This volume brings together 16 articles on the religions, literatures and histories of South and Central Asia in tribute to Patrick Olivelle, one of North America's leading Sanskritists and historians of early India.

This book sheds light on the purpose of Hindu dance as devotional. Dr. Sabrina D. MisirHiralall explains the history of Hindu dance and how colonization caused the dance form to move from sacred to a Westernized system that emphasizes culture. Postcolonialism is a main theme throughout this text, as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives.

Drawing on insights from Indian intellectual tradition, this book examines the conception of dharma by Jaimini in his Mimamsasutras, assessing its contemporary relevance, particularly within ritual scholarship. Presenting a hermeneutical re-reading of the text, it investigates the theme of the relationship between subjectivity and tradition in the discussion of dharma, bringing it into conversation with contemporary discourses on ritual. The primary argument offered is that Jaimini's conception of dharma can be read as a philosophy of Vedic practice, centred on the enjoinment of the subject, whose stages of transformation possess the structure of a hermeneutic tradition. Offering both substantive and methodological insights into the contentions within the contemporary study of ritual, this book will be of interest to researchers in the fields of Hindu studies, ritual studies, Asian religion, and South Asian studies.

Winner of the Best Book in Hindu-Christian Studies Prize (2013/2014) from the Society for Hindu-Christian Studies. The Gita is a central text in Hindu traditions, and commentaries on it express a range of philosophical-theological positions. Two of the most significant commentaries are by Sankara, the founder of the Advaita or Non-Dualist system of Vedic thought and by Ramanuja, the founder of the Visistadvaita or Qualified Non-Dualist system. Their commentaries offer rich resources for the conceptualization and understanding of divine reality, the human self, being, the relationship between God and human, and the moral psychology of action and devotion. This book approaches their commentaries through a study of the interaction between the abstract atman (self) and the richer conception of the human person. While closely reading the Sanskrit commentaries, Ram-Prasad develops reconstructions of each philosophical-theological system, drawing relevant and illuminating comparisons with contemporary Christian theology and Western philosophy.

This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabr

What is the Bhagavad-Gita? Is it just a religious text? When was it composed? How relevant is it to the modern world? This book answers these foundational questions and goes beyond. It critically examines the Bhagavad-Gita in terms of its liberal, humanist and inclusive appeal, bringing out its significance for the present times and novel applicati

Hinduism and Christianity are different in structure and approach - but have a great deal in common in matters relating to ethics. This book, first published in 1969, is the first systematic and detailed work which attempts to bring out both the differences and similarities. The author selects some of the fundamental problems of philosophical ethics, such as the moral law - its authority and sources, moral effort and human freedom, moral failure and responsibility - and explores the respective answers of Hinduism and Christianity.

This book, first published in 1933, was the first text on the general Hindu attitude to art. It sums up under the wider title of the Hindu view of art all such considerations - religious, philosophic, sociological, aesthetic and technical - as might be helpful for the understanding of Indian art.

'Hinduism' is a term often used to summarize the aspirations of the majority of the Indian people. But any simple definition of it is difficult, if not impossible. This is partly owing to the nuances of the Sanskrit language, in which many texts are written, and partly to the too literal interpretation of Hindu imagery and mythology that often veils its real significance. This book, first published in 1977, is an essential reference source that goes some way to clarifying the difficulties of understanding Hinduism.

This book, first published in 1968, comprises five articles on the immortality of the soul. According to Hindu tradition this immortality cannot be proved by the scientific method of reasoning - it is based upon scriptural evidence and on the direct experience of enlightened souls. These articles examine the Hindu tradition and provide reasoned support to the scriptures and experiences.

This book, first published in 1957, was the first in English to provide a full and clear introduction to one of the most significant of Indian gods, and stresses his supreme role in Indian religion and art. The book relates the full Krishna story, explaining his role in Indian religion, and traces the history of Krishna in Indian painting. There are 39 plates of Indian pictures, each accompanied by a commentary by the author, revealing a wealth of subtle and poetic detail.

This book, first published in 1968, is a collection of twenty-five lectures by Swami Prabhavananda, the outstanding scholar and translator of Hindu scriptures. They present a direct and pragmatic approach to spiritual life, and a clear guide to Hinduism.

This work, first published in 1968, presents the fabulous world of Hinduism in its entirety in two volumes. It is the first general encyclopedia of Hinduism covering every major aspect of Hindu life and thought, embodying the results of modern scholarship yet not ignoring the traditional point of view. It contains over 700 articles, each of which gives a comprehensive account of the subject, and by a system of cross references interlinks all topics related to it, so that a single theme may be traced in all its ramifications through the whole book. An index of over 8,000 items, which in itself forms a veritable treasury of Sanskrit terms and names, will further assist the researcher finding their way among the lesser topics treated in the work.

What is the Bhagavad-Gita? Is it just a religious text? When was it composed? How relevant is it to the modern world? This book answers these foundational questions and more. It critically examines the Bhagavad-Gita in terms of its liberal, humanist and inclusive appeal, bringing out its significance for both present times and novel applications. The author elaborates the philosophy underlying the text as well as its ethical and spiritual implications. He also responds to criticisms that have been levelled against the text by Ambedkar, D. D. Kosambi and, more recently, Amartya Sen. With additional material including chapter summaries of the Bhagavad-Gita, the second edition of the volume proposes new ways of utilising the text in diverse fields, such as business and management and scientific research. Eclectic and accessible, this work will be of interest to scholars of philosophy, religion, history, business and management studies, as well as the general reader.

This book, first published in 1962, is an analysis of the history of the philosophy of a country that has never distinguished philosophy from religion. Indian philosophy is not merely metaphysical speculation, but has its foundation in immediate perception. This insistence upon immediate perception rather than abstract reasoning is what distinguishes the Indian philosophy of religion from philosophy as Western nations know it.

Indian art, increasingly popular in the west, cannot be fully appreciated without some knowledge of the religious and philosophical background. This book, first published in 1985, covers all aspects of Hindu iconography, and explains that its roots lie far back in the style of prehistoric art. The dictionary demonstrates the rich profusion of cults, divinities, symbols, sects and philosophical views encompassed by the Hindu religious tradition.

Dialogue is a recurring and significant component of Indian religious and philosophical literature. Whether it be as a narrative account of a conversation between characters within a text, as an implied response or provocation towards an interlocutor outside the text, or as a hermeneutical lens through which commentators and modern audiences can engage with an ancient text, dialogue features prominently in many of the most foundational sources from classical India. Despite its ubiquity, there are very few studies that explore this important facet of Indian texts. This book redresses this imbalance by undertaking a close textual analysis of a range of religious and philosophical literature to highlight the many uses and functions of dialogue in the sources themselves and in subsequent interpretations. Using the themes of encounter, transformation and interpretation - all of which emerged from face-to-face discussions between the contributors of this volume - each chapter explores dialogue in its own context, thereby demonstrating the variety and pervasiveness of dialogue in different genres of the textual tradition. This is a rich and detailed study that offers a fresh and timely perspective on many of the most well-known and influential sources from classical India. As such, it will be of great use to scholars of religious studies, Asian studies, comparative literature and literary theory.

The Hindu thinker Swami Vivekananda (1863-1902) was and remains an important figure both within India, and in the West, where he was notable for preaching Vedanta. Scholarship surrounding Vivekananda is dominated by hagiography and his (mis)appropriation by the political Hindu Right. This work demonstrates that Vivekananda was no simplistic pluralist, as portrayed in hagiographical texts, nor narrow exclusivist, as portrayed by some modern Hindu nationalists, but a thoughtful, complex inclusivist. The book shows that Vivekananda formulated a hierarchical and inclusivistic framework of Hinduism, based upon his interpretations of a four-fold system of Yoga. It goes on to argue that Vivekananda understood his formulation of Vedanta to be universal, and applied it freely to non-Hindu traditions, and in so doing, demonstrates that Vivekananda was consistently critical of 'low level' spirituality, not only in non-Hindu traditions, but also within Hinduism. Demonstrating that Vivekananda is best understood within the context of 'Advaitic primacy', rather than 'Hindu chauvinism', this book will be of interest to scholars of Hinduism and South Asian religion and of South Asian diaspora communities and religious studies more generally.

The poetry emanating from the bhakti tradition of devotional love in India has been both a religious expression and a form of resistance to hierarchies of caste, gender, and colonialism. Some scholars have read this art form through the lens of resistance and reform, but others have responded that imposing an interpretive framework on these poems fails to appreciate their authentic expressions of devotion. This book argues that these declarations of love and piety can simultaneously represent efforts towards emancipation at the spiritual, political, and social level. This book, through a close study of Nalini (1911), a Malayalam lyric poem, as well as other poems, authored by Mahakavi Kumaran Asan (1873-1924), a low-caste Kerala poet, demonstrates how Asan employed a theme of love among humans during the modern period in Kerala that was grounded in the native South Indian bhakti understanding of love of the deity. Asan believed that personal religious freedom comes from devotion to the deity, and that love for humans must emanate from love of the deity. In showing how devotional religious expression also served as a resistance movement, this study provides new perspective on an understudied area of the colonial period. Bringing to light an under-explored medium, in both religious and artistic terms, this book will be of great interest to scholars of religious studies, Hindu studies, and religion and literature, as well as academics with an interest in Indian culture.

The basic questions of Who Am I? Where Am I Going? What Is the Purpose of Life? are asked by every generation, and Patanjali's answers (given in the third century BC) form one of the oldest spiritual texts in the world. 'That which unites' is called 'Yoga' - and is thus much broader than the form of exercise so popular today. It is a way to restore our lost wholeness, our integrity as complete human beings, by unifying the personality around a centre that is silent and unbounded. Alistair Shearer's superb introduction and translation bring these ancient, vital teachings to life in the modern world and are for all those who seek the benefits of self-knowledge.

The aim of this book is to persuade the reader that the Indian caste system is not the isolated phenomenon it is often thought to be. But a species of a very widespread genus. Not being an isolated phenomenon, it cannot be understood in isolation; it will merely be misunderstood. More than once it will be shown in these pages how localised specialism leads why from the truth and comparative study returns to it. Comparison also saves time by cutting the tangled knots which controversy ties round texts.

The main sources for an understanding of classical Hindu law are the Sanskrit treatises on religious and legal duties, known as the Dharma stras. In this collection of his major studies in the field, Ludo Rocher presents analytical and interpretive essays on a wide range of topics, from general themes such as the nature of Hindu law and Anglo-Hindu law to technical matters including word studies and text criticism. Rocher's deep engagement with the language and worldview of the authors in the Dharma stra tradition yields distinctive and corrective contributions to the field, which are informed by knowledge both of the Indian grammatical tradition and of Roman and civil law. Davis's introduction presents an interpretative account of Rocher's many contributions to the field, organized around the themes that recur in his work, and examines his key advances, both methodological and substantive. Comparisons and contrasts between Rocher's ideas and those of his Indological colleagues serve to place him in the context of a scholarly tradition, while Rocher's fundamental view that the Dharma stra is first and foremost a scholarly and scholastic tradition, rather than a practical legal one, is also explored. This invaluable collection serves both as summary review of the ideas of Rocher, a leading authority in the field, and as a critical evaluation of the impact of these ideas on the present study of law and Indology.