This study, based on the author's fieldwork among rural Tamil villagers in South India, focuses on the ways in which people in this society interact with the supernatural beings who play such a large role in their personal and corporate lives. Isabelle Navokov looks at a spectrum of ritualized contexts in which the boundaries between the natural and spiritual worls are penetrated and communication takes place. Throughout, Nabokov's meticulous analysis sheds new light on this hiterto almost unkown domain - and entire range of fascinating phenomena basic to South Indian religion as it is really lived.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the "Mahabharata" and in Kalidisa's fourth-century Sanskrit play, "Sakuntala and the Ring of Recollection." In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from "Sakuntala" and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

A radical approach to the modern spiritual quest, gleaned from the pages of the ancient Hindu book Aparokshanubhuti, written by the philosopher-sage Shankara. This English translation, tailored to Western sensibilities, reveals the fundamental secret hidden in every mystical, religious and spiritual tradition. Once the guesswork has been removed, the true spiritual adventure begins.

Epics of ancient India rank with the timeless myths of classical Greece and Rome in the power of their language and the underlying moral lessons. The "Ramayana" and "Mahabharata, " both written in Sanskrit, contain vibrant stories of kings and princes, sages and tricksters, demons and gods, damsels in distress and mighty heroes. "Ganesha Goes to Lunch" collects some of the most vivid stories from these and other early Indian folklore and spiritual texts including the Vedas and the Puranas. These stories feature the gods of India in their celestial and earthly abodes, hapless humans struggling with life's many problems, and gods and humans interacting. Assembled by Kamla Kapur, these stories illustrate the great spiritual and practical themes of the human condition. Kamla Kapur brings her poet's eye and ear to the retelling of these stories, recreating and dramatizing them to illuminate their relevance to modern times.

Once known as "Pariahs," Dalits are primarily descendants of unfree agrarian laborers. They belong to India's most subordinated castes, face overwhelming poverty and discrimination, and provoke public anxiety. Drawing on a wealth of previously untapped sources, this book follows the conception and evolution of the "Pariah Problem" in public consciousness in the 1890s. It shows how high-caste landlords, state officials, and well-intentioned missionaries conceived of Dalit oppression, and effectively foreclosed the emergence of substantive solutions to the "Problem"-with consequences that continue to be felt today. Rupa Viswanath begins with a description of the everyday lives of Dalit laborers in the 1890s and highlights the systematic efforts made by the state and Indian elites to protect Indian slavery from public scrutiny. Protestant missionaries were the first non-Dalits to draw attention to their plight. The missionaries' vision of the Pariahs' suffering as being a result of Hindu religious prejudice, however, obscured the fact that the entire agrarian political-economic system depended on unfree Pariah labor. Both the Indian public and colonial officials came to share a view compatible with missionary explanations, which meant all subsequent welfare efforts directed at Dalits focused on religious and social transformation rather than on structural reform. Methodologically, theoretically, and empirically, this book breaks new ground to demonstrate how events in the early decades of state-sponsored welfare directed at Dalits laid the groundwork for the present day, where the postcolonial state and well-meaning social and religious reformers continue to downplay Dalits' landlessness, violent suppression, and political subordination.

The landscape of North Indian religion was dramatically transformed in the fifteenth and sixteenth centuries by a remarkable family of poet-saints. Among the most famous and beloved of these figures-in India and throughout the world-are Mirabai, Surdas, and Kabir. In this book, John Stratton Hawley takes a probing look at all three, finding that many of the beliefs and legends surrounding them-even central motifs-emerged long after their deaths. This volume probes the lives, works, beliefs, and legends of three Bhakti poets-Mirabai, Surdas, and Kabir. Analysing the oldest manuscripts across North India, Hawley describes how these poets were heard and perceived in their own day and reveals startling facts about them. Hawley shows that these poets are, surprisingly, creations of those who have loved them through the centuries. Weaving in some sixty-five English verse translations, most of them based on early manuscripts, Hawley tells this fascinating story of change and transmission. The new preface updates the research on the field.
This book will interest students and scholars of religious studies, medieval Indian history, and informed general readers.

Tukoba (Tukaram) was a seventeenth-century Bhakti Sant (saint-poet) of the Varkari movement in Maharashtra. He is still considered the best Marathi poet. These new translations by Gail Omvedt and Bharat Patankar seek to capture the wonder of his writing, his lyricism and his profound meanings.

The medieval vernacular (non-Sanskrit) traditions of yoga represent an aspect of Hinduism that to date has received much less scholarly attention than classical and contemporary Hinduism. Gordan Djurdjevic here brings together a representative selection of medieval Hindi poetry attributed to the legendary guru Gorakhnath. Gorakhnath is famed as the founder of the influential order of the Nath yogis, who are credited with the development of hatha yoga. The poetry gathered in the collection, known as The Sayings of Gorakh Bani, reflects this worldview. Its major thematic concerns relate to the practice of yoga, engagement with the various chakras within the body, and the attempts to reverse the flow of seminal fluid, by which process yogis believe the state of immortality may be reached. These often-enigmatic texts on the one hand provide a criticism of religious authority based on bookish knowledge, while on the other hand they celebrate yogic engagement with the subtle body and its centers of occult energy and miraculous powers. Sayings of Gorakhnath offers translations or the complete sabad and pad sections from the Gorakh Bani, the two largest sections in the collection. Some additional texts from the collection are also provided. Translations are preceded by an introduction and accompanied by notes, which contextualize and elucidate the subject matter.

Kalighat is said to be the oldest and most potent Hindu pilgrimage site in the city of Kolkata (formerly Calcutta). It is home to the dark goddess Kali in her ferocious form and attracts thousands of worshipers a day, many sacrificing goats at her feet. In The Making of a Modern Temple and a Hindu City, Deonnie Moodie examines the ways middle-class authors, judges, and activists have worked to modernize Kalighat over the past long century. Rather than being rejected or becoming obsolete with the arrival of British colonialism and its accompanying iconoclastic Protestant ideals, the temple became a medium through which middle-class Hindus could produce and publicize their modernity, as well as the modernity of their city and nation. That trend continued and even strengthened in the wake of India's economic liberalization in the 1990s. Kalighat is a superb example of the ways Hindus work to modernize India while also Indianizing modernity through Hinduism's material forms. Moodie explores both middle-class efforts to modernize Kalighat and the lower class's resistance to those efforts. Conflict between class groups throws into high relief the various roles the temple plays in peoples' lives, and explains why the modernizers have struggled to bring their plans to fruition. The Making of a Modern Temple and a Hindu City is the first scholarly work to juxtapose and analyze processes of historiographical, institutional, and physical modernization of a Hindu temple.

In the sixties, Transcendental Meditation, a Hindu-based movement, became fashionable as a way to therapy and psychological well-being -- especially after being endorsed by the Beatles and the Beach Boys. Its influence waned, ironically, after the courts decided that TM was a religion rather than a form of therapy, as TM had claimed. But its popularity helped open the doors to a wider acceptance of Eastern philosophy and religions in mainstream America. Another Americanized form of Hinduism is Hare Krishna. This volume and the volume on Buddhism in this series together present a comprehensive overview of Eastern religions, their views, and their impact on contemporary North America. Why this series? This is an age when countless groups and movements, old and new, mark the religious landscape in our culture, leaving many people confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, these books provide essential information and insights for their spiritual journeys. All books but the summary volume, Truth and Error, contain five sections: -A concise introduction to the group being surveyed -An overview of the group s theology --- in its own words -Tips for witnessing effectively to members of the group -A bibliography with sources for further study -A comparison chart that shows the essential differences between biblical Christianity and the group -Truth and Error, the last book in the series, consists of parallel doctrinal charts compiled from all the other volumes. -Three distinctives make this series especially useful to readers: -Information is carefully distilled to bring out truly essential points, rather than requiring readers to sift their way through a sea of secondary details. -Information is presented in a clear, easy-to-follow outline form with menu bar running heads. This format greatly assists the reader in quickly locating topics and details of interest. -Each book meets the needs and skill levels of both nontechnical and technical readers, providing an elementary level of refutation and progressing to a more advanced level using arguments based on the biblical text. The writers of these volumes are well qualified to present clear and reliable information and help readers to discern truth from falsehood."

After the War is a new translation of the final part of the Mahabharata, the great Sanskrit Epic poem about a devastating fraternal war. In this aftermath of the great war, the surviving heroes find various deaths, ranging from a drunken debacle in which they kill many of their own comrades to suicide through meditation and, finally, magical transportation to both heaven and hell. Bereaved mothers and widows on earth are comforted when their dead sons and husbands are magically conjured up from heaven and emerge from a river to spend one glorious night on earth with their loved ones. Ultimately, the bitterly opposed heroes of both sides are reconciled in heaven, but only when they finally let go of the vindictive masculine pride that has made each episode of violence give rise to another. Throughout the text, issues of truth and reconciliation, of the competing beliefs in various afterlives, and of the ultimate purpose of human life are debated. This last part of the Mahabharata has much to tell us both about the deep wisdom of Indian poets during the centuries from 300 BCE to 300 CE (the dates of the recension of this enormous text) and about the problems that we ourselves confront in the aftermath of our own genocidal and internecine wars. The author, a distinguished translator of Sanskrit texts (including the Rig Veda, the Laws of Manu, and the Kamasutra), puts the text into clear, flowing, contemporary prose, with a comprehensive but unintrusive critical apparatus. This book will delight general readers and enlighten students of Indian civilization and of great world literature.

Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

For those who wonder what relation actual Tantric practices bear to the "Tantric sex" currently being marketed so successfully in the West, David Gordon White has a simple answer: there is none. Sweeping away centuries of misunderstandings and misrepresentations, White returns to original texts, images, and ritual practices to reconstruct the history of South Asian Tantra from the medieval period to the present day.
"Kiss of the Yogini" focuses on what White identifies as the sole truly distinctive feature of South Asian Tantra: sexualized ritual practices, especially as expressed in the medieval Kaula rites. Such practices centered on the exchange of powerful, transformative sexual fluids between male practitioners and wild female bird and animal spirits known as Yoginis. It was only by "drinking" the sexual fluids of the Yoginis that men could enter the family of the supreme godhead and thereby obtain supernatural powers and transform themselves into gods. By focusing on sexual rituals, White resituates South Asian Tantra, in its precolonial form, at the center of religious, social, and political life, arguing that Tantra was the mainstream, and that in many ways it continues to influence contemporary Hinduism, even if reformist misunderstandings relegate it to a marginal position.
"Kiss of the Yogini" contains White's own translations from over a dozen Tantras that have never before been translated into any European language. It will prove to be the definitive work for persons seeking to understand Tantra and the crucial role it has played in South Asian history, society, culture, and religion.

Though Freud never overtly refers to the Mahabharata, many of the Sanskrit epic's themes are illuminated by Freud's thought and, conversely, many incidents in the epic can be used to illustrate Freud's theories. In Freud's Mahabharata, the companion volume to Freud's India, Alf Hiltebeitel offers what he calls a "pointillist introduction" to a new theory about the Mahabharata based on Freud. Chapter 1 introduces the concept of the preoedipal, along with Freud's discussion of burial alive, ghosts and doubles, and castration anxiety, and looks at parallels with Indian theories of karma and reincarnation. In Chapter 2 Hiltebeitel draws on Andre Green's concept of "the dead mother," alive but dead to her child, to tell the epic's main story through the interactions between the peace-loving King Yudhisthira and his bellicose mother Kunti. Chapter 3 takes up three "dead mother" stories in the Mahabharata's early books, all of them featuring Kunti, among a plethora of really dead or divine past mothers in the Pandava lineage. Next, Chapter 4 looks at Fernando Wulff Alonso's hypothesis that the Mahabharata poets worked from Greek sources in modeling their stories. Hiltebeitel explores the epic's divine plan of the unburdening of the Earth, the goddess Earth, and its Greek counterpart in the Iliad's plan of Zeus. Girindrasekhar Bose's concept of the "Oedipus mother" is introduced in Chapter 5 through a discussion of Aravan, a minor figure throughout the Sanskrit epic tradition but one who looms in importance in the Draupadi cult and has a cult of his own, where he is called Kuttantavar. In both cults Aravan is worshiped for his self-mutilating sacrifice as a battle-opening offering to "mother" Kali, and he is worshipped in his own cult by Indian eunuchs or castrati called Aravanis in his honor. The book concludes with a new theory of the epic based on Freud's Moses and Monotheism, in which he argued that religious traditions deserve to be studied not only in what they say consciously about themselves, but in what they have registered unconsciously from past traumas, loss of memory, and the return of the repressed.

Philosophy of The Bhagavad Gita: A Contemporary Introduction presents a complete philosophical guide and new translation of the most celebrated text of Hinduism. While usually treated as mystical and religious poetry, this new translation focuses on the philosophy underpinning the story of a battle between two sets of cousins of the Aryan clan. Designed for use in the classroom, this lively and readable translation: - Situates the text in its philosophical and cultural contexts - Features summaries and chapter analyses and questions at the opening and end of each of the eighteen chapters encouraging further study - Highlights points of comparison and overlap between Indian and Western philosophical concepts and themes such as just war, care ethics, integrity and authenticity - Includes a glossary allowing the reader to determine the meaning of central concepts Written with clarity and without presupposing any prior knowledge of Hinduism, Philosophy of the Bhagavad Gita: A Contemporary Introduction reveals the importance and value of reading the Gita philosophically.

Today's view of history cannot account for ancient anomalies, such as the Pyramids and advanced knowledge contained in India's Vedas-but in 1894 an Indian sage gave us an explanation not only for our hidden past, but for the trends of today and for our future enlightenment-the 24,000 year yuga cycle

This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.

The Bagavad Gita is a conversation between Lord Krishna and the Pandava prince Arjuna taking place on the battlefield before the start of the Kurukshetra War. Responding to Arjuna's confusion and moral dilemma about fighting his own cousins, Lord Krishna explains to Arjuna his duties as a warrior and prince, and elaborates on different Yogic and Vedantic philosophies, with examples and analogies. This has led to the Gita often being described as a concise guide to Hindu theology and also as a practical, self-contained guide to life. During the discourse, Lord Krishna reveals His identity as the Supreme Being Himself (Svayam Bhagavan), blessing Arjuna with an awe-inspiring vision of His divine universal form. Two words that are of paramount importance in grasping the Upanishads are Brahman and Atman. The Brahman is the universal spirit and the Atman is the individual Self. Differing opinions exist amongst scholars regarding the etymology of these words. Brahman comes from the root brh which means "The Biggest The Greatest The ALL." Brahman is "the infinite Spirit Source and fabric and core and destiny of all existence, both manifested and unmanifested and the formless infinite substratum and from whom the universe has grown." Brahman is the ultimate, both transcendent and immanent, the absolute infinite existence, the sum total of all that ever is, was, or shall be. The word Atman means the immortal perfect Spirit of any living creature, being, including trees etc. The idea put forth by the Upanishadic seers that Atman and Brahman are One and the same is one of the greatest contributions made to the thought of the world. The Rigveda is an ancient Indian sacred collection of Vedic Sanskrit hymns. It is counted among the four canonical sacred texts of Hinduism known as the Vedas. Some of its verses are still recited as Hindu prayers, at religious functions and other occasions, putting these among the world's oldest religious texts in continued use. The Rigveda contains several mythological and poetical accounts of the origin of the world, hymns praising the gods, and ancient prayers for life, prosperity, etc.

Providing a unique and intimate view of Hindu marriage, the essays in this collection explore points at which the margins of marriage are traversed or transgressed. Rather than focus on normative expectations within marriage, they examine times in which norms are tested or rejected. Using stories, songs, and narrated accounts, the essays treat such topics as widowhood, adultery, levirate, divorce, and suttee, as well as the subversion of marriage by devotion to deities and by alternative constructions of conjugal duty and marital experience.