The rise, fall, and modern resurgence of an enigmatic book revered by yoga enthusiasts around the world Consisting of fewer than two hundred verses written in an obscure if not impenetrable language and style, Patanjali's Yoga Sutra is extolled by the yoga establishment as a perennial classic and guide to yoga practice-except it isn't. Virtually forgotten in India for hundreds of years and maligned when it was first discovered in the West, the Yoga Sutra has been elevated to its present iconic status only in the course of the past forty years. David Gordon White retraces the strange and circuitous journey of this confounding work from its ancient origins to today, bringing to life the improbable cast of characters whose interpretations and misappropriations of the Yoga Sutra led to its revered place in contemporary popular culture.

The Rigveda is a monumental text in both world religion and world literature, yet outside a small band of specialists it is little known. Composed in the latter half of the second millennium BCE, it stands as the foundational text of what would later be called Hinduism. The text consists of over a thousand hymns dedicated to various divinities, composed in sophisticated and often enigmatic verse. This concise guide from two of the Rigveda's leading English-language scholars introduces the text and breaks down its large range of topics-from meditations on cosmic enigmas to penetrating reflections on the ability of mortals to make contact with and affect the divine and cosmic realms through sacrifice and praise-for a wider audience.

The "Bhagavad Gita," perhaps the most famous of all Indian scriptures, is universally regarded as one of the world's spiritual and literary masterpieces. Richard Davis tells the story of this venerable and enduring book, from its origins in ancient India to its reception today as a spiritual classic that has been translated into more than seventy-five languages. The "Gita" opens on the eve of a mighty battle, when the warrior Arjuna is overwhelmed by despair and refuses to fight. He turns to his charioteer, Krishna, who counsels him on why he must. In the dialogue that follows, Arjuna comes to realize that the true battle is for his own soul.

Davis highlights the place of this legendary dialogue in classical Indian culture, and then examines how it has lived on in diverse settings and contexts. He looks at the medieval devotional traditions surrounding the divine character of Krishna and traces how the "Gita" traveled from India to the West, where it found admirers in such figures as Ralph Waldo Emerson, Henry David Thoreau, J. Robert Oppenheimer, and Aldous Huxley. Davis explores how Indian nationalists like Mahatma Gandhi and Swami Vivekananda used the "Gita" in their fight against colonial rule, and how contemporary interpreters reanimate and perform this classical work for audiences today.

An essential biography of a timeless masterpiece, this book is an ideal introduction to the "Gita" and its insights into the struggle for self-mastery that we all must wage.

The whole world is changing with incredible speed towards something radically new, yet people across the globe also show resistance to the forces that homogenize our lives. This book deals with a community that has found its niche in the remote Niamgiri mountain range of Odisha (India) and is struggling to preserve its way of life: the Dongria Kond. In recent years, they made the headlines as the real "Avatars" because they successfully fought a multinational company's plans to mine the mountains. From the perspective of the Dongria Kond, these mountains are the seat of gods, and the whole environment is animated by spiritual forces. This highly complex cosmic order includes humans and non-humans and rests on a divine law (niam). This book captures the viewpoint of the Dongria Kond and provides deep insights into their vision of the world. It offers elaborate accounts of how the Dongria relate to the outside world, conceive of their own society and engage in complex rituals in order to (re-)establish the cosmos. The book confronts the reader with radically different imaginings of familiar human concerns: love, fertility, wealth, status and well-being.

Tantra occupies an odd position in Western understandings of Hindu spirituality. Its relationship to sex has made its name instantly recognizable, but this emphasis on sex has obscured its philosophical concerns and ritual practices, to say nothing of its overall importance to Hindu religious life. This book offers a clear, well-grounded overview of Tantra that offers substantial new insights for scholars and practitioners. Andre Padoux opens by detailing the history of Tantra, including its origins, founding texts, and major beliefs. The second part of the book delves more deeply into key concepts like the tantric body, mysticism, sex, mantras, sacred geography, and iconography, while the final part considers the practice of Tantra today, both in India and in the West. The result is an authoritative account of Tantra's history and present place in the world, suitable for beginners and longtime practitioners alike.

Becoming Vaishnava in an Ideal Vedic City centers on a growing multinational community of ISKCON (International Society for Krishna Consciousness) devotees in Mayapur, West Bengal. While ISKCON's history is often presented in terms of an Indian guru 'transplanting' Indian spirituality to the West, this book focusses on the efforts to bring ISKCON back to India. Paying particular attention to devotees' failure to consistently live up to ISKCON's ideals and the ongoing struggle to realize the utopian vision of an 'ideal Vedic city', this book argues that the anthropology of ethics must account for how moral systems accommodate the problem of moral failure.

An important, provocative and original work, of great interest to Indian scholars, historians of religions, psychologists and historians of ideas, but accessible also to the cultivated reader. Even if one does not always agree with the author's interpretation, one cannot but admire her vast and precise learning, her splendid translations and exegesis of so many, and so different, Sanskrit texts, and her uninhibited, brilliant, and witty prose.--Mircea Eliade, University of Chicago
This is . . . a book which is as rich in detail as the carvings of the great Hindu temples. It shares with them a delight in the interplay of myth and mundane experience, and above all an empathy with the Hindu preoccupation with the meaning of human existence in all its complexity.--G. M. Carstairs, Times Literary Supplement

The role of the visual is essential to Hindu tradition and culture, but many attempts to understand India's divine images have been laden with misperceptions. "Darsan, " a Sanskrit word that means "seeing," is an aid to our vision, a book of ideas to help us read, think, and look at Hindu images with appreciation and imagination.

Hadimba is a primary village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a rural area known as the Land of Gods. As the book shows, Hadimba is a goddess whose vitality reveals itself in her devotees' rapidly changing encounters with local and far from local players, powers, and ideas. These include invading royal forces, colonial forms of knowledge, and more recently the onslaught of modernity, capitalism, tourism, and ecological change. Hadimba has provided her worshipers with discursive, ritual, and ideological arenas within which they reflect on, debate, give meaning to, and sometimes resist these changing realities, and she herself has been transformed in the process. Drawing on diverse ethnographic and textual materials gathered in the region from 2009 to 2017, The Many Faces of a Himalayan Goddess is rich with myths and tales, accounts of dramatic rituals and festivals, and descriptions of everyday life in the celebrated but remote Kullu Valley. The book employs an interdisciplinary approach to tell the story of Hadimba from the ground up, or rather, from the center out, portraying the goddess in varying contexts that radiate outward from her temple to local, regional, national, and indeed global spheres. The result is an important contribution to the study of Indian village goddesses, lived Hinduism, Himalayan Hinduism, and the rapidly growing field of religion and ecology.

An Introduction to Swaminarayan Hinduism, third edition, offers a comprehensive study of a contemporary form of Hinduism. Begun as a revival and reform movement in India 200 years ago, it has now become one of the fastest growing and most prominent forms of Hinduism. The Swaminarayan Hindu transnational network of temples and institutions is expanding in India, East Africa, the UK, USA, Australasia, and in other African and Asian cities. The devotion, rituals, and discipline taught by its founder, Sahajanand Swami (1781-1830) and elaborated by current leaders in major festivals, diverse media, and over the Internet, help preserve ethnic and religious identity in many modern cultural and political contexts. Swaminarayan Hinduism, here described through its history, divisions, leaders, theology and practices, provides valuable case studies of contemporary Hinduism, religion, migrants, and transnationalism. This new edition includes up-to-date information about growth, geographic expansion, leadership transitions, and impact of Swaminarayan institutions in India and abroad.

Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive.

Hinduism comprises perhaps the major cluster of religio-cultural traditions of India, and it can play a valuable role in helping us understand the nature of religion and human responses to life. Hindu image-worship lies at the core of what counts for Hinduism - up-front and subject to much curiosity and misunderstanding, yet it is a defining feature of this phenomenon. This book focuses on Hindu images and their worship with special reference to Vaisnavism, a major strand of Hinduism. Concentrating largely, but not exclusively, on Sanskritic source material, the author shows in the course of the book that Hindu image-worship may be understood via three levels of interpretation: the metaphysical/theological, the narratival or mythic, and the performative or ritual. Analysing the chief philosophical paradigm underlying Hindu image-worship and its implications, the book exemplifies its widespread application and tackles, among other topics such as the origins of image-worship in Hinduism, the transition from Vedic to image worship, a distinguishing feature of Hindu images: their multiple heads and limbs. Finally, with a view to laying the grounds for a more positive dialogic relationship between Hinduism and the "Abrahamic" faiths, which tend to condemn Hindu image-worship as "idolatry", the author examines the theological explanation and justification for embodiment of the Deity in Hinduism and discusses how Hinduism might justify itself against such a charge. Rich in Indological detail, and with an impressive grasp of the philosophical and theological issues underlying Hindu material culture, and image-worship, this book will be of interest to academics and others studying theology, Indian philosophy and Hinduism.

In thirteenth-century Maharashtra, a new vernacular literature emerged to challenge the hegemony of Sanskrit, a language largely restricted to men of high caste. In a vivid and accessible idiom, this new Marathi literature inaugurated a public debate over the ethics of social difference grounded in the idiom of everyday life. The arguments of vernacular intellectuals pushed the question of social inclusion into ever-wider social realms, spearheading the development of a nascent premodern public sphere that valorized the quotidian world in sociopolitical terms. The Quotidian Revolution examines this pivotal moment of vernacularization in Indian literature, religion, and public life by investigating courtly donative Marathi inscriptions alongside the first extant texts of Marathi literature: the Lilacaritra (1278) and the Jnanesvari (1290). Novetzke revisits the influence of Chakradhar (c. 1194), the founder of the Mahanubhav religion, and Jnandev (c. 1271), who became a major figure of the Varkari religion, to observe how these avant-garde and worldly elites pursued a radical intervention into the social questions and ethics of the age. Drawing on political anthropology and contemporary theories of social justice, religion, and the public sphere, The Quotidian Revolution explores the specific circumstances of this new discourse oriented around everyday life and its lasting legacy: widening the space of public debate in a way that presages key aspects of Indian modernity and democracy.

This book investigates women's ritual authority and the common boundaries between religion and notions of gender, ethnicity, and identity. Nanette R. Spina situates her study within the transnational Melmaruvathur Adhiparasakthi movement established by the Tamil Indian guru, Bangaru Adigalar. One of the most prominent, defining elements of this tradition is that women are privileged with positions of leadership and ritual authority. This represents an extraordinary shift from orthodox tradition in which religious authority has been the exclusive domain of male Brahmin priests. Presenting historical and contemporary perspectives on the transnational Adhiparasakthi organization, Spina analyzes women's roles and means of expression within the tradition. The book takes a close look at the Adhiparasakthi society in Toronto, Canada (a Hindu community in both its transnational and diasporic dimensions), and how this Canadian temple has both shaped and demonstrated their own diasporic Hindu identity. The Toronto Adhiparasakthi society illustrates how Goddess theology, women's ritual authority, and "inclusivity" ethics have dynamically shaped the identity of this prominent movement overseas. Based on years of ethnographic fieldwork, the volume draws the reader into the rich textures of culture, community, and ritual life with the Goddess.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

After Bhishma is cut down at the end of the previous book of the "Maha-bharata," the book which bears his name, Duryodhana selects Drona as leader of his forces. Drona accepts the honor with Bhishma's blessing, despite his ongoing personal conflicts as mentor to both the Pandava and Kaurava heroes in their youth. The fighting rages on, with heavy losses on both sides. Furious and frustrated, Duryodhana accuses Drona of collaborating with the enemy, but he replies that as long as Arjuna is on the field, the Pandavas will remain invincible. When Arjuna is finally diverted from the main action of the battle, Yudhi-shthira entrusts Arjuna's son Abhimanyu with the task of making a breach in the Kaurava formation. Abhimanyu rampages through Drona's army, but at last is cornered by several Kaurava warriors and finally killed by Jayad-ratha.

Co-published by New York University Press and the JJC Foundation

For more on this title and othertitles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.