The Upanisads is the Hindu equivalent of the Christian New Testament. It is a collection of spritual treatises written in Sanskirt between 800 and 400 BCE. Typically an Upanisad recounts one or more sessions of teaching, often setting each within the story of how it came to be taught. These 13 texts, the principal Upanisads, are devoted to understanding the inner meaning of the religion: they explicate its crucial doctrines - rebirth, the law of karma, the means of conquering death and of achieving detachment, equilibrium and spiritual bliss. They emphasise the perennial search for true knowledge. This translation and selection offers a full and comprehensive text.

Mr. Heimsath presents here an intellectual history of the social reform movement among Hindus in India in the century between Ram Mohun Roy and Gandhi. Treating separately each major province in which reform movements flourished, he shows the many ways in which social reform was effected. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is the second volume of a translation of India's most beloved and influential epic saga, the monumental R?m?ya?a of V?lm?ki. Of the seven sections of this great Sanskrit masterpiece, the Ayodhyak???a is the most human, and it remains one of the best introductions to the social and political values of traditional India. This readable translation is accompanied by commentary that elucidates the various problems of the text--philological, aesthetic, and cultural. The annotations make extensive use of the numerous commentaries on the R?m?ya?a composed in medieval India. The substantial introduction supplies a historical context for the poem and a critical reading that explores its literary and ideological components.

The Brahma-sutra, attributed to Badaraya (ca. 400 CE), is the canonical book of Vedanta, the philosophical tradition which became the doctrinal backbone of modern Hinduism. As an explanation of the Upanishads, it is principally concerned with the ideas of Brahman, the great ground of Being, and of the highest good. The Philosophy of the Brahma-sutra is the first introduction to concentrate on the text and its ideas, rather than its reception and interpretation in the different schools of Vedanta. Covering the epistemology, ontology, theory of causality and psychology of the Brahma-sutra, and its characteristic theodicy, it also: * Provides a comprehensive account of its doctrine of meditation * Elaborates on its nature and attainment, while carefully considering the wider religious context of Ancient India in which the work is situated * Draws the contours of Brahma-sutra's intellectual biography and reception history. By contextualizing the Brahma-sutra's teachings against the background of its main collocutors, it elucidates how the work gave rise to widely divergent ontologies and notions of practice. For both the undergraduate student and the specialist this is an illuminating and necessary introduction to one of Indian philosophy's most important works.

A richly diverse collection of classical Indian terms for expressing the many moods and subtleties of emotional experience Words for the Heart is a captivating treasury of emotion terms drawn from some of India's earliest classical languages. Inspired by the traditional Indian genre of a "treasury"-a wordbook or anthology of short texts or poems-this collection features 177 jewel-like entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable reference, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives. Brings to light a rich lexicon of emotion from ancient India Uses the Indian genre of a "treasury," or wordbook, to explore the contours of classical Indian thought in three of the subcontinent's earliest languages-Sanskrit, Pali, and Prakrit Features 177 alphabetical entries, from abhaya ("fearlessness") to yoga ("the discipline of calm") Draws on a wealth of literary, religious, and philosophical writings from classical India Includes synonyms, antonyms, related words, and suggestions for further reading Invites readers to engage in the cross-cultural study of emotions Reveals the many different ways of naming and interpreting human experience

This is an incisive and inspiring meditation on finding your optimal vocation and life's work by one of yoga's great American masters, a book informed by the great Bhagavad Gita- yoga's ancient treatise on finding your purpose.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

This book provides a detailed history of Hindu goddess traditions with a special focus on the local goddesses of Andhra Pradesh, past and present. The antiquity and the evolution of these goddess traditions are illustrated and documented with the help of archaeological reports, literary sources, inscriptions and art. Tracing the symbols and images of goddess into the brahmanical (Saiva and Vaisnava), Buddhist, and Jaina religious traditions, the book argues effectively how and with what motivations goddesses and their symbolizations were appropriated and transformed. The book also examines the evolution of popular Hindu goddesses such as Durga and Kali, discussing their tribal and agricultural backgrounds. It also deals extensively with how and in what circumstances women are deified and shows how these deified women cults share characteristics with the village goddesses.

Based on the author's ethnographic research in India, the book explores the psychology of Hinduism, and offers an innovative synthesis of psychoanylsis with modern anthropological theories of cultural difference. Stanley N. Kurtz offers a new interpretation of the multiple "mother goddesses" of Hinduism, and explores how this multiplicity is key to understanding early childhood experience in which a child is raised by many "mothers" in the Hindu joint family.

Arguing that traditional psychoanalytic approaches to Indian culture have applied Western models without regard to differing cultural circumstances, Kurtz suggests that immersion in a joint family plays a central role in the development of feelings and needs which are carried over into adult life. The book concludes with a briefr comparison of mothering in India and contemporary America. "All the Mothers Are One" makes a significant contribution to the growing debate concerning the role of psychoanalysis in the interpretation of culture and the study of cross-cultural human development.

The idea that there is a truth within the person linked to the discovery of a deeper, more fundamental, more authentic self, has been a common theme in many religions throughout history and an idea that is still with us today. This inwardness or interiority unique to me as an essential feature of who I am has been an aspect of culture and even a defining characteristic of human being; an authentic, private sphere to which we can retreat that is beyond the conflicts of the outer world. This inner world becomes more real than the outer, which is seen as but a pale reflection. Remarkably, the image of the truth within is found across cultures and this book presents an account of this idea in the pre-modern history of Christianity, Hinduism and Buddhism. Furthermore, in theistic religions, Christianity and some forms of Hinduism, the truth within is conflated with the idea of God within and in all cases this inner truth is thought to be not only the heart of the person, but also the heart of the universe itself. Gavin Flood examines the metaphor of inwardness and the idea of truth within, along with the methods developed in religions to attain it such as prayer and meditation. These views of inwardness that link the self to cosmology can be contrasted with a modern understanding of the person. In examining the truth within in Christianity, Hinduism and Buddhism, Flood offers a hermeneutical phenomenology of inwardness and a defence of comparative religion.

This is a book about religious conceptions of trees within the cultural world of tree worship at the tree shrines of northern India. Sacred trees have been worshipped for millennia in India and today tree worship continues there among all segments of society. In the past, tree worship was regarded by many Western anthropologists and scholars of religion as a prime example of childish animism or decadent ''popular religion.'' More recently this aspect of world religious cultures is almost completely ignored in the theoretical concerns of the day. David Haberman hopes to demonstrate that by seriously investigating the world of Indian tree worship, we can learn much about not only this prominent feature of the landscape of South Asian religion, but also something about the cultural construction of nature as well as religion overall. The title People Trees relates to the content of this book in at least six ways. First, although other sacred trees are examined, the pipal-arguably the most sacred tree in India-receives the greatest attention in this study. The Hindi word ''pipal'' is pronounced similarly to the English word ''people.''Second, the ''personhood'' of trees is a commonly accepted notion in India. Haberman was often told: ''This tree is a person just like you and me.'' Third, this is not a study of isolated trees in some remote wilderness area, but rather a study of trees in densely populated urban environments. This is a study of trees who live with people and people who live with trees. Fourth, the trees examined in this book have been planted and nurtured by people for many centuries. They seem to have benefited from human cultivation and flourished in environments managed by humans. Fifth, the book involves an examination of the human experience of trees, of the relationship between people and trees. Haberman is interested in people's sense of trees. And finally, the trees located in the neighborhood tree shrines of northern India are not controlled by a professional or elite class of priests. Common people have direct access to them and are free to worship them in their own way. They are part of the people's religion. Haberman hopes that this book will help readers expand their sense of the possible relationships that exist between humans and trees. By broadening our understanding of this relationship, he says, we may begin to think differently of the value of trees and the impact of deforestation and other human threats to trees.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

aBy any measure the Ramayana of Valmiki is one of the great epic poems of world literature. . . . Now the New York University Press is republishing the translations, without notes and with minimal introductions, in more accessible and less expensive editions, as part of the Clay Sanskrit Library. So far the translators have been eminently successful.a
--"The New York Sun" [Refers to the nine volumes of the Ramayana]

Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.

Valmiki's Ramayana is one of the two great national epics of India, the source reveredthroughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

In 1839 a diverse group of Hindu leaders began gathering in Calcutta to share and propagate their faith in a non-idolatrous form of worship. The group, known as the Tattvabodhini Sabha, met weekly to worship and hear discourses from members on the virtues of a rational and morally responsible mode of worship. They called upon ancient sources of Hindu spirituality to guide them in developing a form of modern theism they referred to as "Vedanta." In this book, Brian Hatcher translates these hitherto unknown discourses and situates them against the backdrop of religious and social change in early colonial Calcutta. Apart from bringing to light the theology and moral vision of an association that was to have a profound influence on religious and intellectual life in nineteenth-century Bengal, Hatcher's analysis promotes reflection on a variety of topics central to understanding the development of modern forms of Hindu belief and practice.

"In this jewel-like volume, the venerable Tirtha Maharaja recounts the nectarean activities of the associates of Lord Gauranga and the acharyas of the Gaudiya Vaishnava religion." --Swami B.P. Puri, Founder Acharya, Gopinath Gaudiya Math Srila Bhakti Ballabha Tirtha Goswami Maharaja has gathered a great deal of information about the lives of the devotees from numerous sources, and has made this information more relishable by virtue of his own insight. These biographies of Mahaprabhu's devotees should be read on their appearance and disappearance days, for this will bring great joy to both those who hear and those who read them. In this English translation, it will be possible for devotees around the world to enjoy them. Herein, the author delights in the life stories of Jagannath Mishra, Madhavendra Puri, Ishvara Puri, Advaita Acharya, Srivas Pandit, Chandrasekhar Acharya, Pundarika Vidyanidhi, Gadadhar Pandit, Vakresvara Pandit, Gadadhar Das, Shivananda Sen, Paramananda Puri, Murari Gupta, and many others. Every letter of these accounts is drenched with the nectar of devotion. The sincere seeker will never be able to enter the transcendental kingdom nor to advance in the devotional life unless they also discover this delight.

For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life.

Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.

Namdev is a central figure in the cultural history of India, especially within the field of "bhakti," a devotional practice that has created publics of memory for over eight centuries. Born in the Marathi-speaking region of the Deccan in the late thirteenth century, Namdev is remembered as a simple, low-caste Hindu tailor whose innovative performances of devotional songs spread his fame widely. He is central to many religious traditions within Hinduism, as well as to Sikhism, and he is a key early literary figure in Maharashtra, northern India, and Punjab.

In the modern period, Namdev appears throughout the public spheres of Marathi and Hindi and in India at large, where his identity fluctuates between regional associations and a quiet, pan-Indian, nationalist-secularist profile that champions the poor, oppressed, marginalized, and low caste. Christian Lee Novetzke considers the way social memory coheres around the figure of Namdev from the sixteenth century to the present, examining the practices that situate Namdev's memory in multiple historical publics. Focusing primarily on Maharashtra and drawing on ethnographies of devotional performance, archival materials, scholarly historiography, and popular media, especially film, Novetzke vividly illustrates how religious communities in India preserve their pasts and, in turn, create their own historical narratives.

Since its inception over two hundred years ago, Swaminarayan Hinduism has flourished into a transnational movement described as one of the fastest growing Hindu groups in the world. Despite being one of the largest and most visible Hindu traditions both in India and the West, surprisingly little is known about what the Swaminarayan fellowship believes. An Introduction to Swaminarayan Hindu Theology provides a comprehensive doctrinal account of the Swaminarayan tradition's belief system, drawing on its rich corpus of theological literature, including the teachings of Swaminarayan himself and classical commentaries on canonical Vedantic texts. Part I delineates the sources and tools of Swaminarayan Hindu theology, while Part II systematically expounds upon its distinctive five eternal entities - Parabrahman, Aksarabrahman, maya, isvara and jiva - and mukti (spiritual liberation). In presenting these key themes theologically and lucidly, Swami Paramtattvadas makes the Swaminarayan Hindu belief system intelligible to scholars, students and serious readers.

Vitthal, also called Vithoba, is the most popular Hindu god in the western Indian state of Maharashtra, and the best-known god of that region outside India. His temple at Pandharpur is the goal of an annual pilgrimage that is one of the largest and most elaborate in the world. This book is the foremost study of the history of Vitthal, his worship, and his worshippers. First published in Marathi in 1984, the book remains the most thorough and insightful work on Vitthal and his cult in any language, and provides an exemplary model for understanding the history and morphology of lived Hinduism. The author, Ramachandra Chintaman Dhere, is the leading scholar of religious traditions in Maharashtra and throughout the Deccan, the plateau that covers most of central India. Vitthal exemplifies the synthesis of Vaisnava and Saiva elements that not only typifies Maharashtrian Hindu religious life but also marks Vitthal's resemblance to another prominent South Indian god, Venkates of Tirupati in Andhra Pradesh. Dhere's analysis highlights Vitthal's connection with pastoralist hero cults, and demonstrates the god's development from a god of shepherds to a god of the majority of the population, including Brahmans. In addition, Dhere also explores the connections of Vitthal with Buddhist and Jain traditions. In the book's final chapter, Dhere presents a culminating stage in the evolution of the worship of Vitthal: the interpretation in spiritual terms of the god, his temple, the town of Pandharpur, and the river that flows past the town. Dhere received India's highest literary award, the Sahitya Akademi prize, for this book.

Offering multilayered explorations of Hindu understandings of the Feminine, both human and divine, this book emphasizes theological and activist methods and aims over historical, anthropological, and literary ones.