In Hindu Gods in West Africa, Wuaku offers an account of the histories, beliefs and practices of the Hindu Monastery of Africa and the Radha Govinda Temple, two Hindu Temples in Ghana. Using historical material and data from his field work in southern Ghana, Wuaku shows how these two Hindu Temples build their traditions on popular Ghanaian religious notions about the powerful magicality of India's Hindu gods. He explores how Ghanaian soldiers who served in the colonial armies in India, Sri Lanka, and Burma during World War II, Bollywood films, and local magicians, have contributed to the production and the spreading of these cultural ideas. He argues that while Ghanaian worshippers appropriated and deployed the alien Hindu religious world through their own cultural ideas,as they engage Hindu beliefs and rituals in negotiating challenges their own worldviews would change considerably.

This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if examined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization.

This volume presents a detailed ethnographic study of rural Paraiyar communities in South India, focusing on their religions and cultural identity. Formerly known as Dalits, or Untouchables, these are a largely socially marginalised group living within a dynamic and complex social matrix dominated by the caste system and its social and religious implications in India. Through examining Paraiyar Christian communities, the author provides a comprehensive understanding of Paraiyar religious worldviews within the dominant Hindu religious worldview. In contrast to existing research, this volume places the Paraiyars within their wider social context, ascribed and achieved identity, religious symbolism and ritual and negotiation of social boundaries. In arguing that the Paraiyars help us to understand religion as 'lived', the author removes the concept 'religion' from the reified forms it so often obtains in textbooks. Instead, Jeremiah demonstrates that it is only in local and specific contexts, as opposed to essentialised notions, that 'religion' either makes any sense or that theories concerning it can be tested.

Originally published in 1864. Author: H. H. Wilson, M.A., F.R.S., Language: English Keywords: Religion / Hinduism Translated from the original Sanskrit. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Read the story of two worlds that converge: one of Hindu immigrants in America who want to preserve their traditions and pass them on to their children in a new and foreign land, and one of American spiritual seekers who find that the traditions of India fulfil their most deeply held aspirations. Learn about the theoretical approaches to Hinduism in America, the question of orientalism, and "the invention of Hinduism." The book discusses: * the history of Hinduism and its journey to America * how concepts like karma, rebirth, meditation and yoga have infiltrated and influenced the American consciousness * Hindu temples in North America * the influence of Hinduism on vegetarianism and religious pluralism * the emergence of an increasingly assertive socially and politically active American Hinduism. Hinduism in America contains 30 images, chapter summaries, a glossary, study questions, and suggestions for further reading.

Today the Kumbh Mela in Allahabad, India, is a major Hindu religious pilgrimage and the largest religious gathering in the world. In 2001, according to the government of Uttar Pradesh, 30 million pilgrims were drawn to the confluence of the rivers Ganga and Yamuna on the most auspicious day for bathing. In an impressive feat of organization and administration, the first mela of the new millennium was managed to the overwhelming satisfaction of most, with an impressive health and safety record. The loudest complaint had to do with the intrusive presence of the media. Journalists, largely representing foreign media outlets, had swarmed to the mela, intent on broadcasting to a global audience sensational images of naked (or wet-sari-clad) Indians taking part in "ancient" religious rituals.
Resistance to foreign interference with the mela has roots that go back 200 years. The British colonial state and the colonized had different ideas about what the Kumbh Mela represented: for the former, it was a potentially dangerous gathering that demanded tight regulation and control, but for the latter it was a sacred sphere in which foreign domination and interference were intolerable. In this book Kama Maclean examines this tension and the manner in which it was negotiated by each side. She asks why and how the colonial state tried to manipulate the mela and, more important, how the mela changed as Indians responded to the colonial power. In recent years many scholars have emphasized the extent to which the Kumbh Mela has been monopolized by the Hindu nationalist movement. Maclean seeks to situate the history of the Kumbh Mela in Allahabad within a much broader context. She explores the role ofa pilgrimage fair like the Kumbh Mela in disseminating ideas, particularly political ones like nationalism and ideas about social reform.
Kama Maclean tells the mesmerizing and important story of the Kumbh Mela with exciting detail as well as careful scholarly attention, illuminating for the reader the full scope of the event's historical and socio-political context.

Hinduism, the Truth is not a sect of a faith or a man-made religion. The Cosmic Truth of Hinduism is non denominational and universal and its founder is unknown. However, ancient Rishis and Saints have nurtured and revived it into what it is today. Hinduism's basic concept is unique with its link to Cosmic Energy, its traditions and culture is also linked to nature.

A diagram explaining the distribution of Cosmic energy is explained, is given in this book. Lord Shiva is the Cosmic dancer. It is depicted that Brahma is the creator, Vishnu the Preserver and Shiva is in charge of evolution, for easy understanding by the people.

This book deals with speculations about the origin of Hinduism and its association with nature. The design and energy of the Hindu temple and how the energy is associated with the power of Yantras, and Chakras in the human body, mantras and their connection with sound waves, Solar system, and Time. Idol / Deity worship and rituals etc.

The book covers the five Ishwarams temples of Shiva, Sakthi, Karthigeya, Vishnu, Kannagi in Sri Lanka, worshipped by Hindus and Buddhists. Hinduism had its origin in the Indus valley civilization. The word Hindu is derived from the Indus river and dates back to over 5,000 years or more. This book also touches the link between the Hinduism and Buddhism. Kannagi (Pathini) and her worship by Sri Lankan Tamils and Singhalese is also explained in the book.

Originally published in 1931, this is a systematic and comprehensive history of caste in India and its influence on Hindu law, social institutions and society as a whole. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: The Caste System - Caste in the Rigveda - Caste during the Brahmana Period - Caste in the Sutras - Caste in the Sutras Continued - Appendix - Verifications from Non-Brahmanical Writings - Caste in Early Buddhist Literature - Caste in Greek Accounts - Bibliography

Skandapurana III presents a critical edition of the Vindhyavasini Cycle (Adhyayas 34.1-61, 53-69) from the Skandapurana , with an introduction and annotated English synopsis. The text edited in this volume provides the oldest full account of the myth of the goddess of the Vindhya mountains; it is one of the main sources of the Devimahatmya, the most famous scripture of the goddess worship in India, and as such indispensable for the study of the history of goddess worship. The introduction contains an examination into the relationship of the manuscripts and the date of the Skandapurana . The work is currently only available in print as an exact reprint done in a smaller book size (15.5 x 23.5 cm) than the first printrun.

Explicitly acknowledging its status as a stri-sudra-veda (a Veda for women and the downtrodden), the Mahabharata articulates a promise to bring knowledge of right conduct, fundamental ethical, philosophical, and soteriological teachings, and its own grand narrative to all classes of people and all beings. Hiltebeitel shows how the Mahabharata has more than lived up to this promise at least on the ground in Indian folk traditions. In this three-part volume, he journeys over the overlapping terrains of the south Indian cults of Draupadi (part I) and Kuttantavar (part II), to explore how the Mahabharata continues to be such a vital source of meaning, and, in part III, then connects this vital tradition to wider reflections on prehistory, sacrifice, myth, oral epic, and modern theatre. This two volume edition collects nearly three decades of Alf Hiltebeitel's researches into the Indian epic and religious tradition. The two volumes document Hiltebeitel's longstanding fascination with the Sanskrit epics: volume 1 presents a series of appreciative readings of the Mahabharata (and to a lesser extent, the Ramayana), while volume 2 focuses on what Hiltebeitel has called "the underground Mahabharata," i.e., the Mahabharata as it is still alive in folk and vernacular traditions. Recently re-edited and with a new set of articles completing a trajectory Hiltebeitel established over 30 years ago, this work constitutes a definitive statement from this major scholar. Comprehensive indices, cross-referencing, and an exhaustive bibliography make it an essential reference work. For more information on the first volume please click here.