'Hinduism' is a term often used to summarize the aspirations of the majority of the Indian people. But any simple definition of it is difficult, if not impossible. This is partly owing to the nuances of the Sanskrit language, in which many texts are written, and partly to the too literal interpretation of Hindu imagery and mythology that often veils its real significance. This book, first published in 1977, is an essential reference source that goes some way to clarifying the difficulties of understanding Hinduism.

The Routledge International Handbook of Charisma provides an unprecedented multidimensional and multidisciplinary comparative analysis of the phenomenon of charisma - first defined by Max Weber as the irrational bond between deified leader and submissive follower. It includes broad overviews of foundational theories and experiences of charisma and of associated key issues and themes. Contributors include 45 influential international scholars who approach the topic from different disciplinary perspectives and utilize examples from an array of historical and cultural settings. The Handbook presents up-to-date, concise, thought-provoking, innovative, and informative perspectives on charisma as it has been expressed in the past and as it continues to be manifested in the contemporary world by leaders ranging from shamans to presidents. It is designed to be essential reading for all students, researchers, and general readers interested in achieving a comprehensive understanding of the power and potential of charismatic authority in all its varieties, subtleties, dynamics, and current and potential directions.

Deepak Chopra considers the mystery of our existence and its significance in our eternal quest for happiness. Who am I? Where did I come from? Where do I go when I die? "Chopra draws upon the ancient philosophy of Vedanta and the findings of modern science to help us understand and experience our true nature, which is a field of pure consciousness. When we understand our true nature, we begin to live from the source of true happiness, which is not mere happiness for this or that reason, but true inner joy. When we know who we are, we allow the universe to flow through us with effortless ease, and our lives are infused with power, freedom, and grace.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. This fourteenth- and fifteenth-century poet revolutionized the classical tradition and effectively created the classical genre of sustained, thematically focused, coherent large-scale compositions. Some of his works are proto-novellas: self-consciously fictional, focused on the development of characters, and endowed with compelling, fast-paced plots. Though entirely rooted in the cultural world of medieval south India, Srinatha is a poet of universal resonance and relevance. Srinatha: The Poet who Made Gods and Kings provides extended translations of Srinatha's major works and shows how the poet bridged gaps between oral (improvised) poetry and fixed literary works; between Telugu and the classical, pan-Indian language of Sanskrit; and between local and trans-local cultural contexts. Srinatha is a protean figure whose biography served the later literary tradition as a model and emblem for primary themes of Telugu culture, including the complex relations between sensual and erotic excess and passionate devotion to the temple god. He established himself as an ''Emperor of Poets'' who could make or break a great king and who, by encompassing the entire, vast geographical range of Andhra and Telugu speech, invented the idea of a comprehensive south Indian political empire (realized after his death by the Vijayanagara kings). In this wide-ranging and perceptive study, Shulman and Rao show Srinatha's place in a great classical tradition in a moment of profound cultural transformation.

The Indian sage Ramana Maharshi (1879- 1950) is perhaps the most widely known Indian spiritual figure of the last century, second only to Gandhi. This new book offers a fresh introduction to the Maharshi's life and teachings, intending to situate him within the non-dualistic traditions of Hinduism. It also delves into themes and questions particularly relevant to the spiritual crisis and search for meaning that have characterised, in various ways, both the modern and postmodern outlooks. While the Maharshi's background and frames of reference were traditional, the spiritual resonance of his teachings in today's world must also be recognised. The sage's message lies at the intersection of the contemporary search for Self-knowledge, and today's critical reflections on the foundations and limits of religion. Thus, the book comprises seven chapters that touch upon such central issues as the role of religion in Self-inquiry; the relationship between devotion and knowledge; the role and limitations of traditional forms; and the implications in our postmodern era of both the Maharshi's emphasis on surrender, and his basic question: 'Who am I?' Published in collaboration with GEORGETOWN UNIVERSITY Center for International and Regional Studies, School of Foreign Service in Qatar.

Mirigavati or The Magic Doe is the work of Shaikh Qutban Suhravardi, an Indian Sufi master who was also an expert poet and storyteller attached to the glittering court-in-exile of Sultan Husain Shah Sharqi of Jaunpur. Composed in 1503 as an introduction to mystical practice for disciples, this powerful Hindavi or early Hindi Sufi romance is a richly layered and sophisticated text, simultaneously a spiritual enigma and an exciting love-story full of adventures. The Mirigavati is both an excellent introduction to Sufism and one of the true literary classics of pre-modern India, a story that draws freely on the large pool of Indian, Islamic, and European narrative motifs in its distinctive telling of a mystical quest and its resolution. Adventures from the Odyssey and the voyages of Sindbad the Sailor-sea voyages, encounters with monstrous serpents, damsels in distress, flying demons and cannibals in caves, among others-surface in Suhravardi's rollicking tale, marking it as first-rate entertainment for its time and, in private sessions in Sufi shrines, a narrative that shaped the interior journey for novices. Before his untimely death in 2009, Aditya Behl had completed this complete blank verse translation of the critical edition of the Mirigavati, which reveals the precise mechanism and workings of spiritual signification and use in a major tradition of world and Indian literature.

This book explores the ways in which modern Hindu identities were constructed in the early nineteenth century. It draws parallels between sixteenth and eventeenth Cecntury Protestantism and the rise of modernity in the West, and the Hindu reformation in the nineteenth century which contributed to the rise of Vedantic Hindu modernity discourse in India. The nineteenth century Hindu modernity, it is argued, sought both individual flourishing and collective emancipation from Western domination. For the first time Hinduism began to be constructed as a religion of sacred texts. In particular, texts belonging to what could be loosely called Vedanta: Upanishads and the Bhagavad Gita. In this way, the main protagonists of this Vedantist modernity were imitating Western Protestantism, but at the same time also inventing totally novel interpretations of what it meant to be Hindu. The book traces the major ideological paths taken in this cultural-religious reformation from its originator Rammohun Roy up to its last major influence, Rabindranath Tagore. Bringing these two versions of modernity into conversation brings a unique view on the formation of modern Hindu identities. It will, therefore, be of great interest to scholars of religious, Hindu and South Asian studies, as well as religious istory and interreligious dialogue.

Dharma is central to all the major religious traditions which originated on the Indian subcontinent. Such is its importance that these traditions cannot adequately be understood apart from it. Often translated as "ethics," "religion," "law," or "social order," dharma possesses elements of each of these but is not confined to any single category familiar to Western thought. Neither is it the straightforward equivalent of what many in the West might usually consider to be "a philosophy". This much-needed analysis of the history and heritage of dharma shows that it is instead a multi-faceted religious force, or paradigm, that has defined and that continues to shape the different cultures and civilizations of South Asia in a whole multitude of forms, organizing many aspects of life. Experts in the fields of Hindu, Jain, Buddhist and Sikh studies here bring fresh insights to dharma in terms both of its distinctiveness and its commonality as these are expressed across, and between, the several religions of the subcontinent. Exploring ethics, practice, history and social and gender issues, the contributors engage critically with some prevalent and often problematic interpretations of dharma, and point to new ways of appreciating these traditions in a manner that is appropriate to and thoroughly consistent with their varied internal debates, practices and self-representations.

Scholars of religion and seekers in general will find Forms of Krishna: Collected Essays on Vaishnava Murtis to be an informative introduction to Indic philosophy and Vaishnava history, particularly in terms of Krishna's form and the underlying theological and scriptural background for the worship of his iconic image. For those who are already so informed, many details of Krishna and his worship are unveiled for the first time (at least in the English language), and this is especially so for the much beloved icons explored in these pages, whose full story may be hard to find, even in Sanskrit and Bengali literature. Just as Krishna's form and its many variants are central to Gaudiya Vaishnava thought, the entire philosophy of Indian spirituality, including yoga and meditation, can be understood through these forms in both direct and indirect ways. Steven J. Rosen, well known in the field as founding editor of the Journal of Vaishnava Studies, brings his vast learning to bear, as readers are brought into the esoteric world of Vaishnavism.

This book offers a close-up view of the religious world of one of the most influential families in Vrinbadan, India's premier place of pilgrimage for worshipers of Krishna. This priestly family has arguably been the most creative force in this important town. Their influence also radiates well beyond India's borders both because of their tireless work in fostering scholarship and performance about Krishna and because the scion of the family, Shrivatsa Goswami, has become an international spokesman for Hindu ways and concerns. Case, who has been an occasional resident in the family ashram, gives the reader a real sense of the atmosphere of daily life there, and the complete devotion of the residents to the service and worship of Krishna.

Inter-religious relations in India are notoriously fraught, not infrequently erupting into violence. This book looks at a place where the conditions for religious conflict are present, but active conflict is absent. Bigelow focuses on a Muslim majority Punjab town (Malkerkotla) where both during the Partition and subsequently there has been no inter-religious violence. With a minimum of intervention from outside interests, Muslims, Hindus, and Sikhs have successfully managed conflict when it does arise. Bigelow explores the complicated history of the region, going back to its foundation by a Sufi saint in the fifteenth century. Combining archival and interview material, she accounts for how the community's idealized identity as a place of peace is realized on the ground through a variety of strategies. As a story of peace in a region of conflict, this study is an important counterbalance to many conflict studies and a corrective to portrayals of Islamic cultures as militant and intolerant. This fascinating town with its rich history will be of interest to students and scholars of Islam, South Asia, and peace and conflict resolution.

Living Mantra is an anthropology of mantra-experience among Hindu-tantric practitioners. In ancient Indian doctrine and legends, mantras perceived by rishis (seers) invoke deities and have transformative powers. Adopting a methodology that combines scholarship and practice, Mani Rao discovers a continuing tradition of visionaries (rishis/seers) and revelations in south India's Andhra-Telangana. Both deeply researched and replete with fascinating narratives, the book reformulates the poetics of mantra-practice as it probes practical questions. Can one know if a vision is real or imagined? Is vision visual? Are deity-visions mediated by culture? If mantras are effective, what is the role of devotion? Are mantras language? Living Mantra interrogates not only theoretical questions, but also those a practitioner would ask: how does one choose a deity, for example, or what might bind one to a guru? Rao breaks fresh ground in redirecting attention to the moments that precede systematization and canon-formation, showing how authoritative sources are formed.

In Kali in Bengali Lives, Suchitra Samanta examines Bengalis' personal narratives of Kali devotion in the Bhakti tradition. These personal experiences, including miraculous encounters, reflect on broader understandings of divine power. Where the revelatory experience has long been validated in Indian epistemology, the devotees' own interpretive framework provides continuity within a paradigm of devotion and of the miraculous experience as intuitive insight (anubhuti) into a larger truth. Through these unique insights, the miraculous experience is felt in its emotional power, remembered, and reflected upon. The narratives speak to how the meaning of a religious figure, Kali, becomes personally significant and ultimately transformative of the devotee's self.

About Carole Satyamurti's translation "Carole Satyamurti's version of the Mahabharata moves swiftly and powerfully. She has found a voice that's capable of a wide variety of expression, and a line--basically classical English blank verse with a jazz-like freedom to swing--that propels the reader effortlessly onward through the cosmic, terrifying, erotic, sublime events of this extraordinary work. I think I shall never get tired of it." --PHILIP PULLMAN, author of The Golden Compass

Narasimha is one of the least studied major deities of Hinduism. Furthermore, there are limited studies of the history, thought, and literature of middle India. Lavanya Vemsani redresses this by exploring a range of primary sources, including classical Sanskrit texts (puranas and epics), and regional accounts (sthalapuranas), which include texts, artistic compositions, and oral folk stories in the regional languages of Telugu, Oriya, and Kannada. She also examines the historical context as well as contemporary practice. Moving beyond the stereotypical classifications applied to sources of Hinduism, this unique study dedicates chapters to each region of middle India bringing together literary, religious, and cultural practices to comprehensively understand the religion of Middle India (Madhya Desha). Incorporating lived religion and textual data, this book offers a rich contribution to Hindu studies and Indian studies in general, and Vaishnava Studies and regional Hinduism in particular.

From the Wolfson History Prize-winning author of The Man on Devil's Island, the definitive biography of Vivekananda, the Indian monk who shaped the intellectual and spiritual history of both East and West. Few thinkers have had so enduring an impact on both Eastern and Western life as Swami Vivekananda, the Indian monk who inspired the likes of Freud, Gandhi, and Tagore. Blending science, religion, and politics, Vivekananda introduced Westerners to yoga and the universalist school of Hinduism called Vedanta. His teachings fostered a more tolerant form of mainstream spirituality in Europe and North America and forever changed the Western relationship to meditation and spirituality. Guru to the World traces Vivekananda's transformation from son of a Calcutta-based attorney into saffron-robed ascetic. At the 1893 World Parliament of Religions in Chicago, he fascinated audiences with teachings from Hinduism, Western esoteric spirituality, physics, and the sciences of the mind, in the process advocating a more inclusive conception of religion and expounding the evils of colonialism. Vivekananda won many disciples, most prominently the Irish activist Margaret Noble, who disseminated his ideas in the face of much disdain for the wisdom of a "subject race." At home, he challenged the notion that religion was antithetical to nationalist goals, arguing that Hinduism was intimately connected with Indian identity. Ruth Harris offers an arresting biography, showing how Vivekananda's thought spawned a global anticolonial movement and became a touchstone of Hindu nationalist politics a century after his death. The iconic monk emerges as a counterargument to Orientalist critiques, which interpret East-West interactions as primarily instances of Western borrowing. As Vivekananda demonstrates, we must not underestimate Eastern agency in the global circulation of ideas.