A distinctive aspect of Hindu devotion is the veneration of a human guru, who is not only an exemplar and a teacher but is also understood to be an embodiment of the divine. Historically, the role of guru in the public domain has been exclusive to men. The new visibility of female gurus in India and the U.S. today, and indeed across the globe, has inspired this first-ever scholarly study of the origins, variety, and worldwide popularity of Hindu female gurus. In the Introduction, Karen Pechilis examines the historical emergence of Hindu female gurus with reference to the Hindu philosophy of the self, women spiritual exemplars as wives and saints, Tantric worship of the Goddess, and the internationalization of gurus in the U.S. in the twentieth century. Nine essays profile specific female gurus, presenting biographies of these remarkable women while highlighting overarching issues and themes concerning women's status as religious leaders; these themes are nuanced in the afterword to the volume. The essays explore how Hindu female gurus embody grace in both senses--as a feminine ideal and an attribute of the divine-and argue that their status as leaders is grounded in their negotiation of these two types of grace. This book provides biographical profiles of the following female gurus plus sensitive scholarly analysis of their spiritual paths: Ammachi, Anandamayi Ma, Gauri Ma, Gurumayi, Jayashri Ma, Karunamayi Ma, Ma Jaya Sati Bhagavati, Mother Meera, Shree Maa and Sita Devi.

"The poem is rising into splendid popularity. Some say it is better than Milton-but that is all bosh-nothing can be better than Milton; many say it licks Kalidasa; I have no objection to that. I don't think it impossible to equal Virgil, Kalidasa, and Tasso." Michael Madhusudan Datta wrote this in a letter to a friend about his verse narrative, The Slaying of Meghanada (1861). The epic, a Bengali version of the Ramayana story in which Ravana, not Rama, is the hero, has become a classic of Indian literature. Datta lived in Bengal at the height of what is frequently called the Bengal Renaissance, a time so labeled for its reinvigoration and reconfiguration of the Hindu past and for the florescence of the literary arts. It was also a period when the Bengali city of Kolkata was a center of world trade-the second city of the British empire-and thus a site of cultural exchange between India and the West. Datta was the perfect embodiment of this time and place. The Slaying of Meghanada is deeply influenced by western epic tradition, and is sprinkled with nods to Homer, Milton, and Dante. Datta's deft intermingling of western and eastern literary traditions brought about a sea change in South Asian literature, and is generally considered to mark the dividing line between pre-modern and modern Bengali literature. Datta's masterpiece is now accessible to readers of English in Clinton Seely's elegant translation, which captures both the sense and the spirit of the original. The poem is supplemented by an extensive introduction, notes, and a glossary.

The Dance of Siva is a complete account of Siva's Dance of Bliss, which is based on a remarkable Sanskrit poem written by Umapati Sivacarya about 1300 AD. Siva is one of the two main gods of Hinduism. The book deals with the famous Chola Nataraja bronze--today the best-known Hindu image, the key location of Siva's Dance in South India, and the temple of Cidambaram. Dr. Smith explores all aspects of Nataraja and the Goddess, and the temple, its priests and ritual. Relevant contemporary art from Cidambaram and neighboring sites illuminates the text.

The Bhagavad Gita which is often referred to as simply the Gita, is a 700-verse scripture that is part of a Hindu epic. It is a sacred text of the Hindus.

Through analysis of an impressive array of "low" and "high" Hindi literature, particularly pamphlets, tracts, magazines and newspapers, compounded with archival data, Gupta explores the emerging discourse of gender and sexuality, which was essential to the development of notions of Hindu nationalism and community identity in the colonial period. The book offers an exceptionally nuanced account of Hindu gender politics.

This is the first full-length study of the devotional poetry and poetics of the 14th-century poet-philosopher Vedantadesika, one of the most outstanding and influential figures in the hindu tradition of Sri-Vaishnavism (the cult of Lord Vishnu). Despite their intrinsic beauty and theological importance, the poetry and philosophy of Vedantadesika have received very little scholarly attention. However, for millions who belong to the Vaishnava tradition these poems are not just classical literature; they are committed to memory, recited, sung and enacted in ritual both in India and throughout the Hindu diaspora. Steven Hopkins here offers a comparative study of the Sanskrit, Pakrit and Tamil poems composed by Vedantadesika in praise of important Vaishnava shrines and their icons - poems that are considered to be the apogee of South Indian devotional literature.

Widely read, The Bhagavad Gita is a classic of world spirituality while The essential companion to The Bhagavad Gita, The Uddhava Gita has remained overlooked. This new accessible and only English translation in print of The Uddhava Gita offers a previously unexplored path to understanding Hinduism and Krishna s wisdom. Written centuries apart, the ideas of the two dialogues are similar although their approach and contexts differ. The Bhagavad Gita is filled with the urgency of battle while The Uddhava Gita takes place on the eve of Krishna s departure from the world. The Uddhava Gita offers the reader philosophy, sublime poetry, practical guidance, and, ultimately, hope for a more complete consciousness in which the life of the body better reflects the life of the spirit."

Introduced to the West by Paul Brunton, Bhagavan Sri Ramana Maharshi (1879-1950) is widely hailed as the greatest Indian saint and sage in modern times, whose teachings continue to influence thousands around the world today. This intimate biography by his disciple Arthur Osborne interweaves the story of Ramana's life with his spiritual journey, from his awakening as a teenager to his later teachings and writings, offering a detailed account of a unique life. Osborne shares many of Ramana's lessons, including his emphasis on the importance of self-enquiry - that self-knowledge cannot be gained externally, but only through becoming aware of our own state of pure being. With his emphasis on the qualities of insight, simplicity and kindness, Ramana has much to offer us today.

This study, based on the author's fieldwork among rural Tamil villagers in South India, focuses on the ways in which people in this society interact with the supernatural beings who play such a large role in their personal and corporate lives. Isabelle Navokov looks at a spectrum of ritualized contexts in which the boundaries between the natural and spiritual worls are penetrated and communication takes place. Throughout, Nabokov's meticulous analysis sheds new light on this hiterto almost unkown domain - and entire range of fascinating phenomena basic to South Indian religion as it is really lived.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the "Mahabharata" and in Kalidisa's fourth-century Sanskrit play, "Sakuntala and the Ring of Recollection." In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from "Sakuntala" and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

Patanjali Yoga Sutras: Translation and Commentary in the Light of Vedanta Scripture is truly ground breaking, a unique perspective on these sutras that is both new and ancient. Aruna returns the gems of Patanjali from being limited within one of the six philosophical schools of medieval India to their universal fountainhead in the ancient scriptures of India. In the light of Vedanta scriptures they shine with a luster rarely seen since their inception over two thousand years ago. Connecting these sutras to hundreds of Veda and Vedanta mantras and the verses of the Bhagavad Gita, this modern translation and brilliant commentary succeeds in speaking directly to the listener's heart, not the sectarian head. Aruna lovingly treats these jewels as reflecting the freedom we all seek in life, not as historical artifacts of mystical curiosity. The sutras are in Sanskrit and transliteration, with English word-for-word and translation plus a rich, detailed commentary. Aruna's authoritative commentary brings in the connections of the sutras with the India sacred scriptures. This has never been attempted before in translation and reveals the universal application of these sutras to all Indians and to all students of all schools of yoga throughout the world. A must read for every student and teacher of yoga who yearns for rekindling the spiritual brilliance lying within the ethical and meditative practices of yoga.

Once known as "Pariahs," Dalits are primarily descendants of unfree agrarian laborers. They belong to India's most subordinated castes, face overwhelming poverty and discrimination, and provoke public anxiety. Drawing on a wealth of previously untapped sources, this book follows the conception and evolution of the "Pariah Problem" in public consciousness in the 1890s. It shows how high-caste landlords, state officials, and well-intentioned missionaries conceived of Dalit oppression, and effectively foreclosed the emergence of substantive solutions to the "Problem"-with consequences that continue to be felt today. Rupa Viswanath begins with a description of the everyday lives of Dalit laborers in the 1890s and highlights the systematic efforts made by the state and Indian elites to protect Indian slavery from public scrutiny. Protestant missionaries were the first non-Dalits to draw attention to their plight. The missionaries' vision of the Pariahs' suffering as being a result of Hindu religious prejudice, however, obscured the fact that the entire agrarian political-economic system depended on unfree Pariah labor. Both the Indian public and colonial officials came to share a view compatible with missionary explanations, which meant all subsequent welfare efforts directed at Dalits focused on religious and social transformation rather than on structural reform. Methodologically, theoretically, and empirically, this book breaks new ground to demonstrate how events in the early decades of state-sponsored welfare directed at Dalits laid the groundwork for the present day, where the postcolonial state and well-meaning social and religious reformers continue to downplay Dalits' landlessness, violent suppression, and political subordination.

Hindu apologists routinely support their interpretations of the Hindu world view with an almost promiscuous use of the world's many philosophies and religions. This book examines the classical roots and contemporary significance of this eclecticism within modern Hindu discourse. Brian Hatcher begins by focusing on the thought of Swami Vivekananda as exemplary of the tone and character of modern Hindu eclecticism. Hatcher then identifies the ancient antecedents of this eclecticism in the sacrificial ritualism of the Vedas. Returning to the modern period, he focuses on 19th-century Bengal, introducing the reader to a wide range of modern Indian eclecticisms. In conclusion, Hatcher proposes a pragmatic approach to evaluating the validity of eclectic knowledge.

The earliest of the four Hindu religious scriptures known as the Vedas, and the first extensive composition to survive in any Indo-European language, "The Rig Veda" (c. 1200?900 bc) is a collection of more than 1,000 individual Sanskrit hymns. A work of intricate beauty, it provides unique insight into early Indian mythology and culture. Fraught with paradox, the hymns are meant ?to puzzle, to surprise, to trouble the mind, ? writes translator Wendy Doniger, who has selected 108 hymns for this volume. Chosen for their eloquence and wisdom, they focus on the enduring themes of creation, sacrifice, death, women, and the gods. Doniger's "The Rig Veda" provides a fascinating introduction to a timeless masterpiece of Hindu ritual and spirituality.

Kalighat is said to be the oldest and most potent Hindu pilgrimage site in the city of Kolkata (formerly Calcutta). It is home to the dark goddess Kali in her ferocious form and attracts thousands of worshipers a day, many sacrificing goats at her feet. In The Making of a Modern Temple and a Hindu City, Deonnie Moodie examines the ways middle-class authors, judges, and activists have worked to modernize Kalighat over the past long century. Rather than being rejected or becoming obsolete with the arrival of British colonialism and its accompanying iconoclastic Protestant ideals, the temple became a medium through which middle-class Hindus could produce and publicize their modernity, as well as the modernity of their city and nation. That trend continued and even strengthened in the wake of India's economic liberalization in the 1990s. Kalighat is a superb example of the ways Hindus work to modernize India while also Indianizing modernity through Hinduism's material forms. Moodie explores both middle-class efforts to modernize Kalighat and the lower class's resistance to those efforts. Conflict between class groups throws into high relief the various roles the temple plays in peoples' lives, and explains why the modernizers have struggled to bring their plans to fruition. The Making of a Modern Temple and a Hindu City is the first scholarly work to juxtapose and analyze processes of historiographical, institutional, and physical modernization of a Hindu temple.

Hagiography, the saint's life, is one of the most popular genres of religious literature in India. For this study, Robin Rinehart has delved into the multiple written and oral accounts of the life of Swami Rama Tirtha (1873-1906). While the earliest accounts of his life portray him as a deeply spiritual man and compelling religious leader, the most recent accounts make far more sweeping claims about him as an avatar and as the primary force behind India's achievement of independence from the British in 1947. Through analysis of the rhetorical strategies of those who have written about his life (his hagiographers), Rinehart shows that descriptions of the experience of being in Swami Rama Tirtha's presence are a central feature of these accounts. The differences between the experiences of close disciples of the Swami and those of followers of a later period help account for the radical changes in the portrayal of the Swami in the hagiographical tradition. Focusing on the role of the hagiographer as mediator between the saint and the saint's followers, Rinehart highlights the role of hagiographers in shaping these followers' communities.

Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."

In the sixties, Transcendental Meditation, a Hindu-based movement, became fashionable as a way to therapy and psychological well-being -- especially after being endorsed by the Beatles and the Beach Boys. Its influence waned, ironically, after the courts decided that TM was a religion rather than a form of therapy, as TM had claimed. But its popularity helped open the doors to a wider acceptance of Eastern philosophy and religions in mainstream America. Another Americanized form of Hinduism is Hare Krishna. This volume and the volume on Buddhism in this series together present a comprehensive overview of Eastern religions, their views, and their impact on contemporary North America. Why this series? This is an age when countless groups and movements, old and new, mark the religious landscape in our culture, leaving many people confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, these books provide essential information and insights for their spiritual journeys. All books but the summary volume, Truth and Error, contain five sections: -A concise introduction to the group being surveyed -An overview of the group s theology --- in its own words -Tips for witnessing effectively to members of the group -A bibliography with sources for further study -A comparison chart that shows the essential differences between biblical Christianity and the group -Truth and Error, the last book in the series, consists of parallel doctrinal charts compiled from all the other volumes. -Three distinctives make this series especially useful to readers: -Information is carefully distilled to bring out truly essential points, rather than requiring readers to sift their way through a sea of secondary details. -Information is presented in a clear, easy-to-follow outline form with menu bar running heads. This format greatly assists the reader in quickly locating topics and details of interest. -Each book meets the needs and skill levels of both nontechnical and technical readers, providing an elementary level of refutation and progressing to a more advanced level using arguments based on the biblical text. The writers of these volumes are well qualified to present clear and reliable information and help readers to discern truth from falsehood."

Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, arguee Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god.
The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.