The book reflects on the discreet influence of Hindutva in situations/places outside or at the margins of its organisational and mobilisational arena, where people denying any commitment to the Sangh Parivar, incidentally, show affinities and parallelisms with its discourse and practice. This study looks at Hindutva 's entrenchment not so much as an orchestration from above but more as an outcome of a process that evolves in relation to specific social and cultural milieus.

The contributors analyse Hindutva 's entrenchment, emphasising on the ethnography of the forms of mediation and/or convergence produced in certain contexts. The 11 case studies highlight three different dynamics of Hindutva 's cultural entrenchment. The first section gathers cases where RSS-affiliated organisations have set up specific cultural or artistic programmes at the regional level, involving the meditation of local people whose interest in these programmes does not necessarily mean that they endorse the Hindutva agenda completely. The next deals with convergence and refers to cases where the followers gather around a charismatic personality, whose precepts and practice may bring them towards a closer affinity with the Hindutva programme. The last section deals with the contexts of resistance, where social milieus engaged in opposing Hindutva may, in fact, paradoxically, and even inadvertently, imbibe some of its ideas and practices in order to contest its claims.

In India, statues of Ganesh are placed at the inner gates of many temples, symbolizing his role as keeper of sacred spaces. Here, pilgrims and passersby pay homage and seek his blessings. It is this symbolic presence at the entrance of our most holy places that makes Ganesh such a vital figure in our lives.
Stationed at the threshold of sacredness and awareness, mediating between the possibility of the profound and our often habitual, mundane perception of the world, Ganesh is the guiding force behind this very moment of experience - where desire meets possibility. "Ganesh: Removing the Obstacles" offers practical and meaningful interpretations of folk narratives and sacred texts concerning the larger-than-life elephant-headed god, Ganesh.

Taking the contentious debates surrounding historical evidence and history writing between secularists and Hindu nationalists as a starting point, this book seeks to understand the origins of a growing historical consciousness in contemporary India, especially amongst Hindus. The broad question it poses is: Why has history become such an important site of identity, conflict and self-definition amongst modern Hindus, especially when Hinduism is known to have been notoriously impervious to history? As modern ideas regarding notions of history came to India with colonialism, it turns to the colonial period as the moment of encounter with such ideas.

The book examines three distinct moments in the Hindu self through the lives and writings of lower-caste public figure Jotiba Phule, moderate nationalist M. G. Ranade and Hindu nationalist V. D. Savarkar. Through a close reading of original writings, speeches and biographical material, it is demonstrated that these three individuals were engaged with a modern historical and rationalist approach. However, the same material is also used to argue that Phule and Ranade viewed religion as living, contemporaneous and capable of informing both their personal and political lives. Savarkar, the explicitly Hindu leader, on the contrary, held Hindu practices and traditions in contempt, confining them to historical analysis while denying any role for religion as spirituality or morality in contemporary political life.

While providing some historical context, this volume highlights the philosophical/ political ideas and actions of the three individuals discussed. It integrates aspects of their lives as central to understanding their politics.

This new collection brings together the sacred scriptures of the Hindu tradition to provide readers with a comprehensive overview of the classical form of one of the world's oldest existing religions. Selections from the Vedas, the Upanisads, the Bhagvagad Gita and many more cover topics such as creation, sacrifice, birth, marriage and death and tell the stories of the great Hindu gods. But over the last two hundred years reformed, anti and radical versions of Hinduism have emerged which question the laws, traditions and even the category of Hinduism itself.

Uniquely, this reader juxtaposes the classic scriptures with the works of reformers and radicals to illuminate the new face of contemporary Hinduism. With an introduction to each reading from editor Deepak Sarma, this reader is suitable for Hinduism courses of all levels.

"Tagore's life reminds me to take a step back. The time he allowed himself to learn and dream was a commitment of years and decades."--Rupi Kaur Rabindranath Tagore (1861-1941) is thought of as the most important poet of modern-day India. This literary giant's writings have inspired millions of readers for generations. The Heart of God is a beautiful collection of 102 poems that explores life's many mysteries, including the joy of love, the beauty of nature, and the inevitability of death. Representing Tagore's "simple prayers of common life," each poem is an eloquent affirmation of the divine in the face of both joy and sorrow. Tagore was born into a wealthy family in the Bengali city of Calcutta during British colonial rule. Immensely talented, he would become a distinguished writer, educator, playwright, composer, social reformer, and philosopher. As a poet, Tagore is a master, having been awarded the Nobel Prize for Literature in 1913--the first non-European to be given this honor. Along with Mahatma Gandhi, Tagore is considered to be the foremost intellectual and spiritual advocate for India's liberation from imperial rule. Originally compiled by Rev. Herbert Vetter, this expanded edition of The Heart of God includes 25 additional poems and a foreword by Tagore scholar Bashabi Fraser, who describes the profound wisdom of Tagore's writings and the lasting importance of this beautiful collection, along with a moving Preface by Nobel Peace Prize recipient Albert Schweitzer. Like the Psalms of David, these simple prayers transcend time and speak directly to the human heart.

Sustaining a Hindu universe at an everyday life level requires an extraordinary range of religious specialists and ritual paraphernalia. At the level of practice, devotional Hinduism is an embodied religion and grounded in a materiality, that makes the presence of specific physical objects (which when used in worship also carry immense ritual and symbolic load) an indispensable part of its religious practices. Traditionally, both services and objects required for worship were provided and produced by occupational communities. The almost sacred connection between caste groups and occupation/profession has been clearly severed in many diasporic locations, but importantly in India itself. As such, skills and expertise required for producing an array of physical objects in order to support Hindu worship have been taken over by clusters of individuals with no traditional, historical connection with caste-related knowledge. Both the transference and disconnect just noted have been crucial for the ultimate commodification of objects used in the act of Hindu worship, and the emergence of an analogous commercial industry as a result. These developments condense highly complex processes that need careful conceptual explication, a task that is exciting and carries enormous potential for theoretical reflections in key fields of study. Using the lens of 'visuality' and 'materiality,' Sinha offers insights into the everyday material religious lives of Hindus as they strive to sustain theistic, devotional Hinduism in diasporic locations--particularly Singapore, Malaysia, and Tamilnadu--where religious objects have become commodified.

Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the ACK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production.

This book accounts for the origin and evolution of the nature and roles of women within the Hindu belief system. It explains how the idea of the goddess has been derived from Hindu philosophical ideas and texts of codes of conduct and how particular models of conduct for mortal women have been created. Hindu religious culture correlates philosophical speculation and social imperatives to situate femininity on a continuum from divine to mortal existence. This creates in the Hindu consciousness multiple - often contradictory - images of women, both as wielders and subjects of authority. The conception and evolution of the major Hindu goddesses, placed against the judgments passed by texts of Hindu sacred law on women's nature and duties, illuminate the Hindu discourse on gender, the complexity of which is compounded by the distinctive spirituality of female ascetic poets. Drawing on a wide range of Sanskrit texts, the author explains how the idea of the goddess has been derived from Hindu philosophical ideas and also from the social roles of women as reflected in, and prescribed by, texts of codes of conduct. She examines the idea of female divinity which gave rise to models of conduct for mortal women. Instead of a one-way order of ideological derivation, the author argues that there is constant traffic between both ways the notional and the actual feminine. This book brings together for the first time a wide range of material and offers fresh stimulating interpretations of women in the Hindu Tradition.

The poetry emanating from the bhakti tradition of devotional love in India has been both a religious expression and a form of resistance to hierarchies of caste, gender, and colonialism. Some scholars have read this art form through the lens of resistance and reform, but others have responded that imposing an interpretive framework on these poems fails to appreciate their authentic expressions of devotion. This book argues that these declarations of love and piety can simultaneously represent efforts towards emancipation at the spiritual, political, and social level. This book, through a close study of Nalini (1911), a Malayalam lyric poem, as well as other poems, authored by Mahakavi Kumaran Asan (1873-1924), a low-caste Kerala poet, demonstrates how Asan employed a theme of love among humans during the modern period in Kerala that was grounded in the native South Indian bhakti understanding of love of the deity. Asan believed that personal religious freedom comes from devotion to the deity, and that love for humans must emanate from love of the deity. In showing how devotional religious expression also served as a resistance movement, this study provides new perspective on an understudied area of the colonial period. Bringing to light an under-explored medium, in both religious and artistic terms, this book will be of great interest to scholars of religious studies, Hindu studies, and religion and literature, as well as academics with an interest in Indian culture.

Julius Lipner's Hindus is widely recognised as essential reading for everyone wishing to understand one of the world's great religious traditions. Hinduism comprises the religion and culture of the great majority of the people of India, a country tipped to become a world superpower politically, economically and culturally in the course of the present century. The vast array of diverse beliefs and practices usually described as ?Hindu? has been notoriously difficult to corral under a single regulating theme. Julius Lipner provides not only a wide-ranging introduction to Hindu religious and cultural diversity but also suggests a way to characterize Hinduism as a distinct tradition that has survived and adapted to changing circumstances from ancient times to the present day. Lipner is a recognised authority on Hinduism's polycentric emphasis, and his book is based on a lifetime of research and personal experience of his subject.

In this thoroughly revised and substantially enlarged second edition, students of Hinduism will find more coverage of the debate about Hindu origins, the nature and practice of Hindu worship, the role of women, the scope of dharma and morality, Hindu philosophical thought and the use of reason, and the way caste functions.

For the first time, this influential study by Ludwig Alsdorf is made available to an English speaking audience, translated by Bal Patil. It focuses on two of the most pertinent issues in Indian religion, the history of vegetarianism and cow-veneration, and its historical approach remains relevant to this day.

With reference to significant brahminical texts, such as key chapters of the Book of Manu, the book centres on the author's analysis of the role of Jinism in the history of vegetarianism. The author explores the history of meat-eating in India and its relationship to religious thought and custom, and searches for solutions to the problem of cattle veneration. Besides a comprehensive translation of the original German manuscript "Beitr?ge zur Geschichte von Vegetarismus und Rinderverehrung in Indien," four important articles directly related to Alsdorf's work by Kapadia, Heesterman and Schmidt are made available in this new edition.

These additional contributions and careful notes by the editor Willem Boll?e add a modern perspective to a study that remains a key reference for students and scholars of Religious Studies, Asian Studies and History.

This book provides a rigorously researched, critically comparative introduction to yoga. Is This Yoga? Concepts, Histories, and the Complexities of Contemporary Practice recognizes the importance of contemporary understandings of yoga and, at the same time, provides historical context and complexity to modern and pre-modern definitions of yogic ideas and practices. Approaching yoga as a vast web of concepts, traditions, social interests, and embodied practices, it raises questions of knowledge, identity, and power across time and space, including the dynamics of "East" and "West." The text is divided into three main sections: thematic concepts; histories; and topics in modern practice. This accessible guide is essential reading for undergraduate students approaching the topic for the first time, as well as yoga teachers, teacher training programs, casual and devoted practitioners, and interested non-practitioners.

Describing one of the most important practices of hathayoga (khecarimudra), the Khecarividya of Adinatha is presented here to an English-speaking readership for the first time. The author, James Mallinson, draws on thirty Sanskrit works, as well as original fieldwork amongst yogins in India who use the practice, to demonstrate how earlier tantric yogic techniques developed and mutated into the practices of hathayoga. Accompanied by an introduction and an extensively annotated translation, the work sheds light on the development of hathayoga and its practices.

This book critically assesses recent debates about the colonial construction of Hinduism. Increasingly scholars have come to realise that the dominant understanding of Indian culture and its traditions is unsatisfactory. According to the classical paradigm, Hindu traditions are conceptualized as features of a religion with distinct beliefs, doctrines, sacred laws and holy texts. Today, however, many academics consider this conception to be a colonial 'construction'. This book focuses on the different versions, arguments and counter-arguments of the thesis that the Hindu religion is a construct of colonialism. Bringing together the different positions in the debate, it provides necessary historical data, arguments and conceptual tools to examine the argument. Organized in two parts, the first half of the book provides new analyses of historical and empirical data; the second presents some of the theoretical questions that have emerged from the debate on the construction of Hinduism. Where some of the contributors argue that Hinduism was created as a result of a western Christian notion of religion and the imperatives of British colonialism, others show that this religion already existed in pre-colonial India; and as an alternative to these standpoints, other writers argue that Hinduism only exists in the European experience and does not correspond to any empirical reality in India. This volume offers new insights into the nature of the construction of religion in India and will be of interest to scholars of the History of Religion, Asian Religion, Postcolonial and South Asian Studies.

In his translator's preface to the revised edition of Gandhiji's autobiography, Mahadev Desai stated: a ~It has now undergone careful revision, and from the point of view of language, it has had the benefit of careful revision by a revered friend, who, among many other things, has the reputation of being an eminent English scholara (TM). The identity of the 'revered friend' was not disclosed, nor were the extent and nature of changes recorded. This concordance table reconstructs the entire process of revision and provides a detailed analysis of the changes made by Sir V S Srinvasas Sastri.

Popularly Hinduism is believed to be the world's oldest living religion. This claim is based on a continuous reverence to the oldest strata of religious authority within the Hindu traditions, the Vedic corpus, which began to be composed more than three thousand years ago, around 1750-1200 BCE. The Vedas have been considered by many as the philosophical cornerstone of the Brahmanical traditions (astika); even previous to the colonial construction of the concept of "Hinduism." However, what can be pieced together from the Vedic texts is very different from contemporary Hindu religious practices, beliefs, social norms and political realities. This book presents the results of a study of the traditional education and training of Brahmins through the traditional system of education called gurukula as observed in 25 contemporary Vedic schools across the state of Maharasthra. This system of education aims to teach Brahmin males how to properly recite, memorize and ultimately embody the Veda. This book combines insights from ethnographic and textual analysis to unravel how the recitation of the Vedic texts and the Vedic traditions, as well as the identity of the traditional Brahmin in general, are transmitted from one generation to the next in contemporary India.

Julius Lipner 's Hindus is widely recognised as essential reading for everyone wishing to understand one of the world 's great religious traditions. Hinduism comprises the religion and culture of the great majority of the people of India, a country tipped to become a world superpower politically, economically and culturally in the course of the present century. The vast array of diverse beliefs and practices usually described as Hindu has been notoriously difficult to corral under a single regulating theme. Julius Lipner provides not only a wide-ranging introduction to Hindu religious and cultural diversity but also suggests a way to characterize Hinduism as a distinct tradition that has survived and adapted to changing circumstances from ancient times to the present day. Lipner is a recognised authority on Hinduism's polycentric emphasis, and his book is based on a lifetime of research and personal experience of his subject.

In this thoroughly revised and substantially enlarged second edition, students of Hinduism will find more coverage of the debate about Hindu origins, the nature and practice of Hindu worship, the role of women, the scope of dharma and morality, Hindu philosophical thought and the use of reason, and the way caste functions.

This book is concerned with the argument that religious traditions are inherently environmentally friendly. Yet in a developing country such as India, the majority of people cannot afford to put the 'Earth first' regardless of the extent to which this idea can be supported by their religious traditions. Does this mean that the linking of religion and environmental concerns is a strategy more suited to contexts where people have a level of material security that enables them to think and act like environmentalists? This question is approached through a series of case studies from Britain and India. The book concludes that there is a tension between the 'romantic' ecological discourse common among many western activists and scholars, and a more pragmatic approach, which is often found in India. The adoption of environmental causes by the Hindu Right in India makes it difficult to distinguish genuine concern for the environment from the broader politics surrounding the idea of a Hindu rashtra (nation). This raises a further level of analysis, which has not been provided in other studies.

The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family. The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.

Filling the most glaring gap in Shrivaishnava scholarship, this book deals with the history of interpretation of a theological concept of self-surrender-prapatti in late twelfth and thirteenth century religious texts of the Shrivaishnava community of South India. This original study shows that medieval sectarian formation in its theological dimension is a fluid and ambivalent enterprise, where conflict and differentiation are presaged on sharing, whether of a common canon, saint or rituals or two languages (Tamil and Sanskrit), or of a meta-social arena such as the temple.
Srilata Mueller, a member of the Shrivaishnava community, argues that the core ideas of prapatti in these religious texts reveal the description of a heterogeneous theological concept. Demonstrating that this concept is theologically moulded by the emergence of new literary genres, Mueller puts forward the idea that this original understanding of prapatti is a major contributory cause to the emergence of sectarian divisions among the Shrivaishnavas, which lead to the formation of two sub-sects, the Tenkalai and the Vatakalia, who stand respectively, for the cat and monkey theological positions.
Making an important contribution to contemporary Indian and Hindu thinking on religion, this text provides a new intellectual history of medieval Indian religion. It will be of particular interest to scholars of Shrivaishnava and also Hindu and Indian religious studies.

Religious procession is a significant dimension of religion in South Asia. Processions are central not only in Hinduism, but also Islam, Christianity, Jainism and Sikhism, which have large procession rituals. The last years have seen an increase in processions and ritualizations of space both in South Asia and in the South Asian Diaspora.

Processions are religious display events and the increase in processions are functions of religious pluralism and competition about public space as well as economic prosperity and a revival of religious identities. Processions often bring together religion and politics since they are about public space, domination and contestation.

Written by leading specialists on religious processions and ritualization of public space in South Asia and in the Diaspora, this volume presents current research on the interpretations of the role of processions, the recent increase in processions and changes in the procession traditions.

South Asian Religions on Display will appeal to students and scholars of Asian studies, anthropology, religion and political science.

The image of the meditating yogi has become a near-universal symbol for transcendent perfection used to market everything from perfume and jewelry to luxury resorts and sports cars, and popular culture has readily absorbed it along similar lines. Yet the religious traditions grounding such images are often readily abandoned or caricatured beyond recognition, or so it would seem. The essays contained in The Assimilation of Yogic Religions through Pop Culture explore the references to yogis and their native cultures of India, Tibet, and China as they are found in the stories of many famous icons of popular culture, from Batman, Spider-Man, and Doctor Strange to Star Trek, Doctor Who, Twin Peaks, and others. In doing so, the authors challenge the reader to look deeper into the seemingly superficial appropriation of the image of the yogi and Asian religious themes found in all manner of comic books, novels, television, movies, and theater and to carefully examine how they are being represented and what exactly is being said.

Recent years have seen the emergence of a virulent version of Hindu communalism and cultural chauvinism on the Indian political scene and of the groups of xenophobes who have obfuscated and mystified the notion of Hindu identity and have reinforced its stereotypic images. This book identifies some of the stereotypes about Hinduism and shows them to be deeply flawed and having no basis in historical evidence. It debunks the view that India (called ?Bh?rata?) is timeless, that the first man was born here and that its people were the authors of the first human civilisation, and argues that the word ?Bh?rata? in the sense of a country is absent from the entire Vedic literature and that India as a country evolved over a long period. The formation of its identity had much to do with the perceptions of the people who migrated into the subcontinent at different times, and Indian nationalism developed mostly as a response to Western imperialism. Contrary to the belief popularized by the Hindu jingoists, it has been shown that Hinduism is neither timeless nor monolithic; it is a colonial construct covering large clusters of religious beliefs and practices and thus represents almost a baffling plurality of traditions. The stereotyping of Hinduism as a tolerant religion has also been contested and massive evidence has been adduced to show that, like other religions, it was intolerant, gave no space to dissent and converted members of other faiths. Hindu sects developed ascetic military orders from the early medieval period onwards and fought among themselves much before the appearance of Islam on the Indian scene. The book challenges the sacredness' of cow as a community identity of the Hindus and shows that the animal has not been all that sacrosanct and inviolable in the past. A melange of evidence has been marshalled to show that the killing of the cow for the Vedic gods was de rigueur much before the arrival in India of Muslims who are stereotyped as kine killers, that its flesh was very much a part of the ancient Indian food regimen and dietary traditions, and continues to remain so even today in some sections of Hindu society. Even so the Indian religious texts project a polymorphic image of the cow and show that its story through the millennia is full of inconsistencies, thus rendering its supposed holiness elusive, indeed as elusive as Hindu identity itself. Based on the authors unquestionable grasp of the primary evidence and written in a riveting style the essays in the book are an antidote to the Hindu religious fundamentalist mythomania and will certainly be of value to those interested in the construction of Hinduism and the politics of Hindu identity in cotemporary India.

The Sanskrit Mahabharata is one of the most important texts to emerge from the Indian cultural tradition. At almost 75,000 verses it is the longest poem in the world, and throughout Indian history it has been hugely influential in shaping gender and social norms. In the context of ancient India, it is the definitive cultural narrative in the construction of masculine, feminine and alternative gender roles.

This book brings together many of the most respected scholars in the field of Mahabharata studies, as well as some of its most promising young scholars. By focusing specifically on gender constructions, some of the most innovative aspects of the Mahabharata are highlighted. Whilst taking account of feminist scholarship, the contributors see the Mahabharata as providing an opportunity to frame discussion of gender in literature not just in terms of the socio-historical roles of men and women. Instead they analyze the text in terms of the wider poetic and philosophical possibilities thrown up by the semiotics of gendering. Consequently, the book bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory.

Gender and Narrative in the Mahabharata will be appreciated by readers interested in South Asian studies, Hinduism, religious studies and gender studies.