"A god transforms into a nymph and enchants another god.A king becomes pregnant.A prince discovers on his wedding night that he is not a man."Another king has children who call him both father and mother. A hero turns into a eunuch and wears female apparel. A princess has to turn into a man before she can avenge her humiliation. Widows of a king make love to conceive his child. Friends of the same sex end up marrying each other after one of them metamorphoses into a woman. These are some of the tales from Hindu lore that this unique book examines. The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. In addition to the thought-provoking stories in The Man Who Was a Woman and Other Queer Tales from Hindu Lore, you'll also find: an examination of the universality of queer narratives with examples from Greek lore and Irish folklore a comparison of the Hindu paradigm to the biblical paradigm a look at how Hindu society and Hindu scripture responds to queer sexuality a discussion of the Hijras, popularly believed to be the "third gender" in India--their probable origin, and how they fit into Hindu societyWith the telling of each of these tales, you will also learn how the author came upon each of them and how they relate to the context of dominant Hindu attitudes toward sex, gender, pleasure, fertility, and celibacy.

A god transforms into a nymph and enchants another god.A king becomes pregnant.A prince discovers on his wedding night that he is not a man.Another king has children who call him both father and mother. A hero turns into a eunuch and wears female apparel. A princess has to turn into a man before she can avenge her humiliation. Widows of a king make love to conceive his child. Friends of the same sex end up marrying each other after one of them metamorphoses into a woman. These are some of the tales from Hindu lore that this unique book examines. The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. In addition to the thought-provoking stories in The Man Who Was a Woman and Other Queer Tales from Hindu Lore, you'll also find: an examination of the universality of queer narratives with examples from Greek lore and Irish folklore a comparison of the Hindu paradigm to the biblical paradigm a look at how Hindu society and Hindu scripture responds to queer sexuality a discussion of the Hijras, popularly believed to be the "third gender" in India--their probable origin, and how they fit into Hindu society With the telling of each of these tales, you will also learn how the author came upon each of them and how they relate to the context of dominant Hindu attitudes toward sex, gender, pleasure, fertility, and celibacy.

With its promise of personal improvement, physical well-being and spiritual enrichment, yoga is enjoying a resurgence in popularity at the turn of the third millennium. To unravel the mystery of the discipline, its philosophies and relevance in contemporary life, the original text of the Yoga Sutras of Patanjali must be explored. This book offers the first accessible translation and commentary on Patanjali's Yoga Sutras. An introductory section examines the multidimensional aspects of yoga as philosophy, psychology, science, and religion, as well as exploring popular versions of yoga in the West. The core of the book offers a new translation of the entire text of the Yoga Sutras, in a language that is clear and comprehensible to students. Commentaries are presented to highlight the meaning of various statements (sutras) and key themes are outlined via sectional summaries. A full glossary of key words and names is also provided. Concluding chapters look at yoga in contemporary life, revealing the popularity of yoga in the 21st century through Star Wars, and exploring yoga's connection to health and science, contrasting yoga's holistic view of healing with that of the limited view of present day medical science. Sample physical, breathing and meditation exercises are provided. An Introduction to Yoga Philosophy offers a comprehensive introduction to the Yoga Sutras text of Patanjali to all students and interested readers of Indian philosophy and religion, world religions, east-west psychology, and mysticism.

This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Beyond Compare is a remarkable work that offers a commentary on spiritual learning for the twenty-first century rooted in two classic texts from the Hindu and Christian traditions: the Essence of the Three Auspicious Mysteries by r Ved nta De ika and Treatise on the Love of God by St. Francis de Sales. In his commentary, Clooney achieves multiple goals-the book is a contribution to Christian spiritual theology, highlighting for today the beautiful insights into love by St. Francis de Sales (1567-1623), Doctor of the Church. At the same time it points out how even in our world of many religious paths, we can recover and deepen the ancient tradition of loving surrender into God's hands by opening ourselves to the wisdom of India and one of Hindu India's most famous traditions of loving God, explained to us by the south Indian Hindu theologian r Ved nta De ika (1268-1369). Clooney goes further, offering a comparative study of these classic works in which he self-consciously writes about the process of reading the two works and the impact this approach has on the reader. The good advice found through this deep engagement with these texts offers a deeper insight into how we can most fruitfully and spiritually think about religious pluralism in the 21st century, remaining open in heart and mind while loyal still to our own tradition. Not merely a book about loving surrender to God, Beyond Compare offers us the opportunity to advance along that path ourselves, learning from the wisdom of St. Francis de Sales and r Ved nta De ika, meditating on their two paths together, deepening our own love and willingness to surrender in love to God.

The World and God Are Not-Two is a book about how the God in whom Christians believe ought to be understood. The key conceptual argument that runs throughout is that the distinctive relation between the world and God in Christian theology is best understood as a non-dualistic one. The "two"-"God" and "World" cannot be added up as separate, enumerable realities or contrasted with each other against some common background because God does not belong in any category and creatures are ontologically constituted by their relation to the Creator. In exploring the unique character of this distinctive relation, Soars turns to Sara Grant's work on the Hindu tradition of Advaita Vedanta and the metaphysics of creation found in Thomas Aquinas. He develops Grant's work and that of the earlier Calcutta School by drawing explicit attention to the Neoplatonic themes in Aquinas that provide some of the most fruitful areas for comparative engagement with Vedanta. To the Christian, the fact that the world exists only as dependent on God means that "world" and "God" must be ontologically distinct because God's existence does not depend on the world. To the Advaitin, this simultaneously means that "World" and "God" cannot be ontologically separate either. The language of non-duality allows us to see that both positions can be held coherently together without entailing any contradiction or disagreement at the level of fundamental ontology. What it means to be "world" does not and cannot exclude what it means to be "God."

Contemporary debates on "mansplaining" foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. This book excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of "masculinity." This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess's role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi's speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today's world where female voices are still often undervalued.

Modern Hinduism in Text and Context brings together textual and contextual approaches to provide a holistic understanding of modern Hinduism. It examines new sources - including regional Saiva texts, Odissi dance and biographies of Nationalists - and discusses topics such as yoga, dance, visual art and festivals in tandem with questions of spirituality and ritual. The book addresses themes and issues yet to receive in-depth attention in the study of Hinduism. It shows that Hinduism endures not only in texts, but also in the context of festivals and devotion, and that contemporary practice, devotional literature, creative traditions and ethics inform the intricacies of a religion in context. Lavanya Vemsani draws on social scientific methodologies as well as history, ethnography and textual analysis, demonstrating that they are all part of the toolkit for understanding the larger framework of religion in the context of emerging nationhood, transnational and transcultural interactions.

A celebrated Hindu pilgrimage site, Hardwar lies on the river Ganges at the edge of the Himalayas. Its identity as a holy place is inextricably tied to the mythology and reality of the Ganges, and traditional sources overwhelmingly stress this connection. Virtually nothing has been written about Hardwar's history and development, although the historical record reveals striking changes of the past few centuries. These changes have usually reflected worldly forces such as shifting trade routes, improved transportation, or political instability. Yet such mundane influences have been ignored in the city's sacred narrative, which presents a fixed, unchanging identity. The city's complex identity, says Lochtefeld, lies in the tension between these differing narratives. In this fieldwork-based study, Lochtefeld analyzes modern Hardwar as a Hindu pilgrimage center. He looks first at various groups of local residents -- businessmen, hereditary priests, and ascetics -- and assesses their differing roles in managing Hardwar as a holy place. He then examines the pilgrims and the factors that bring them to Hardwar. None of these groups is as pious as popularly depicted, but their interactions in upholding their own interest create and maintain Hardwar's religious environment. In conclusion, he addresses the wider context of Indian pilgrimage and the forces shaping it in the present day. He finds that many modern Hindus, like many modern Christians, feel some dissonance between traditional religious symbols and their 21st-century world, and that they are reinterpreting their traditional symbols to make them meaningful for their time.

Rudra Puja has been practised in India since the beginning of time. Shiva means Auspicious. Rudra is a synonym for Shiva that means 'Destroyer of Evil'. Puja means that which is born of fullness. The Vedic scriptures hail the Rudram chants as a method to remove sufferings, attain desires and bestow all round prosperity in one's village. This book presents the complete Rudra Puja Abhisheka procedure in Sanskrit using clear Devanagari font. Headings are given in English for the performer to follow the text correctly. The Rudram Verses for NORTH INDIAN Shukla Yajur Veda as well as for SOUTH INDIAN Krishna Yajur Veda are both given in separate sections with correct Vedic Accents. Additionally, the Devanagari Latin Transliteration is given for the South Indian version. A copious Appendix gives the Devanagari Alphabet, Pronunciation Key, and some famous Shiva Shlokas. Ideal for use at home or in the temple.

This book surveys the development of the religious landscape in Suriname and Guyana, focusing on the interaction between Hindus, Muslims, and Christians and responses to Christian dominance. It reflects on how and why these religiously diverse Caribbean societies are characterized by relative harmony, whereas interreligious relationships in other parts of the world have been marked by extreme conflict and violence. The chapters explore ideological and institutional dimensions, including the role of government policies, religious demography, religious leadership, and private religious institutions. The author takes a critical stance towards a negative approach to power struggles and offers a perspective that does not necessarily consider religious diversity a hindrance for religious harmony. Making valuable data accessible to scholars in the English language, this volume provides a framework for the study of interreligious relations and for understanding the religious worlds of the Caribbean.

This book about the missing Divine Feminine in Christianity and Judaism chronicles a personal as well as an academic quest of an Indian woman who grew up with Kali and myriad other goddesses. It is born out of a women's studies course created and taught by the author called The Goddess in World Religions. The book examines how the Divine Feminine was erased from the western consciousness and how it led to an exclusive spiritually patriarchal monotheism with serious consequences for both women's and men's psychological and spiritual identity. While colonial, proselytizing and patriarchal ways have denied the divinity inherent in the female of the species, a recent upsurge of body-centric practices like Yoga and innumerable books about old and new goddesses reveal a deep seated mother hunger in the western consciousness. Written from a practicing Hindu/Buddhist perspective, this book looks at the curious phenomenon called the Black Madonna that appears in Europe and also examines mystical figures like Shekhinah in Jewish mysticism. People interested in symbols of the goddess, feminist theologians, and scholars interested in the absence of goddesses in monotheisms may find this book's perspective and insights provocative.

This volume examines several theoretical concerns of embodiment in the context of Asian religious practice. Looking at both subtle and spatial bodies, it explores how both types of embodiment are engaged as sites for transformation, transaction and transgression. Collectively bridging ancient and modern conceptualizations of embodiment in religious practice, the book offers a complex mapping of how body is defined. It revisits more traditional, mystical religious systems, including Hindu Tantra and Yoga, Tibetan Buddhism, Bon, Chinese Daoism and Persian Sufism and distinctively juxtaposes these inquiries alongside analyses of racial, gendered, and colonized bodies. Such a multifaceted subject requires a diverse approach, and so perspectives from phenomenology and neuroscience as well as critical race theory and feminist theology are utilised to create more precise analytical tools for the scholarly engagement of embodied religious epistemologies. This a nuanced and interdisciplinary exploration of the myriad issues around bodies within religion. As such it will be a key resource for any scholar of Religious Studies, Asian Studies, Anthropology, Sociology, Philosophy, and Gender Studies.

How does the soul relate to the body? Through the ages, innumerable religious and intellectual movements have proposed answers to this question. Many have gravitated to the notion of the "subtle body," positing some sort of subtle entity that is neither soul nor body, but some mixture of the two. Simon Cox traces the history of this idea from the late Roman Empire to the present day, touching on how philosophers, wizards, scholars, occultists, psychologists, and mystics have engaged with the idea over the past two thousand years. This study is an intellectual history of the subtle body concept from its origins in late antiquity through the Renaissance into the Euro-American counterculture of the 1960's and 70's. It begins with a prehistory of the idea, rooted as it is in third-century Neoplatonism. It then proceeds to the signifier "subtle body" in its earliest English uses amongst the Cambridge Platonists. After that, it looks forward to those Orientalist fathers of Indology, who, in their earliest translations of Sanskrit philosophy relied heavily on the Cambridge Platonist lexicon, and thereby brought Indian philosophy into what had hitherto been a distinctly platonic discourse. At this point, the story takes a little reflexive stroll into the source of the author's own interest in this strange concept, looking at Helena Blavatsky and the Theosophical import, expression, and popularization of the concept. Cox then zeroes in on Aleister Crowley, focusing on the subtle body in fin de siecle occultism. Finally, he turns to Carl Jung, his colleague Frederic Spiegelberg, and the popularization of the idea of the subtle body in the Euro-American counterculture. This book is for anyone interested in yogic, somatic, or energetic practices, and will be very useful to scholars and area specialists who rely on this term in dealing with Hindu, Daoist, and Buddhist texts.

Tantra has formed an integral part of Asian religious history for centuries, but since "Arthur Avalon" introduced the concept to a global readership in the early twentieth century, Tantric traditions have exploded in popularity. While it was long believed that Sir John Woodroffe stood behind Avalon, it was in fact mainly a collaboration between learned South Asians. Julian Strube considers Tantra from the Indian perspective, offering rare insight into the active roles that Indians have played in its globalization and re-negotiation in local Indian contexts. In the early twentieth century, Avalon's publications were crucial to Tantra's visibility in academia and the recognition of Tantra's vital role in South Asian culture. South Asian religious, social, and political life is inexorably intertwined with various Tantric scriptures and traditions, especially in Shaiva and Shakta contexts. In Bengal, Tantra was central to cultural dynamics including Vaishnava and Muslim currents, as well as universalist tendencies incorporating Christianity and esoteric movements such as New Thought, Spiritualism, and Theosophy. Global Tantra contextualizes struggles about orthodoxy and reform in Bengal, and explores the global connections that shaped them. The study elides boundaries between academic disciplines as well as historical and regional contexts, providing insights into global debates about religion, science, esotericism, race, and national identity.

In the second half of the eighteenth century, several British East India Company servants published accounts of what they deemed to be the original and ancient religion of India. Drawing on what are recognised today as the texts and traditions of Hinduism, these works fed into a booming enlightenment interest in Eastern philosophy. At the same time, the Company's aggressive conquest of Bengal was facing a crisis of legitimacy and many of the prominent political minds of the day were turning their attention to the question of empire. In this original study, Jessica Patterson situates these Company works on the 'Hindu religion' in the twin contexts of enlightenment and empire. In doing so, she uncovers the central role of heterodox religious approaches to Indian religions for enlightenment thought, East India Company policy, and contemporary ideas of empire.

The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.