In India, statues of Ganesh are placed at the inner gates of many temples, symbolizing his role as keeper of sacred spaces. Here, pilgrims and passersby pay homage and seek his blessings. It is this symbolic presence at the entrance of our most holy places that makes Ganesh such a vital figure in our lives.
Stationed at the threshold of sacredness and awareness, mediating between the possibility of the profound and our often habitual, mundane perception of the world, Ganesh is the guiding force behind this very moment of experience - where desire meets possibility. "Ganesh: Removing the Obstacles" offers practical and meaningful interpretations of folk narratives and sacred texts concerning the larger-than-life elephant-headed god, Ganesh.

Mindfulness and yoga are widely said to improve mental and physical health, and booming industries have emerged to teach them as secular techniques. This movement is typically traced to the 1970s, but it actually began a century earlier. Wakoh Shannon Hickey shows that most of those who first advocated meditation for healing were women: leaders of the "Mind Cure" movement, which emerged during the late nineteenth and early twentieth centuries. Instructed by Buddhist and Hindu missionaries, many of these women believed that by transforming consciousness, they could also transform oppressive conditions in which they lived. For women - and many African-American men - "Mind Cure" meant not just happiness, but liberation in concrete political, economic, and legal terms. In response to the perceived threat posed by this movement, white male doctors and clergy with elite academic credentials began to channel key Mind Cure methods into "scientific" psychology and medicine. As mental therapeutics became medicalized and commodified, the religious roots of meditation, like the social-justice agendas of early Mind Curers, fell by the wayside. Although characterized as "universal," mindfulness has very specific historical and cultural roots, and is now largely marketed by and accessible to affluent white people. Hickey examines religious dimensions of the Mindfulness movement and clinical research about its effectiveness. By treating stress-related illness individualistically, she argues, the contemporary movement obscures the roles religious communities can play in fostering civil society and personal wellbeing, and diverts attention from systemic factors fueling stress-related illness, including racism, sexism, and poverty.

The first book to put the sacred and sensuous bronze statues from India's Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures-including Shiva, referred to in a saintly vision as "the thief who stole my heart"-were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire's political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas' religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

In India's great epic the Maha-bharata, the eighth book, aKarna, a recounts the events that occurred during the mighty hero Karna's two days as general of the Kaurava army. This second volume resumes on the war's seventeenth and penultimate day. This will be a momentous day for the Bharata clans and especially for a number of their most distinguished heroes, with some of the epic's most telegraphed events reaching their climax. Not only will the epic's most anticipated duel between its greatest champions Arjuna and Karna be played out to its cruel and tragic end, but one of the more gruesome episodes in the epic will also take place with Duhshasana meeting the fate that has long waited him since his brazen maltreatment of Draupadi in the assembly hall.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

About two hundred kilometers west of the city of Karachi, in the desert of Baluchistan, Pakistan, sits the shrine of the Hindu Goddess Hinglaj. Despite the temple's ancient Hindu and Muslim history, an annual festival at Hinglaj has only been established within the last three decades, in part because of the construction of the Makran Coastal Highway, which connects the distant rural shrine with urban Pakistan. Now, an increasingly confident minority Hindu community has claimed Hinglaj as their main religious center, a site for undisturbed religious performance and expression. In Hinglaj Devi, Jurgen Schaflechner studies literary sources in Hindi, Sanskrit, Sindhi, and Urdu alongside extensive ethnographical research at the shrine, examining the political and cultural influences at work at the temple and tracking the remote desert shrine's rapid ascent to its current status as the most influential Hindu pilgrimage site in Pakistan. Schaflechner introduces the unique character of this place of pilgrimage and shows its modern importance not only for Hindus, but also for Muslims and Sindhi nationalists. Ultimately, this is an investigation of the Pakistani Hindu community's beliefs and practices at their largest place of worship in the Islamic Republic today-a topic of increasing importance to Pakistan's contemporary society.

Hinduism has become a vital 'other' for Judaism over the past decades. The book surveys the history of the relationship from historical to contemporary times, from travellers to religious leadership. It explores the potential enrichment for Jewish theology and spirituality, as well as the challenges for Jewish identity.

The earliest of the four Hindu religious scriptures known as the Vedas, and the first extensive composition to survive in any Indo-European language, "The Rig Veda" (c. 1200?900 bc) is a collection of more than 1,000 individual Sanskrit hymns. A work of intricate beauty, it provides unique insight into early Indian mythology and culture. Fraught with paradox, the hymns are meant ?to puzzle, to surprise, to trouble the mind, ? writes translator Wendy Doniger, who has selected 108 hymns for this volume. Chosen for their eloquence and wisdom, they focus on the enduring themes of creation, sacrifice, death, women, and the gods. Doniger's "The Rig Veda" provides a fascinating introduction to a timeless masterpiece of Hindu ritual and spirituality.

Perched atop a five-hundred-meter cliff in the far north of Cambodia, Preah Vihear ranks among the world's holiest sites. It was built a millennium ago as a shrine to Hindu god Shiva by the same civilization that gave the world Angkor Wat. Sadly, it has been transformed recently into a battlefield prize, first with Cambodian factions during the Cambodian civil war, and later (to present) it has been the focus of sometimes violent border disputes with Thailand. In Temple in the Clouds former Washington Post foreign correspondent John Burgess and author of two previous books on Cambodia, draws on extensive research in Cambodia, Thailand, France and the United States to recount the cliff top monument's full history, ancient and modern. He reveals previously unknown legal strategies and diplomatic manoeuvring behind a contentious World Court case of 1959-62 that awarded the temple to Cambodia. Written in a lively, accessible style, Temple in the Clouds brings new insight to one of Southeast Asia's greatest temples and most intractable border conflicts. With 50 photographs, plans and maps. Also by John Burgess: Stories in Stone: ISBN: 9786167339016; A Woman of Angkor ISBN: 9786167339252

The Olympiad sample papers have been developed by experts in their respective fields to make students familiar with the syllabus covered in the exam and the questionasking pattern followed by the marking scheme. Set on the lines of MCQ (Multiple Choice Questions) format adopted in the exam, there are two sets of papers on each of Mathematics, Science, Cyber and English Olympiads for Class 4. Answers keys are given to enable students to verify the correctness of the answers. Where necessary, steps to solving questions are also given. Students can practice through these papers, check their scores, and assess their level of preparedness and knowledge. This kind of meticulous attention to detail is sure to help them make a smart plan and strategy for preparation of these challenging NCO, NSO, IEO and IMO exams. From the sample papers, students will get a fair idea about the type of questions asked in the examination. In this series, we present for students a full range of sample papers from Class 1st to 10th. Syllabus, question patterns, and marking arrangements are given so that the student can learn and prepare for the exam accordingly. These sample papers will prove to be of premier importance while preparing for the Olympiad exams.

A new selection from the national epic of India
Originally composed in Sanskrit sometime between 400 BC and 400 AD, "The Mahabharata"-with one hundred thousand stanzas of verse-is one of the longest poems in existence. At the heart of the saga is a conflict between two branches of a royal family whose feud culminates in a titanic eighteen-day battle. Exploring such timeless subjects as "dharma" (duty), "artha" (purpose), and "kama" (pleasure) in a mythic world of warfare, magic, and beauty, this is a magnificent and legendary Hindu text of immense importance to the culture of the Indian subcontinent.