduism, the transparent translation of Christianity, and the construction of saints by devotees, this book focuses on the long-standing, shared religious idioms on which these two men creatively drew to appeal to transnational audiences and to pursue religious perfection. Following both men's usage of Urdu, the book adopts the word "faqir" to examine the vernacular and performative dimensions of Indian holy man traditions, thereby calling special attention to missionary and Orientalist anti-ascetic accounts of the "fukeer" indigenous Islamic traditions and this-worldly religion. Exploring Rama Tirtha and Sundar Singh's global tours in Europe and America, self-conscious sartorial styles, and intimate autobiographical writings, Dobe demonstrates that the vernacular holy man traditions of Punjab provided resources that both men drew on to construct their forms of modern monkhood. The rise of heroic, anti-colonial sannyasis or sadhus of modern Hinduism like Swami Vivekananda is thus repositioned in relation to global Christianity, Sufi, bhakti, and Sikh regional practices, religious boundary-crossing, contestation and conversion. A comparative and contextualized story of two Punjabi holy men's particular performance of sainthood, Hindu Christian Faqir reveals much about the broad, interactional history of religious modernities.

Anandamayi Ma (1896-1982) is generally regarded as the most important Hindu woman saint of the twentieth century. Venerated alternately as a guru and as an incarnation of God on earth, Ma had hundreds of thousands of devotees. Through the creation of a religious movement and a vast network of ashrams-unprecedented for a woman-Ma presented herself as an authority figure in a society where female gurus were not often recognized. Because of her widespread influence, Ma is one of the rare Hindu saints whose cult has outlived her. Today, her tomb is a place of veneration, and she is venerated by those who knew her and by those too young to have known her. Orianne Aymard has performed extensive fieldwork among Ma's current devotees. In this book, she examines what happens to a cult after the death of its leader. Does it decline, stagnate, or grow? Or is it rather transformed into something else entirely? Aymard's work sheds new light not only on Hindu sainthood-and particularly female Hindu sainthood-but on the nature of charismatic religious leadership and devotion

India is frequently represented as the quintessential land of religion. Johannes Quack challenges this representation through an examination of the contemporary Indian rationalist organizations: groups who affirm the values and attitudes of atheism, humanism, or free-thinking. Quack shows the rationalists' emphasis on maintaining links to atheism and materialism in ancient India and outlines their strong ties to the intellectual currents of modern European history. At the heart of Disenchanting India is an ethnographic study of the organization ''Andhashraddha Nirmulan Samiti'' (Organization for the Eradication of Superstition), based in the Indian State of Maharashtra. Quack gives a nuanced account of the Organization's specific "mode of unbelief. " He describes the group's efforts to encourage a scientific temper and to combat beliefs and practices that it regards as superstitious. Quack also shows the role played by rationalism in the day-to-day lives of the Organization's members, as well as the Organization's controversial position within Indian society. Disenchanting India contributes crucial insight into the nature of rationalism in the intellectual life and cultural politics of India.

Saffron-robed monks and long-haired gurus have become familiar characters on the American popular culture scene. Jane Iwamura examines the contemporary fascination with Eastern spirituality and provides a cultural history of the representation of Asian religions in American mass media. Encounters with monks, gurus, bhikkhus, sages, sifus, healers, and masters from a wide variety of ethnic backgrounds and religious traditions provided initial engagements with Asian spiritual traditions. Virtual Orientalism shows the evolution of these interactions, from direct engagements with specific individuals to mediated relations with a conventionalized icon: the Oriental Monk. Visually and psychically compelling, the Oriental Monk becomes for Americans a ''figure of translation''--a convenient symbol for alternative spiritualities and modes of being. Through the figure of the solitary Monk, who generously and purposefully shares his wisdom with the West, Asian religiosity is made manageable-psychologically, socially, and politically--for popular culture consumption. Iwamura's insightful study shows that though popular engagement with Asian religions in the United States has increased, the fact that much of this has taken virtual form makes stereotypical constructions of "the spiritual East" obdurate and especially difficult to challenge.

Provincial Hinduism explores intersecting religious worlds in an ordinary Indian city that remains close to its traditional roots, while bearing witness to the impact of globalization. Daniel Gold looks at modern religious life in Gwalior, in the state of Mahdya Pradesh, drawing attention to the often complex religious sensibilities behind ordinary Hindu practice. Turning his attention to public places of worship, Gold describes temples of different types in the city, their legendary histories, and the people who patronize them. Issues of community and identity are discussed throughout the book, but particularly in the context of caste and class. Gold also explores concepts of community among Gwalior's Maharashtrians and Sindhis, groups with roots in other parts of the subcontinent that have settled in the city for generations. Functioning as internal diasporas, they organize in different ways and make distinctive contributions to local religious life. The book concludes by exploring characteristically modern religious institutions. Gold considers three religious service organizations inspired by the nineteenth-century reformer Swami Vivekenanda, as well as two groups that stem from the nineteenth-century Radhasoami tradition but have developed in different ways: the very large and populist North Indian movement around the late Baba Jaigurudev (d. 2012); and the devotees of Sant Kripal, a regional guru based in Gwalior who has a much smaller, middle-class following. As the first book to analyze religious life in an ordinary, midsized Indian city, Provincial Hinduism will be an invaluable resource for scholars of contemporary Indian religion, culture, and society.

Feeding the Dead outlines the early history of ancestor worship in South Asia, from the earliest sources available, the Vedas, up to the descriptions found in the Dharmshastra tradition. Most prior works on ancestor worship have done little to address the question of how shraddha, the paradigmatic ritual of ancestor worship up to the present day, came to be. Matthew R. Sayers argues that the development of shraddha is central to understanding the shift from Vedic to Classical Hindu modes of religious behavior. Central to this transition is the discursive construction of the role of the religious expert in mediating between the divine and the human actor. Both Hindu and Buddhist traditions draw upon popular religious practices to construct a new tradition. Sayers argues that the definition of a religious expert that informs religiosity in the Common Era is grounded in the redefinition of ancestral rites in the Grhyasutras. Beyond making more clear the much misunderstood history of ancestor worship in India, this book addressing the serious question about how and why religion in India changed so radically in the last half of the first millennium BCE. The redefinition of the role of religious expert is hugely significant for understanding that change. This book ties together the oldest ritual texts with the customs of ancestor worship that underlie and inform medieval and contemporary practice.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

Vishwa Adluri and Joydeep Bagchee undertake a careful and rigorous hermeneutical approach to nearly two centuries of German philological scholarship on the Mahabharata and the Bhagavad Gita. Analyzing the intellectual contexts of this scholarship, beginning with theological debates that centered on Martin Luther's solefidian doctrine and proceeding to scientific positivism via analyses of disenchantment (Entzauberung), German Romanticism, pantheism (Pantheismusstreit), and historicism, they show how each of these movements progressively shaped German philology's encounter with the Indian epic. They demonstrate that, from the mid-nineteenth century on, this scholarship contributed to the construction of a supposed "Indo-Germanic" past, which Germans shared racially with the Mahabharata's warriors. Building on nationalist yearnings and ongoing Counter-Reformation anxieties, scholars developed the premise of Aryan continuity and supported it by a "Brahmanical hypothesis," according to which supposedly later strata of the text represented the corrupting work of scheming Brahmin priests. Adluri and Bagchee focus on the work of four Mahabharata scholars and eight scholars of the Bhagavad Gita, all of whom were invested in the idea that the text-critical task of philology as a scientific method was to identify a text's strata and interpolations so that, by displaying what had accumulated over time, one could recover what remained of an original or authentic core. The authors show that the construction of pseudo-histories for the stages through which the Mahabharata had supposedly passed provided German scholars with models for two things: 1) a convenient pseudo-history of Hinduism and Indian religions more generally; and 2) a platform from which to say whatever they wanted to about the origins, development, and corruption of the Mahabharata text. The book thus challenges contemporary scholars to recognize that the ''Brahmanic hypothesis'' (the thesis that Brahmanic religion corrupted an original, pure and heroic Aryan ethical and epical worldview), an unacknowledged tenet of much Western scholarship to this day, was not and probably no longer can be an innocuous thesis. The ''corrupting'' impact of Brahmanical ''priestcraft,'' the authors show, served German Indology as a cover under which to disparage Catholics, Jews, and other ''Semites.''

Throughout the history of Indian religions, the ascetic figure is most closely identified with power. Power is a by-product of the ascetic path, and is displayed in the ability to fly, walk on water or through dense objects, read minds, discern the former lives of others, see into the future, harm others, or simply levitate one's body. Using religio-philosophical discourses and narratives from epic, puranic, and hagiographical literature, Indian Asceticism focuses on the powers exhibited by ascetics of India from ancient to modern time. The discourses and narratives show ascetics performing violent acts and using language to curse and harm opponents. They also give rise to questions about how power and violence are related to the phenomenon of play. Olson discusses the erotic, the demonic, the comic, and the miraculous forms of play and their connections to power and violence. His focus is on Hinduism, from early Indian religious history to more modern times, but evidence is also presented from both Buddhism and Jainism, which provides evidence that the subject matter of this book pervades India's major indigenous religious traditions. The book also includes a look at the extent to which contemporary findings in cognitive science can add to our understanding about these various powers; Olson argues that violence is built into the practice of the ascetic. Indian Asceticism culminates with an attempt to rethink the nature of power in a way that does justice to the literary evidence from Hindu, Buddhist, and Jain sources.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

In Bringing the Sacred Down to Earth, Corinne Dempsey offers a comparative study of Hindu and Christian, Indian and Euro/American earthbound religious expressions. She argues that official religious, political, and epistemological systems tend to deny sacred access and expression to the general populace, and are abstracted and disembodied in ways that make them irrelevant to if not neglectful of earthly realities. Working at cross purposes with these systems, attending to material needs, conferring sacred access to a wider public, and imbuing land and bodies with sacred meaning and power, are religious frameworks featuring folklore figures, democratizing theologies, newly sanctified land, and extraordinary human abilities. Some scholars will see Dempsey's juxtapositions of Hindu and Christian religious dynamics, many of which exist on opposite sides of the globe, as a leap into a disciplinary minefield. Many have argued for decades that comparison is an outmoded, politically troubled approach to the human sciences. More recently opponents, represented by a growing number of religion scholars, are ''writing back'' in comparison's defense, asserting the merits of a readjusted, carefully contextualized, new comparativism. But, says Dempsey, the inestimable advantages of the comparative method described by religion scholars and performed in this book are disciplinary as well as ethical. As demonstrated in this stimulating book, the process of comparison can shed light on angles and contours otherwise obscured and perform the important work of bridging human contingencies and perception across religious, cultural, and disciplinary divides.

Carol Salomon dedicated over thirty years of her life to researching, translating, and annotating this compilation of songs by the Bengali poet and mystical philosopher Lalan Sai (popularly transliterated as Lalon) who lived in the village of Cheuriya in Bengal in the latter half of the nineteenth century. One major objective of his lyrical riddles was to challenge the restrictions of cultural, political, and sexual identity, and his songs accordingly express a longing to understand humanity, its duties, and its ultimate destiny. His songs also contain thinly veiled references to esoteric yogic practices (sadhana), including body-centered Hathayogic techniques that are related to those found in Buddhist, Kaula, Natha, and Sufi medieval tantric literature. Dr. Salomon's translation of the work is the first dedicated English translation of Lalan's songs to closely follow the Bangla text, with all of its dialectical variations, and is here produced alongside the original text. Although her untimely death left her work unpublished, the editors have worked diligently to reconstruct her translations from her surviving printed and handwritten manuscripts. The result is a finished product that can finally share her groundbreaking scholarship on Baul traditions with the world.

At the turn of the millennium, Nepal was the world's last remaining Hindu kingdom: even the most skeptical of observers could hardly imagine that the institution of the monarchy could ever be in jeopardy. In 2001, however, Nepal's popular King Birendra was killed in the royal palace. The crown passed to his brother Gyanendra, but the monarchy would never fully recover. Nepal witnessed an anti-king uprising in April 2006, and over the course of two years, an interim administration systematically took over all the king's duties and privileges. Most decisively, beginning in the summer of 2007, the government began blocking the king from participating in his many public rituals, sending the prime minister in his place instead. Demoting Vishnu argues that Nepal's dramatic political transformation from monarchy to republic was contested-and in key ways accomplished through-ritual performance. By co-opting state ritual, the king's opponents were able to attack the monarchy's social identity at its foundations, enabling the final legal dissolution of kingship in 2008 to take place without physically harming the king himself. All once-royal rituals continue to be performed, but now they are handled by the country's President-a position created in 2008 to take over state ceremonial functions. Ex-King Gyanendra Shah continues to live in Nepal, is permitted to move about the country and abroad, but is no longer king in any respect. Mocko's book theorizes the role of public ritual in producing Nepal's state ideology. It examines how royal ritual once authorized kings to serve as the privileged apex of national governance and how, in the 21st-century, those rituals stopped serving the king and began instead to authorize rule by a party-based 'head of state.' Demoting Vishnu illustrates how upheaval in ritual contexts undermined the institutional logic of the monarchy, demonstrating in very public ways that kingship was contingent, opposable, and ultimately dispensable.

Inter-religious relations in India are notoriously fraught, not infrequently erupting into violence. This book looks at a place where the conditions for religious conflict are present, but active conflict is absent. Bigelow focuses on a Muslim majority Punjab town (Malkerkotla) where both during the Partition and subsequently there has been no inter-religious violence. With a minimum of intervention from outside interests, Muslims, Hindus, and Sikhs have successfully managed conflict when it does arise. Bigelow explores the complicated history of the region, going back to its foundation by a Sufi saint in the fifteenth century. Combining archival and interview material, she accounts for how the community's idealized identity as a place of peace is realized on the ground through a variety of strategies. As a story of peace in a region of conflict, this study is an important counterbalance to many conflict studies and a corrective to portrayals of Islamic cultures as militant and intolerant. This fascinating town with its rich history will be of interest to students and scholars of Islam, South Asia, and peace and conflict resolution.

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.

What does it mean to be a Brahmin, and what could it mean to become one? Over the years, intellectuals and dogmatists have offered plenty of answers to the first question, but the latter presents a cultural puzzle, since normative Brahminical ideology deems it impossible for an ordinary individual to change caste without first undergoing death and rebirth. There is, however, one notable figure in the Hindu mythological tradition who is said to have transformed himself from a king into a Brahmin by amassing great ascetic power, or tapas: the ornery sage Visvamitra. Through texts composed in Sanskrit and vernacular languages, oral performances, and visual media. Crossing the Lines of Caste examines the rich mosaic of legends about Visvamitra found across the Hindu mythological tradition. It offers a comprehensive historical analysis of how the "storyworlds" conjured up through these various tellings have served to adapt, upgrade, and reinforce the social identity of real-world Brahmin communities, from the ancient Vedic past up to the hypermodern present. Using a performance-centered approach to situate the production of the Visvamitra legends within specific historical contexts, Crossing the Lines of Caste reveals how and why mythological culture has played an active, dialogical role in the construction of Brahmin social power over the last three thousand years.

Based on extensive ethnographic fieldwork conducted in the Central Himalayan region of Kumaon, Tales of Justice and Rituals of Divine Embodiment from the Central Himalayas explores ideas of justice by drawing on oral and written narratives, stories, testimonies, and rituals told and performed in relation to the 'God of Justice', Goludev, and other regional deities. The book seeks to answer several questions: How is the concept of justice defined in South Asia? Why do devotees seek out Goludev for the resolution of matters of justice instead of using the secular courts? What are the sociological and political consequences of situating divine justice within a secular, democratic, modern context? Moreover, how do human beings locate themselves within the indeterminateness and struggles of their everyday existence? What is the place of language and ritual in creating intimacy and self? How is justice linked to intimacy, truth, and being human? The stories and narratives in this book revolve around Goludev's own story and deeds, as well as hundreds of petitions (manauti) written on paper that devotees hang on his temple walls, and rituals (jagar) that involve spirit possession and the embodiment of the deity through designated mediums. The jagars are powerful, extraordinary experiences, mesmerizing because of their intensity but also because of what they imply in terms of how we conceptualize being being human with the seemingly limitless potential to shift, alter, and transform ourselves through language and ritual practice. The petitions, though silent and absent of the singing, drumming, and choreography that accompany jagars, are equally powerful because of their candid and intimate testimony to the aspirations, breakdowns, struggles, and breakthroughs that circumscribe human existence.