Modern Hindu Personalism explores the life and works of Bhaktisiddhanta Sarasvati (1874-1937), a Vaishnava guru of the Chaitanya school of Bengal. Ferdinando Sardella examines Bhaktisiddhanta's background, motivation and thought, especially as it relates to his forging of a modern traditionalist institution for the successful revival of Chaitanya Vaishnava bhakti. Originally known as the Gaudiya Math, that institution not only established centers in both London (1933) and Berlin (1934), but also has been indirectly responsible for the development of a number of contemporary global offshoots, including the International Society for Krishna Consciousness (Hare Krishna movement). Sardella provides the historical background as well as the contemporary context of the India in which Bhaktisiddhanta lived and functioned, in the process shedding light on such topics as colonial culture and sensibilities, the emergence of an educated middle-class, the rise of the Bengal Renaissance, and the challenge posed by Protestant missionaries. Bhaktisiddhanta's childhood, education and major influences are examined, as well as his involvement with Chaitanya Vaishnavism and the practice of bhakti. Sardella depicts Bhaktisiddhanta's attempt to propagate Chaitanya Vaishnavism internationally by sending disciples to London and Berlin, and offers a detailed description of their encounters with Imperial Britain and Nazi Germany. He goes on to consider Bhaktisiddhanta's philosophical perspective on religion and society as well as on Chaitanya Vaishnavism, exploring the interaction between philosophical and social concerns and showing how they formed the basis for the restructuring of his movement in terms of bhakti. Sardella places Bhaktisiddhanta's life and work within a taxonomy of modern Hinduism and compares the significance of his work to the contributions of other major figures such as Swami Vivekananda. Finally, Bhaktisiddhanta's work is linked to the development of a worldwide movement that today involves thousands of American and European practitioners, many of whom have become respected representatives of Chaitanya bhakti in India itself.

In this third installment of his comprehensive history of "India's religion" and reappraisal of Hindu identity, Professor Jyotirmaya Sharma offers an engaging portrait of Swami Vivekananda and his relationship with his guru, the legendary Ramakrishna. Sharma's work focuses on Vivekananda's reinterpretation and formulation of diverse Indian spiritual and mystical traditions and practices as "Hinduism" and how it served to create, distort, and justify a national self-image. The author examines questions of caste and the primacy of the West in Vivekananda's vision, as well as the systematic marginalization of alternate religions and heterodox beliefs. In doing so, Professor Sharma provides readers with an incisive entryway into nineteenth- and twentieth-century Indian history and the rise of Hindutva, the Hindu nationalist movement. Sharma's illuminating narrative is an excellent reexamination of one of India's most controversial religious figures and a fascinating study of the symbiosis of Indian history, religion, politics, and national identity. It is an essential story for anyone interested in the evolution of one of the world's great religions and its role in shaping contemporary India.

Popularly Hinduism is believed to be the world's oldest living religion. This claim is based on a continuous reverence to the oldest strata of religious authority within the Hindu traditions, the Vedic corpus, which began to be composed more than three thousand years ago, around 1750-1200 BCE. The Vedas have been considered by many as the philosophical cornerstone of the Brahmanical traditions (astika); even previous to the colonial construction of the concept of "Hinduism." However, what can be pieced together from the Vedic texts is very different from contemporary Hindu religious practices, beliefs, social norms and political realities. This book presents the results of a study of the traditional education and training of Brahmins through the traditional system of education called gurukula as observed in 25 contemporary Vedic schools across the state of Maharasthra. This system of education aims to teach Brahmin males how to properly recite, memorize and ultimately embody the Veda. This book combines insights from ethnographic and textual analysis to unravel how the recitation of the Vedic texts and the Vedic traditions, as well as the identity of the traditional Brahmin in general, are transmitted from one generation to the next in contemporary India.

"Hindutva" in India is a chauvinist and majoritarian political ideology that conjures up the image of a peaceful Hindu Self vis-a-vis the threatening minority Other. It is "porno-nationalism" in its obsessive preoccupation with the predatory sexuality of the putative Muslim figure and the dangers to the integrity of the Hindu bodies. The proponents of "Hindutva" mobilize and generate negative stereotypes of Islam and putative Muslims to legitimize violence against actual Muslims living in India. Adopting a critical ethnographic approach, this book investigates myriad ways in which the discourses of culture, insecurity, gender, identity, and violence intersect in Hindu nationalism's reactionary and right-wing politics of fear and imagination.

The historical and empirical project presented here is grounded in a desire to theorize 'religion-state' relations in the multi-ethnic, multi-religious, secular city-state of Singapore. The core research problematic of this project has emerged out of the confluence of two domains, 'religion, law and bureaucracy' and 'religion and colonial encounters.' This work has two core objectives: one, to articulate the actual points of engagement between institutions of religion and the state, and two, to identify the various processes, mechanisms and strategies through which relations across these spheres are sustained. The thematic foundations of this book rest on disentangling the complex interactions between religious communities, individuals and the various manifestations of the Singapore state, relationships that are framed within a culture of bureaucracy. This is accomplished through a scrutiny of Hindu domains on the island nation-state, from her identity as part of the Straits Settlements to the present day. The empirical and analytical emphases of this book rest onthe author'sengagement with the realm of Hinduism as it is conceived, structured, framed and practiced within the context of a strong state in Singapore today. Ethnographically, the book focusses on Hindu temple management and the observance of Hindu festivals and processions, enacted within administrative and bureaucratic frames.

The image of the meditating yogi has become a near-universal symbol for transcendent perfection used to market everything from perfume and jewelry to luxury resorts and sports cars, and popular culture has readily absorbed it along similar lines. Yet the religious traditions grounding such images are often readily abandoned or caricatured beyond recognition, or so it would seem. The essays contained in The Assimilation of Yogic Religions through Pop Culture explore the references to yogis and their native cultures of India, Tibet, and China as they are found in the stories of many famous icons of popular culture, from Batman, Spider-Man, and Doctor Strange to Star Trek, Doctor Who, Twin Peaks, and others. In doing so, the authors challenge the reader to look deeper into the seemingly superficial appropriation of the image of the yogi and Asian religious themes found in all manner of comic books, novels, television, movies, and theater and to carefully examine how they are being represented and what exactly is being said.

Arthur Osborne has packed into this small volume all of the essential information relating to the life and teachings of Bhagavan Sri Ramana Maharshi (1879-1950). The extraordinary teachings of Sri Ramana Maharshi continue to bless the lives of countless seeking souls, and his life fills us with wonder. As a teenager-hardly seventeen-he realized the Self through a spontaneous act of Self-enquiry without conscious effort or special training imparted by a teacher. He left his home (at Madurai) in 1896 and came to Arunachala (Tiruvannamalai), where he lived as an all-renouncing sage in a state of continuous Self-realization for fifty-four years-until his mahanirvana in 1950. The author includes in this volume instructions given by Sri Ramana to early devotees, such as Sivaprakasam Pillai, Frank Humphreys, Kavyakanta, Natesa Mudaliar, and others, as well as the experiences of Paul Brunton and other later devotees. Sri Maharshi's central message is that Self-knowledge is not something to be acquired afresh. It is only becoming aware of one's own natural state of Pure Being, through Self-enquiry. Arthur Osborne (1906-1970) was an ardent devotee of Sri Ramana Maharshi and particularly well known as founder-editor of The Mountain Path, the spiritual journal of Sri Ramanasramam. After completing his studies at Oxford, he moved first to Poland, then to Bangkok, where he lectured at Chulalonghorn University and through a friend learnt about French metaphysician Rene Guenon, whose works dealt comprehensively with Hindu metaphysics, eventually translating into English his Crisis of the Modern World. He later spent four years as a prisoner of war of the Japanese before being united with his family, who were waiting at Sri Ramanasramam, Tiruvannamalai. He spent the remainder of his life there, writing about Sri Ramana and related subjects. He died in 1970, his body much weakened by the effect of his years in the concentration camp.

Kali Kaula is a practical and experiential journey through the land of living magickal art that is Tantra, guided by the incisive, inspired and multi-talented hands of Jan Fries. By stripping away the fantasies and exploring the roots, flowers and fruits of Tantra, the author provides an outstandingly effective and coherent manual of practices. Acknowledging the huge diversity of Tantric material produced over the centuries, Jan Fries draws on several decades of research and experience and focuses on the early traditions of Kula, Kaula and Krama, and the result is this inimitable work which shines with the light of possibility. Unique in style and content, this book is more than a manual of tantric magick, it is a guide to the exploration of the inner soul. It contains the most lucid discussions of how to achieve liberation in the company of numerous Indian goddesses and gods, each of whom brings their own lessons and gifts to the dedicated seeker. It is also an eloquent introduction to the mysteries of the great goddess Kali, providing numerous views of her manifold nature, and showing the immense but hidden role played throughout history by women in the development and dissemination of tantric practices and beliefs.Jan Fries explores the spectrum of techniques from mudra to mantra, pranayama to puja, from kundalini arousal to purification to sexual rites, and makes them both accessible and relevant, translating them out of the Twilight Language of old texts and setting them in the context of both personal transformation and the historical evolution of traditions. The web of connections between Tantra and Chinese Alchemy and Taoism are explored as the author weaves together many of the previously disparate strands of philosophies and practices. This book challenges the reader to dream, delight, and develop, and provides an illustrated guidebook on how to do so. Bliss awaits those who dare.

The advent of Hindu Studies coincides with the emergence of modern hermeneutics. Despite this co-emergence and rich possibilities inherent in dialectical encounters between theories of modern and post-modern hermeneutics, and those of Hindu hermeneutical traditions, such an enterprise has not been widely endeavored. The aim of this volume is to initiate such an interface. Essays in this volume reflect one or more of the following categories: (1) Examination of challenges and possibilities inherent in applying Western hermeneutics to Hindu traditions. (2) Critiques of certain heuristics used, historically, to "understand" Hindu traditions. (3) Elicitation of new hermeneutical paradigms from Hindu thought, to develop cross-cultural or dialogical hermeneutics. Applications of interpretive methodologies conditioned by Western culture to classify Indian thought have had important impacts. Essays by Sharma, Bilimoria, Sugirtharajah, and Tilak examine these impacts, offering alternate interpretive models for understanding Hindu concepts in particular and the Indian religious context in general. Several essays offer original insights regarding potential applications of traditional Hindu philosophical principles to cross-cultural hermeneutics (Long, Bilimoria, Klostermaier, Adarkar, and Taneja). Others engage Hindu texts philosophically to elicit deeper interpretations (Phillips, and Rukmani). In presenting essays that are both critical and constructive, we seek to uncover intellectual space for creative dialectical engagement that, we hope, will catalyze a reciprocal hermeneutics.

This book investigates Rammohun Roy as a transnational celebrity. It examines the role of religious heterodoxy--particularly Christian Unitarianism--in transforming a colonial outsider into an imagined member of the emerging Victorian social order It uses his fame to shed fresh light on nineteenth-century British reformers, including advocates of liberty of the press, early feminists, free trade imperialists, and constitutional reformers such as Jeremy Bentham. Rammohun Roy's intellectual agendas are also interrogated, particularly how he employed Unitarianism and the British satiric tradition to undermine colonial rule in Bengal and provincialize England as a laggard nation in the progress towards rational religion and political liberty.

Followers of the early "New Age" movement known as New Thought, which was wildly popular at the turn of the 20th century, were intensely interested in gleaning the fruit of all of humanity's spiritual wisdom. In this 1908 work, one of the most influential New Thought writers and editors shares with Western readers the "root-ideas" of Indian language, symbology, and philosophy that have given birth to much of the knowledge of all of humanity, casting the mysteries of the East in an easily comprehensive light. He discusses: . the Sankhya system . the Vedanta system . Patanjali's yoga system . Buddhism . Sufiism . the Vedas . and more. American writer WILLIAM WALKER ATKINSON (1862-1932) was editor of the popular magazine New Thought from 1901 to 1905, and editor of the journal Advanced Thought from 1916 to 1919. He authored dozens of New Thought books under numerous pseudonyms, some of which are likely still unknown today, including "Yogi Ramacharaka" and "Theron Q. Dumont."

Offering multilayered explorations of Hindu understandings of the Feminine, both human and divine, this book emphasizes theological and activist methods and aims over historical, anthropological, and literary ones.

Here in one compact volume is the "cream of Hindu philosophical thought," a collection of aphorisms, sayings, and proverbs culled from the Upanishads, the sacred writings of India, and assembled by one of the most influential writers and editors of the New Thought movement of the early 20th century, the adherents of which were profoundly interested in the collective spiritual wisdom of all humanity. This 1907 volume features the fruit of Hindu thinking on: . The Real Self . The Way . The Student . The Teacher . The Law of Karma . Spiritual Knowing . and more. American writer WILLIAM WALKER ATKINSON (1862-1932) was editor of the popular magazine New Thought from 1901 to 1905, and editor of the journal Advanced Thought from 1916 to 1919. He authored dozens of New Thought books under numerous pseudonyms, some of which are likely still unknown today, including "Yogi Ramacharaka" and "Theron Q. Dumont."

This book is a thematic study of the poet-thinker Rabindranath Tagore's conceptual project of harmonizing the one and its many. Tagore's writings, in Bengali and in English, on religious and social themes are held together by the leitmotif of a "harmony" which operates across several existential, religious, and social polarities - the finite and the infinite, the temporal and the eternal, and the individual and the universal. Tagore creatively appropriated materials from diverse sources such as the classical Hindu Vedantic systems, the folk piety of Bengal, and others, to configure a dialectic which shapes his writings on both religious and social themes. On the one hand, each individual is irreducibly distinct from everyone else, and, on the other hand, each individual gains their spiritual depth precisely by being placed within the dynamic matrices of an interrelated whole. Thus, we find Tagore rejecting certain monastic forms of Hindu world-renunciation and also certain ecstatic dimensions of devotional worship - the former because they efface individuality and the latter because they can generate self-absorbed styles of living. Again, Tagore is as sharply opposed to Bengali imitativeness of English modes of being in the world as he is to Bengali forms of insularity - the former because it dilutes the concrete richness of indigenous lifeforms and the latter because it confines individuals to parochial enclosures. Tagore's life-long endeavor was to configure a "third way" by rejecting both the blank homogeneity of an undifferentiated one and the particularistic insularities of a multitude without a deeper center of coherence.

COULD IT BE POSSIBLE?

Could it be possible that there is a way to experience the Creator, the Source of the Universe?

Have you ever wondered just why you are here? What is the purpose of life?

Trevor asked himself the same questions many years ago and this book is the result of gaining some answers to this age-old quest for inner knowledge.

It takes the reader on a journey from conception to enlightenment describing the spiritual experiences of two sixteenth century Christian saints, St. Teresa of Avila and St. John of the Cross and two twentieth century Hindu saints - Yogananda and Muktananda.

The author then turns to the Bible, examining the four gospels, with particular emphasis on the deeper and hidden message of Jesus.

Trevor also relates his own spiritual journey and how this has shaped his life.

The book concludes with the possible future for mankind.

This volume examines notions of health and illness in North Indian devotional culture, with particular attention paid to the worship of the goddess Sitala, the Cold Lady. Consistently portrayed in colonial and postcolonial literature as the ambiguous 'smallpox goddess', Sitala is here discussed as a protector of children and women, a portrayal that emerges from textual sources as well as material culture. The eradication of smallpox did not pose a threat to Sitala and her worship. She continues to be an extremely popular goddess. Religion, Devotion and Medicine in North India critically examines the rise and affirmation of the 'smallpox myth' in India and beyond, and explains how Indian narratives, ritual texts and devotional songs have celebrated Sitala as a loving mother who protects her children from the effects, and the fear, of poxes, fevers and infantile disorders but also all sorts of new threats (such as global pandemics, addictions and environmental catastrophes). The book explores a wide range of ritual and devotional practices, including scheduled festivals, songs, vows, pageants, austerities, possession, animal sacrifices and various forms of offering. Built on extensive fieldwork and a close textual analysis of sources in Sanskrit and vernacular languages (Hindi, Bhojpuri and Bengali) as well as on a rich bibliography on the struggle against smallpox in colonial and post-colonial India, the book reflects on the ambiguous nature of Sitala as a phenomenon largely dependent on the enduring fascination with the exotic, and the horrific, that has pervaded public renditions of Indian culture in indigenous fiction, colonial reports, medical literature and now global culture. To aid study, the volume includes images, web links, appendixes and a filmography.