This volume examines notions of health and illness in North Indian devotional culture, with particular attention paid to the worship of the goddess Sitala, the Cold Lady. Consistently portrayed in colonial and postcolonial literature as the ambiguous 'smallpox goddess', Sitala is here discussed as a protector of children and women, a portrayal that emerges from textual sources as well as material culture. The eradication of smallpox did not pose a threat to Sitala and her worship. She continues to be an extremely popular goddess. Religion, Devotion and Medicine in North India critically examines the rise and affirmation of the 'smallpox myth' in India and beyond, and explains how Indian narratives, ritual texts and devotional songs have celebrated Sitala as a loving mother who protects her children from the effects, and the fear, of poxes, fevers and infantile disorders but also all sorts of new threats (such as global pandemics, addictions and environmental catastrophes). The book explores a wide range of ritual and devotional practices, including scheduled festivals, songs, vows, pageants, austerities, possession, animal sacrifices and various forms of offering. Built on extensive fieldwork and a close textual analysis of sources in Sanskrit and vernacular languages (Hindi, Bhojpuri and Bengali) as well as on a rich bibliography on the struggle against smallpox in colonial and post-colonial India, the book reflects on the ambiguous nature of Sitala as a phenomenon largely dependent on the enduring fascination with the exotic, and the horrific, that has pervaded public renditions of Indian culture in indigenous fiction, colonial reports, medical literature and now global culture. To aid study, the volume includes images, web links, appendixes and a filmography.

Some feminist theologians in the West have suggested that a move toward powerful yet compassionate female religious imagery, inspired by ancient goddess cultures, would empower women and create a more balanced and humane society. Yet India has one of the oldest continuous traditions of goddess worship in the world, a tradition which is very much alive today. In fact, the Hindu tradition holds that the Divine Mother can take form as an apparently human being. Moreover, Hindu women throughout the centuries have been considered to be living saints and venerated as such.
This book examines the life of one such woman, Anandamayi Ma, who by the time of her death in 1982 was widely revered as a saint, guru, and incarnation of God. Born into a poor brahman family in Bengal in 1896, Anandamayi Ma became one of the most renowned Hindu holy women of modern times. Ma found her religious vocation early, and by 1926, she had begun her ceaseless travels through India, attracting devotees wherever she went, among them such prominent figures as Kamala Nehru and her daughter, Indira Gandhi. By the time of her death Ma's devotees numbered in the hundreds of thousands, and today they continue to worship her daily in their homes and gather to participate in spiritual practices in her name. Drawing on extensive interviews, literature from Ma's community, and a vast array of other sources, Lisa Hallstrom paints a fascinating and vivid portrait of this extraordinary woman, her teachings, and her continuing influence. In the process, Hallstrom sheds new light on a wide range of important themes in the Hindu tradition, and examines the capacity of a powerful female religious figure to serve as a model for women when she is perceived as divine, and, therefore, beyond gender.

Skandapurana IIb presents a critical edition of Adhyayas 31-52 from the Skandapurana, with an introduction and English synopsis. The text edited in this volume includes central myths of early Saivism, such as the destruction of Daksa's sacrifice and Siva acquiring the bull for his vehicle. Also included is an extensive description of the thirteen hells (Naraka).

This is the first book-length study that explores the history and nature of vrats--votive fasting rites--the role these rites play in the religious lives of Hindu women in North India, and the meanings these women attribute to them.

Here, in one compact volume, is the episode of the great Hindu epic the Mahabharata known as The Message of the Master or the Song of God, in which Krishna reveals himself to be a god and expounds on the duties of the warrior, the prince, and all those who wish to follow in the path of the divine. This 1907 volume is a compilation of the best English translations available at the turn of the 20th century edited by one of the most influential thinkers of the early New Age movement known as New Thought, which was intensely interested in all manner of spirituality and serves as a succinct introduction to Hindu philosophy. A beloved guide to living a fulfilling life, this is essential reading for those interested in global religion and comparative mythology.American writer WILLIAM WALKER ATKINSON (1862 1932) aka Theron Q. Dumont was born in Baltimore and had built up a successful law practice in Pennsylvania before professional burnout led him to the religious New Thought movement. He served as editor of the popular magazine New Thought from 1901 to 1905, and as editor of the journal Advanced Thought from 1916 to 1919. He authored dozens of New Thought books including Arcane Formula or Mental Alchemy and Vril, or Vital Magnetism under numerous pseudonyms, some of which are likely still unknown today.

The way people encounter ideas of Hinduism online is often shaped by global discourses of religion, pervasive Orientalism and (post)colonial scholarship. This book addresses a gap in the scholarly debate around defining Hinduism by demonstrating the role of online discourses in generating and projecting images of Hindu religion and culture. This study surveys a wide range of propaganda, websites and social media in which definitions of Hinduism are debated. In particular, it focuses on the role of Hindu nationalism in the presentation and management of Hinduism in the electronic public sphere. Hindu nationalist parties and individuals are highly invested in discussions and presentations of Hinduism online, and actively shape discourses through a variety of strategies. Analysing Hindu nationalist propaganda, cyber activist movements and social media presence, as well as exploring methodological strategies that are useful to the field of religion and media in general, the book concludes by showing how these discourses function in the wider Hindu diaspora. Building on religion and media research by highlighting mechanical and hermeneutic issues of the Internet and how it affects how we encounter Hinduism online, this book will be of significant interest to scholars of religious studies, Hindu studies and digital media.

Philosophy of The Bhagavad Gita: A Contemporary Introduction presents a complete philosophical guide and new translation of the most celebrated text of Hinduism. While usually treated as mystical and religious poetry, this new translation focuses on the philosophy underpinning the story of a battle between two sets of cousins of the Aryan clan. Designed for use in the classroom, this lively and readable translation: - Situates the text in its philosophical and cultural contexts - Features summaries and chapter analyses and questions at the opening and end of each of the eighteen chapters encouraging further study - Highlights points of comparison and overlap between Indian and Western philosophical concepts and themes such as just war, care ethics, integrity and authenticity - Includes a glossary allowing the reader to determine the meaning of central concepts Written with clarity and without presupposing any prior knowledge of Hinduism, Philosophy of the Bhagavad Gita: A Contemporary Introduction reveals the importance and value of reading the Gita philosophically.

Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati's origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati's evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.

Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism - up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon. This book focuses on Hindu images and their worship with special reference to Vaisnavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the "Abrahamic" faiths, which tend to condemn Hindu image-worship as "idolatry", the author examines the theological explanation and justification for embodiment of the Deity in Hinduism and discusses how Hinduism might justify itself against such a charge. Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.