How does the soul relate to the body? Through the ages, innumerable religious and intellectual movements have proposed answers to this question. Many have gravitated to the notion of the "subtle body," positing some sort of subtle entity that is neither soul nor body, but some mixture of the two. Simon Cox traces the history of this idea from the late Roman Empire to the present day, touching on how philosophers, wizards, scholars, occultists, psychologists, and mystics have engaged with the idea over the past two thousand years. This study is an intellectual history of the subtle body concept from its origins in late antiquity through the Renaissance into the Euro-American counterculture of the 1960's and 70's. It begins with a prehistory of the idea, rooted as it is in third-century Neoplatonism. It then proceeds to the signifier "subtle body" in its earliest English uses amongst the Cambridge Platonists. After that, it looks forward to those Orientalist fathers of Indology, who, in their earliest translations of Sanskrit philosophy relied heavily on the Cambridge Platonist lexicon, and thereby brought Indian philosophy into what had hitherto been a distinctly platonic discourse. At this point, the story takes a little reflexive stroll into the source of the author's own interest in this strange concept, looking at Helena Blavatsky and the Theosophical import, expression, and popularization of the concept. Cox then zeroes in on Aleister Crowley, focusing on the subtle body in fin de siecle occultism. Finally, he turns to Carl Jung, his colleague Frederic Spiegelberg, and the popularization of the idea of the subtle body in the Euro-American counterculture. This book is for anyone interested in yogic, somatic, or energetic practices, and will be very useful to scholars and area specialists who rely on this term in dealing with Hindu, Daoist, and Buddhist texts.

Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind thousands of short inscriptions in a forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the other key urban cultures of the time, in Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. What language did the Indus people speak? How might we decipher the exquisitely carved Indus inscriptions? What deities did they worship? Are the roots of contemporary Hinduism to be found in the religion of the Indus civilization as well as in the Vedic religion? Since the rise of Hindu nationalist politics in the 1980s, these questions have been debated with increasing animosity, colored by the history of modern colonialism in India. This is especially true of the enigmatic Indus script, which is at the hub of the debates, and a particular focus of this book. Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions. In this pioneering book, he traces the Indo-Iranian speakers from the Aryan homeland north of the Black Sea through the Eurasian steppes to Central, West, and South Asia. Among many other things, he discusses the profound impact of the invention of the horse-drawn chariot on Indo-Aryan religion, and presents new ideas on the origin and formation of the Vedic literature and rites, and the great Hindu epics.

Karen Prentiss offers an interpretive history of bhakti, an influential religious perspective in Hinduism. She argues that although bhakti is mentioned in every contemporary sourcebook on Indian religions, it still lacks an agreed-upon definition. "Devotion" is found to be the most commonly used synonym. Prentiss seeks a new perspective on this elusive concept. Her analysis of Tamil (south Indian) materials leads her to suggest that bhakti be understood as a doctrine of embodiment. Bhakti, she says, urges people towards active engagement in the worship of God. She proposes that the term "devotion" be replaced by "participation," emphasizing bhakti's call for engagement in worship and the necessity of embodiment to fulfill that obligation. The book ends with two appendices presenting translations of hymns and an important philosophical text.

For countless generations families have lived in isolated communities in the Godavari Delta of coastal Andhra Pradesh, learning and reciting their legacy of Vedas, performing daily offerings and occasional sacrifices. They are the virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition. In Vedic Voices, David M. Knipe offers for the first time, an opportunity for them to speak about their lives, ancestral lineages, personal choices as pandits, wives, children, and ways of coping with an avalanche of changes in modern India. He presents a study of four generations of ten families, from those born at the outset of the twentieth century down to their great-grandsons who are just beginning, at the age of seven, the task of memorizing their Veda, the Taittiriya Samhita, a feat that will require eight to twelve years of daily recitations. After successful examinations these young men will reside with the Veda family girls they married as children years before, take their places in the oral transmission of a three-thousand-year Vedic heritage, teach the Taittiriya collection of texts to their own sons, and undertake with their wives the major and minor sacrifices performed by their ancestors for some three millennia. Coastal Andhra, famed for bountiful rice and coconut plantations, has received scant attention from historians of religion and anthropologists despite a wealth of cultural traditions. Vedic Voices describes in captivating prose the geography, cultural history, pilgrimage traditions, and celebrated persons of the region. Here unfolds a remarkable story of Vedic pandits and their wives, one scarcely known in India and not at all to the outside world.

There is growing interest in tantric sex which this book addresses with great originality. It is the first book to focus specifically on the body in tantric sexual tradition and practice, and will attract committed audiences from students and general readers interested in mind, body, spirit and eastern religions. Tantra is the Hindu-based religion which links ecstatic sexual practice with meditation and direct spiritual experience. It originated in India some 1200 years ago, when the great sacred erotic temples were built. In the West it is best known for its inspiration of tantric yoga, and its associated ritualistic forms of sex. But is tantra just about esoteric sex or does it amount to something more? This lively and original book contributes to a more complete understanding of tantra's mysteries. Without minimising its sexual dimensions, Gavid Flood argues that within tantra the body is more than just a sexual entity.

Pastoralist traditions have long been extraordinarily important to the social, economic, political, and cultural life of the
region of western India called Maharashtra. The Marathi-language oral literature of the Dhangar shepherds of
Maharashtra is not only one of the most important elements of their own traditional cultural life, but also a treasure of
world literature. This volume presents two lively and well-crafted examples of the ovi, a genre typical of the oral literature of Dhangars. The two ovis in the volume narrate the stories of Biroba and Dhuloba, two of the most important gods of Dhangar shepherds. Each of the ovis tells an elaborate story of the birth of the god--a miraculous and complicated process in both cases--and of the struggles each one goes through in order to find and win his bride. The extensive introduction provides a literary analysis of the ovis and discusses what they reveal about the cosmology, geography, society, administrative structures, and economy of their performers' world, and about the performers views of pastoralistsand women.

The Svetasvataropanisad is considered to be the most beautiful of all the Upanisads, the philosophical texts of the Hindu religion. In this new translation, Devadatta Kali takes a fresh look, and works from a new premise that the Svetasvatara represents a Saivite (one of the Hindu sects) point of view. This he claims, allows its intended meaning to shine forth. The translation and commentary brings to life the seer Svetasvatara, who from time to time delights in provocation and word play, allowing the reader to share the joy of his liberated vision that all this world is an expression of the Divine. This translation aims to capture the seer's ecstatic response to the wonders of creation while pointing the reader towards the even greater wonder of its source. Devadata Kali's purpose in his translation and the commentary is to convey the vibrant immediacy of the Sanskrit original and strip away many centuries of exegetical accretions in order to make Svetasvatara's message heard as he intended--as a statement of profound insight designed to guide, inspire, and enlighten.
Features of the text:
* 13 pages of uninterrupted fl ow of the translation of the Upanisad.
* 6 chapters of the Upanisad in original Sanskrit with English translation and commentary.
* Two appendixes giving the word-by-word analysis of the Sanskrit and a complete tabulation of the correspondences with other texts and internal corresponds within the Upanisad itself.
* Index including bilingual references and major themes by verse.

In this magisterial volume of essays, Wendy Doniger enhances our understanding of the ancient and complex religion to which she has devoted herself for half a century. This series of interconnected essays and lectures surveys the most critically important and hotly contested issues in Hinduism over 3,500 years, from the ancient time of the Vedas to the present day. The essays contemplate the nature of Hinduism; Hindu concepts of divinity; attitudes concerning gender, control, and desire; the question of reality and illusion; and the impermanent and the eternal in the two great Sanskrit epics, the Ramayana and the Mahabharata. Among the questions Doniger considers are: Are Hindus monotheists or polytheists? How can atheists be Hindu, and how can unrepentant Hindu sinners find salvation? Why have Hindus devoted so much attention to the psychology of addiction? What does the significance of dogs and cows tell us about Hinduism? How have Hindu concepts of death, rebirth, and karma changed over the course of history? How and why does a pluralistic faith, remarkable for its intellectual tolerance, foster religious intolerance? Doniger concludes with four concise autobiographical essays in which she reflects on her lifetime of scholarship, Hindu criticism of her work, and the influence of Hinduism on her own philosophy of life. On Hinduism is the culmination of over forty years of scholarship from a renowned expert on one of the world's great faiths.

Singing a Hindu Nation is a study of rags>riya kirtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers of rags>riya kirtan led masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century. In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows that rags>riya kirtan has been especially successful in combining these two realms because kirtankars perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight. By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion. As the first monograph on music and Hindu-nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

In recent years, India's ''sacred groves,'' small forests or stands of trees set aside for a deity's exclusive use, have attracted the attention of NGOs, botanists, specialists in traditional medicine and anthropologists. Environmentalists disillusioned by the failures of massive state-sponsored solutions to ecological problems have hailed them as an exemplary form of traditional community resource management. For, in spite of pressures to utilize their trees for fodder, housing and firewood, the religious taboos surrounding sacred groves have led to the conservation of pockets of abundant flora in areas otherwise denuded by deforestation. Drawing on fieldwork conducted in the southern Indian state of Tamil Nadu over seven years, Eliza F. Kent offers a compelling examination of the religious and social context in which sacred groves take on meaning for the villagers who maintain them, and shows how they have become objects of fascination and hope for Indian environmentalists. Sacred Groves and Local Gods traces a journey through Tamil Nadu, exploring how the localized meanings attached to forested shrines are changing under the impact of globalization and economic liberalization. Confounding simplistic representations of sacred groves as sites of a primitive form of nature worship, the book shows how local practices and beliefs regarding sacred groves are at once more imaginative, dynamic, and pragmatic than previously thought. Kent argues that rather than being ancient in origin, as previously asserted by scholars, the religious beliefs, practices, and iconography found in sacred groves suggest origins in the politically de-centered eighteenth century, when the Tamil country was effectively ruled by local chieftains. She analyzes two projects undertaken by environmentalists that seek to harness the traditions surrounding sacred groves in the service of forest restoration and environmental education.

This is the first book-length study of the thought of Sri Chinmoy (1931-2007), who became well known during his lifetime as the exponent of a dynamic spirituality of integral transformation, which he set forth in an extensive body of writings in both prose and poetry, mostly in English but also in his native Bengali. He held that all fields of human endeavor can be venues of spiritual transformation when founded in aspiration and contemplative practice. He is noted not only as a spiritual teacher but also as an advocate of peace, a composer and musician, an artist and a sportsman who created innovative programs promoting self-transcendence and understanding between people of all cultures and walks of life. This study of Sri Chinmoy's philosophy refers to these diverse activities, especially in the biographical first chapter, but is mainly based on his written works. The book's aim is to give to the reader a straightforward and unembroidered account of Sri Chinmoy's philosophy. It makes every attempt to allow Sri Chinmoy to speak for himself in his own words, and thus provides ample quotation and draws on his poetic works as much as on his other writings.

Singing a Hindu Nation is a study of rags>riya kirtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers of rags>riya kirtan led masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century. In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows that rags>riya kirtan has been especially successful in combining these two realms because kirtankars perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight. By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion. As the first monograph on music and Hindu-nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.

The main subjects of analysis in the present book are the stages of initiation in the grand scheme of Theosophical evolution. These initiatory steps are connected to an idea of evolutionary self-development by means of a set of virtues that are relative to the individual's position on the path of evolution. The central thesis is that these stages were translated from the "Hindu" tradition to the "Theosophical" tradition through multifaceted "hybridization processes" in which several Indian members of the Theosophical Society partook. Starting with Annie Besant's early Theosophy, the stages of initiation are traced through Blavatsky's work to Manilal Dvivedi and T. Subba Row, both Indian members of the Theosophical Society, and then on to the Sanatana Dharma Text Books. In 1898, the English Theosophist Annie Besant and the Indian Theosophist Bhagavan Das together founded the Central Hindu College, Benares, which became the nucleus around which the Benares Hindu University was instituted in 1915. In this context the Sanatana Dharma Text Books were published. Muhlematter shows that the stages of initiation were the blueprint for Annie Besant's pedagogy, which she implemented in the Central Hindu College in Benares. In doing so, he succeeds in making intelligible how "esoteric" knowledge was transferred to public institutions and how a broader public could be reached as a result. The dissertation has been awarded the ESSWE PhD Thesis prize 2022 by the European Society for the Study of Western Esotericism.

People have argued since time immemorial. Disagreement is a part of life, of human experience. But we now live in times when any form of protest in India is marked as anti-Indian and met with arguments that the very concept of dissent was imported into India from the West. As Romila Thapar explores in her timely historical essay, however, dissent has a long history in the subcontinent, even if its forms have evolved through the centuries. In Voices of Dissent: An Essay, Thapar looks at the articulation of nonviolent dissent and relates it to various pivotal moments throughout India's history. Beginning with Vedic times, she takes us from the second to the first millennium BCE, to the emergence of groups that were jointly called the Shramanas-the Jainas, Buddhists, and Ajivikas. Going forward in time, she also explores the views of the Bhakti sants and others of the fifteenth and sixteenth centuries, and brings us to a major moment of dissent that helped to establish a free and democratic India: Mahatma Gandhi's satyagraha. Then Thapar places in context the recent peaceful protests against India's new, controversial citizenship law, maintaining that dissent in our time must be opposed to injustice and supportive of democratic rights so that society may change for the better. Written by one of India's best-known public intellectuals, Voices of Dissent will be essential reading not for anyone interested in India's fascinating history, but also the direction in which the nation is headed.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. This fourteenth- and fifteenth-century poet revolutionized the classical tradition and effectively created the classical genre of sustained, thematically focused, coherent large-scale compositions. Some of his works are proto-novellas: self-consciously fictional, focused on the development of characters, and endowed with compelling, fast-paced plots. Though entirely rooted in the cultural world of medieval south India, Srinatha is a poet of universal resonance and relevance. Srinatha: The Poet who Made Gods and Kings provides extended translations of Srinatha's major works and shows how the poet bridged gaps between oral (improvised) poetry and fixed literary works; between Telugu and the classical, pan-Indian language of Sanskrit; and between local and trans-local cultural contexts. Srinatha is a protean figure whose biography served the later literary tradition as a model and emblem for primary themes of Telugu culture, including the complex relations between sensual and erotic excess and passionate devotion to the temple god. He established himself as an ''Emperor of Poets'' who could make or break a great king and who, by encompassing the entire, vast geographical range of Andhra and Telugu speech, invented the idea of a comprehensive south Indian political empire (realized after his death by the Vijayanagara kings). In this wide-ranging and perceptive study, Shulman and Rao show Srinatha's place in a great classical tradition in a moment of profound cultural transformation.

Mirigavati or The Magic Doe is the work of Shaikh Qutban Suhravardi, an Indian Sufi master who was also an expert poet and storyteller attached to the glittering court-in-exile of Sultan Husain Shah Sharqi of Jaunpur. Composed in 1503 as an introduction to mystical practice for disciples, this powerful Hindavi or early Hindi Sufi romance is a richly layered and sophisticated text, simultaneously a spiritual enigma and an exciting love-story full of adventures. The Mirigavati is both an excellent introduction to Sufism and one of the true literary classics of pre-modern India, a story that draws freely on the large pool of Indian, Islamic, and European narrative motifs in its distinctive telling of a mystical quest and its resolution. Adventures from the Odyssey and the voyages of Sindbad the Sailor-sea voyages, encounters with monstrous serpents, damsels in distress, flying demons and cannibals in caves, among others-surface in Suhravardi's rollicking tale, marking it as first-rate entertainment for its time and, in private sessions in Sufi shrines, a narrative that shaped the interior journey for novices. Before his untimely death in 2009, Aditya Behl had completed this complete blank verse translation of the critical edition of the Mirigavati, which reveals the precise mechanism and workings of spiritual signification and use in a major tradition of world and Indian literature.

The Ramayana tells the tale of Rama and his beloved Sita, but its narratives and intent, as with all great literature, point to the grand themes of life, death and righteousness. Originally written in ancient Sanskrit, the elegant, epic work is a key part of the canon of both Hinduism and Buddhism. It continues to inspire art, theatre, poetry and temple architecture, dominating the spiritual landscape of the vast Indian sub-continent and the diaspora throughout the rest of the world. This deluxe new edition revives Ralph T. H. Griffith's evocative verse translation and abridges it for the modern reader - bringing the gripping narrative to the forefront. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.