This gorgeously illustrated gift edition of a spiritual classic details the story of the magical, heroic Hanuman. The timeless story of the monkey-god Hanuman is that of a valiant superhero, best known for battling the demon Ravana in the classic tale "Ramayana". Although Hanuman has the mystic ability to shrink and expand, and to leap great distances, it is his sensitivity and devotion to King Rama that make him such a memorable character. As a youth, Hanuman's mischievousness often landed him in trouble with the village elders. Finally they cast a spell causing him to forget his immense powers. Hanuman grew up thinking he was an ordinary monkey. His potential was realised only later when he was compelled to rescue Sita, the kidnapped wife of Rama, from the clutches of Ravana. This delightful mini book features gorgeously illustrated images of Hanuman from both traditional and contemporary artists.

This book investigates women's ritual authority and the common boundaries between religion and notions of gender, ethnicity, and identity. Nanette R. Spina situates her study within the transnational Melmaruvathur Adhiparasakthi movement established by the Tamil Indian guru, Bangaru Adigalar. One of the most prominent, defining elements of this tradition is that women are privileged with positions of leadership and ritual authority. This represents an extraordinary shift from orthodox tradition in which religious authority has been the exclusive domain of male Brahmin priests. Presenting historical and contemporary perspectives on the transnational Adhiparasakthi organization, Spina analyzes women's roles and means of expression within the tradition. The book takes a close look at the Adhiparasakthi society in Toronto, Canada (a Hindu community in both its transnational and diasporic dimensions), and how this Canadian temple has both shaped and demonstrated their own diasporic Hindu identity. The Toronto Adhiparasakthi society illustrates how Goddess theology, women's ritual authority, and "inclusivity" ethics have dynamically shaped the identity of this prominent movement overseas. Based on years of ethnographic fieldwork, the volume draws the reader into the rich textures of culture, community, and ritual life with the Goddess.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

"The Book of Karna" relates the events of the two dramatic days after the defeat of the great warriors and generals Bhishma and Drona, in which Karna - great hero and the eldest Pandava - leads the Kaurava army into combat. This first volume of "Karna" depicts mighty battles in gory detail, sets the scene for Karna's tragic death, and includes a remarkable verbal duel between Karna and his reluctant charioteer Shalya, the king of the Madras, as they hurl abuse at each other before entering the fray.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

This is the first book fully dedicated to Indian philosophical doxography. It examines the function such dialectical texts were intended to serve in the intellectual and religious life of their public. It looks at Indian doxography both as a witness of inter- and intra-sectarian dialogues and as a religious phenomenon. It argues that doxographies represent dialectical exercises, indicative of a peculiar religious attitude to plurality, and locate these 'exercises' within a known form of 'yoga' dedicated to the cultivation of 'knowledge' or 'gnosis' (jnana). Concretely, the book presents a critical examination of three Sanskrit doxographies: the Madhyamakahrdayakarika of the Buddhist Bhaviveka, the Saddarsanasamuccaya of the Jain Haribhadra, and the Sarvasiddhantasangraha attributed to the Advaitin Sankara, focusing on each of their respective presentation of the Mimamsa view. It is the first time that the genre of doxography is considered beyond its literary format to ponder its performative dimension, as a spiritual exercise. Theoretically broad, the book reaches out to academics in religious studies, Indian philosophy, Indology, and classical studies.

In Bringing the Sacred Down to Earth, Corinne Dempsey offers a comparative study of Hindu and Christian, Indian and Euro/American earthbound religious expressions. She argues that official religious, political, and epistemological systems tend to deny sacred access and expression to the general populace, and are abstracted and disembodied in ways that make them irrelevant to if not neglectful of earthly realities. Working at cross purposes with these systems, attending to material needs, conferring sacred access to a wider public, and imbuing land and bodies with sacred meaning and power, are religious frameworks featuring folklore figures, democratizing theologies, newly sanctified land, and extraordinary human abilities. Some scholars will see Dempsey's juxtapositions of Hindu and Christian religious dynamics, many of which exist on opposite sides of the globe, as a leap into a disciplinary minefield. Many have argued for decades that comparison is an outmoded, politically troubled approach to the human sciences. More recently opponents, represented by a growing number of religion scholars, are ''writing back'' in comparison's defense, asserting the merits of a readjusted, carefully contextualized, new comparativism. But, says Dempsey, the inestimable advantages of the comparative method described by religion scholars and performed in this book are disciplinary as well as ethical. As demonstrated in this stimulating book, the process of comparison can shed light on angles and contours otherwise obscured and perform the important work of bridging human contingencies and perception across religious, cultural, and disciplinary divides.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. This fourteenth- and fifteenth-century poet revolutionized the classical tradition and effectively created the classical genre of sustained, thematically focused, coherent large-scale compositions. Some of his works are proto-novellas: self-consciously fictional, focused on the development of characters, and endowed with compelling, fast-paced plots. Though entirely rooted in the cultural world of medieval south India, Srinatha is a poet of universal resonance and relevance. Srinatha: The Poet who Made Gods and Kings provides extended translations of Srinatha's major works and shows how the poet bridged gaps between oral (improvised) poetry and fixed literary works; between Telugu and the classical, pan-Indian language of Sanskrit; and between local and trans-local cultural contexts. Srinatha is a protean figure whose biography served the later literary tradition as a model and emblem for primary themes of Telugu culture, including the complex relations between sensual and erotic excess and passionate devotion to the temple god. He established himself as an ''Emperor of Poets'' who could make or break a great king and who, by encompassing the entire, vast geographical range of Andhra and Telugu speech, invented the idea of a comprehensive south Indian political empire (realized after his death by the Vijayanagara kings). In this wide-ranging and perceptive study, Shulman and Rao show Srinatha's place in a great classical tradition in a moment of profound cultural transformation.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

Western intellectual history has benefited from a rich and sophisticated conversation between theology and science, leaving us with centuries of scientific and theological literature on the subjects. Yet the Hindu traditions are virtually unused in responding to the challenging questions raised in the science and religion dialogue. This book replies to the sciences by drawing from an important Hindu text called the Bhagavata Purana, as well as its commentaries, and philosophical disciplines such as eamkhya-Yoga. One of the greatest challenges facing Hindu traditions since the nineteenth century is their own self-understanding in light of science and technology. Hoping to establish the conceptual foundations for a mutually beneficial dialogue between the Hindu Theologies and the Western Sciences, Jonathan B. Edelmann faces that challenge directly. Since so much of the Hinduism-science discussion is tangled in misconstrual, Edelmann clarifies fundamental issues in each tradition, for example the definition of consciousness, the means of generating knowledge and the goal of knowledge itself. He argues that although Darwinian theory seems to entail a materialistic view of consciousness, the Bhagavata's views provide an alternative framework for thinking about Darwinian theory. Furthermore, Edelmann argues that objectivity is a hallmark of modern science, and this is an intellectual virtue shared by the Bhagavata. Lastly, he critiques the view that science and religion have different objects of knowledge (that is, the natural world vs. God), arguing that many Western scientists and theologians have found science helpful in thinking about God in ways similar to that of the Bhagavata.

India is frequently represented as the quintessential land of religion. Johannes Quack challenges this representation through an examination of the contemporary Indian rationalist organizations: groups who affirm the values and attitudes of atheism, humanism, or free-thinking. Quack shows the rationalists' emphasis on maintaining links to atheism and materialism in ancient India and outlines their strong ties to the intellectual currents of modern European history. At the heart of Disenchanting India is an ethnographic study of the organization ''Andhashraddha Nirmulan Samiti'' (Organization for the Eradication of Superstition), based in the Indian State of Maharashtra. Quack gives a nuanced account of the Organization's specific "mode of unbelief. " He describes the group's efforts to encourage a scientific temper and to combat beliefs and practices that it regards as superstitious. Quack also shows the role played by rationalism in the day-to-day lives of the Organization's members, as well as the Organization's controversial position within Indian society. Disenchanting India contributes crucial insight into the nature of rationalism in the intellectual life and cultural politics of India.

In his pathbreaking Israel in Egypt James K. Hoffmeier sought to refute the claims of scholars who doubt the historical accuracy of the biblical account of the Israelite sojourn in Egypt. Analyzing a wealth of textual, archaeological, and geographical evidence, he put forth a thorough defense of the biblical tradition. Hoffmeier now turns his attention to the Wilderness narratives of Exodus, Leviticus, and Numbers. As director of the North Sinai Archaeological Project, Hoffmeier has led several excavations that have uncovered important new evidence supporting the Wilderness narratives, including a major New Kingdom fort at Tell el-Borg that was occupied during the Israelite exodus. Hoffmeier employs these archaeological findings to shed new light on the route of the exodus from Egypt. He also investigates the location of Mount Sinai, and offers a rebuttal to those who have sought to locate it in northern Arabia and not in the Sinai peninsula as traditionally thought. Hoffmeier addresses how and when the Israelites could have lived in Sinai, as well as whether it would have been possible for Moses to write down the law received at Mount Sinai. Building on the new evidence for the Israelite sojourn in Egypt, Hoffmeier explores the Egyptian influence on the Wilderness tradition. For example, he finds Egyptian elements in Israelite religious practices, including the use of the tabernacle, and points to a significant number of Egyptian personal names among the generation of the exodus. The origin of Israel is a subject of much debate and the wilderness tradition has been marginalized by those who challenge its credibility. In Ancient Israel in Sinai, Hoffmeier brings the Wilderness tradition to the forefront and makes a case for its authenticity based on solid evidence and intelligent analysis.

Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati's origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati's evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 4 includes translations from Hindu sacred texts and philosophical writings, and Ward's own reflections on education.

Heathen, Hindoo, Hindu is a groundbreaking analysis of American representations of religion in India before the turn of the twentieth century. In their representations of India, American writers from a variety of backgrounds described "heathens," "Hindoos," and, eventually "Hindus." Before Americans wrote about "Hinduism," they wrote about "heathenism," "the religion of the Hindoos," and "Brahmanism." Various groups interpreted the religions of India for their own purposes. Cotton Mather, Hannah Adams, and Joseph Priestley engaged the larger European Enlightenment project of classifying and comparing religion in India. Evangelical missionaries used images of "Hindoo heathenism" to raise support at home. Unitarian Protestants found a kindred spirit in the writings of Bengali reformer Rammohun Roy. Transcendentalists and Theosophists imagined the contemplative and esoteric religion of India as an alternative to materialist American Protestantism, while popular magazines and common school books used the image of dark, heathen, despotic India to buttress Protestant, white, democratic American identity. Americans used the heathen, Hindoo, and Hindu as an other against which they represented themselves. The questions of American identity, classification, representation and the definition of "religion" that animated descriptions of heathens, Hindoos, and Hindus in the past still animate American debates today.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 3 focuses on the social history of India, the caste system, and birth rituals.

In Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimulate religious feelings and to give them a sensory form. Starting from the perception and interpretation of sound, the authors chart an unorthodox cultural history of India, turning their attention to an important, but often neglected aspect of daily religious life. They provide a stimulating contribution to the study of cultural systems of perception that also adds new aspects to the debate on orality and literality.

This volume offers an in-depth study of key themes common to the Hindu and Christian religious traditions. It redefines how we think about Hinduism, comparative study, and Christian theology. This book offers a bold new look at how traditions encounter one another, and how good comparisons are to be made. Redefining theology as an interreligious, comparative, dialogical, and confessional practice open to all people, it invites not only Hindus and Christians, but also theologians from all religious traditions, to enter into conversation with one another.

First published in 1875, this book reflects a growing nineteenth-century British interest in South Asian culture and literature. In it Monier Williams, the Professor of Sanskrit at Oxford, outlines the patterns of thought and customs of the Hindu religion. He also describes the character and content of Sanskrit literature, which had not previously been attempted in English. According to Williams, Sanskrit literature holds the key to a full understanding of Hinduism. He makes it unequivocally clear that Britain's colonial hold over India involves a particular responsibility and indeed opportunity to study the three religions confronting Christianity there, namely Brahmanism, Buddhism and Islam. Monier Williams writes about the Vedas (the sacred texts of Hinduism), the different traditions of philosophy and the five schools of Hindu law. He elaborates on the epic poems and the doctrine of incarnation embedded in them, and compares this ancient poetry with that of Homer.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 2 focuses on places of worship, ritual practices, and beliefs about death and reincarnation.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 1 describes and categorises Hindu deities and objects of worship, celestial, terrestrial, animate and inanimate.

Yoga, karma, meditation, guru--these terms, once obscure, are now a part of the American lexicon. Combining Hinduism with Western concepts and values, a new hybrid form of religion has developed in the United States over the past century. In Transcendent in America, Lola Williamson traces the history of various Hindu-inspired movements in America, and argues that together they constitute a discrete category of religious practice, a distinct and identifiable form of new religion.

Williamson provides an overview of the emergence of these movements through examining exchanges between Indian Hindus and American intellectuals such as Thomas Jefferson and Ralph Waldo Emerson, and illuminates how Protestant traditions of inner experience paved the way for Hindu-style movements' acceptance in the West.

Williamson focuses on three movements--Self-Realization Fellowship, Transcendental Meditation, and Siddha Yoga--as representative of the larger of phenomenon of Hindu-inspired meditation movements. She provides a window into the beliefs and practices of followers of these movements by offering concrete examples from their words and experiences that shed light on their world view, lifestyle, and relationship with their gurus. Drawing on scholarly research, numerous interviews, and decades of personal experience with Hindu-style practices, Williamson makes a convincing case that Hindu-inspired meditation movements are distinct from both immigrant Hinduism and other forms of Asian-influenced or "New Age" groups.

This is the second in a trilogy of works by the famed Bengali novelist Bankimcandra Chatterji (1838-1894), and the second to be translated by Julius Lipner. The first, Anandamath, or The Sacred Brotherhood was published by OUP in 2005. Bankim Chatterji was perhaps the foremost novelist and intellectual mediating western ideas to India in the latter half of the 19th century. Debi Chaudhurani is a didactic work that champions a particular interpretation of Hindu dharma and wifely duties reflective of the late 19th-century Calcutta context in which it was written. But the story is also compelling. Written in a conversational style, it features surprising plot twists and ideas that are, even today, revolutionary in their daring. Most notably, Bankim makes a woman the embodiment of Lord Krishna's salvific message, as originally enunciated in the Bhagavad Gita. The protagonist, Debi, is a complex figure who is a rejected wife, becomes a bandit queen, represents a goddess figure, and symbolizes the land of India. There is a creative tension between her strength as a leader and her correct role, from the perspective of the author, as a domestic wife. Bankim also focuses on caste and what it means to be a genuine Brahmin, who is transformed by the author into a man who executes responsibilities instead of demanding privileges. Within the context of the teachings of the Gita, the author shares his vision of social activism to improve India. Lipner's idiomatic translation is enhanced by his detailed commentary on the original Bengali text and by a readable introduction that sets the novel and its ideas in context.

America now is home to approximately five million Hindus and Jains. Their contribution to the economic and intellectual growth of the country is unquestionable. Dharma in America aims to explore the role of Hindu and Jain Americans in diverse fields such as: education and civic engagements medicine and healthcare music. Providing a concise history of Hindus and Jains in the Americas over the last two centuries, Dharma in America also gives some insights into the ongoing issues and challenges these important ethnic and religious groups face in America today.

Formalized by the tenth century, the expansive Bhagavata Purana resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedanta and Samkhya. No other Purana has inspired so much commentary, imitation, and derivation. The work has grown in vibrancy through centuries of performance, interpretation, worship, and debate and has guided the actions and meditations of elite intellectuals and everyday worshippers alike. This annotated translation and detailed analysis shows how one text can have such enduring appeal. Key selections from the Bhagavata Purana are faithfully translated, while all remaining sections of the Purana are concisely summarized, providing the reader with a continuous and comprehensive narrative. Detailed endnotes explain unfamiliar concepts and several essays elucidate the rich philosophical and religious debates found in the Sanskrit commentaries. Together with the multidisciplinary readings contained in the companion volume The Bhagavata Purana: Sacred Text and Living Tradition (Columbia, 2013), this book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Hindu literature, philosophy, and religion.