For Tantra, creation is not a single event that took place some billions of years ago, it's a continuous process. Creation is here and now!

Known only for the virtues of its sexual practice, ancient Tantric ideology is a universal and wide-reaching ideology virtually ignored in the West. In Tantra: The Cult of the Feminine, one of Europe's foremost Tantric authors and teachers, Andri Van Lysebeth, gives readers a balanced, well-informed, modern examination of the secret teachings and symbolism of Tantra.
Espousing no dogma, Tantra involves a search for reality that contradicts neither science nor religion. For Tantra, all of the myriad energy forms in the universe - gravity, nuclear cohesion, electromagnetism - exist throughout the cosmos. "Scientifically speaking, the universe is a gigantic continuum ranging from sub-atomic to astronomical dimensions. Tantrists have perceived this unity for over thirty-five centuries, " points out Van Lysebeth in his introduction.
Originally published in 1992 and now being released in paperback for the first time, Tantra has become the classic text on the subject, the source for serious students. Eight full-color illustrations and 36 line drawings complement a comprehensive and contemporary explanation of Tantra, complete with meditations. Van Lysebeth has done a remarkable job of bringing ancient theories into the modern world.

During a nine-day period every autumn, Hindus in India and throughout the world worship the Great Goddess, Durga -- the formidable deity who is loved like a mother. One of the most dramatic and popular of these celebrations is the Durga Puja, a rite noted for its visual pageantry, ritual complexity, and communal participation. In this book, Hillary Peter Rodrigues describes the Bengali style of Durga Puja practiced in the sacred city of Banaras from beginning to end. A romanization of the Sanskrit litany is included along with an English translation.

In addition to the liturgical description, Rodrigues provides information on the rite's component elements and mythic aspects. There are interpretive sections on puja, the Great Goddess, women's roles in the ritual, and the socio-cultural functions of the ritual.

Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind thousands of short inscriptions in a forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the other key urban cultures of the time, in Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. What language did the Indus people speak? How might we decipher the exquisitely carved Indus inscriptions? What deities did they worship? Are the roots of contemporary Hinduism to be found in the religion of the Indus civilization as well as in the Vedic religion? Since the rise of Hindu nationalist politics in the 1980s, these questions have been debated with increasing animosity, colored by the history of modern colonialism in India. This is especially true of the enigmatic Indus script, which is at the hub of the debates, and a particular focus of this book. Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions. In this pioneering book, he traces the Indo-Iranian speakers from the Aryan homeland north of the Black Sea through the Eurasian steppes to Central, West, and South Asia. Among many other things, he discusses the profound impact of the invention of the horse-drawn chariot on Indo-Aryan religion, and presents new ideas on the origin and formation of the Vedic literature and rites, and the great Hindu epics.

Burning the Dead traces the evolution of cremation in India and the South Asian diaspora across the nineteenth and twentieth centuries. Through interconnected histories of movement, space, identity, and affect, it examines how the so-called traditional practice of Hindu cremation on an open-air funeral pyre was culturally transformed and materially refashioned under British rule, following intense Western hostility, colonial sanitary acceptance, and Indian adaptation. David Arnold examines the critical reception of Hindu cremation abroad, particularly in Britain, where India formed a primary reference point for the cremation debates of the late nineteenth century, and explores the struggle for official recognition of cremation among Hindu and Sikh communities around the globe. Above all, Arnold foregrounds the growing public presence and assertive political use made of Hindu cremation, its increasing social inclusivity, and its close identification with Hindu reform movements and modern Indian nationhood.

Modern Hindu Traditionalism addresses Hindu traditions that resisted contact with both Neo-Hindu thought and views of "classical" Hinduism perceived to be outmoded. This book provides an in-depth understanding of Modern Hindu Traditionalism through the case study of the Ramanandi order (sampradaya) and the portrait of the Jagadguru Ramanandacarya Ramnaresacarya. This guru belongs to the ancient tradition of the Ramanandi order, which is active at the present time and the biggest Vaisnava religious order in Northern India. Analyzing the historical evolution of the Ramanandi order, the author shows how different centers have undergone different changes over the centuries, and focuses on the independence struggle of a group of Ramanandis from the Ramanujis, which led to the creation of the role of Jagadguru Ramanandacarya and the construction of the Sri Math. Drawing on extensive fieldwork, this book casts light on figures and processes central to the development of Hinduism in the twentieth and twenty-first century and consequently describes the role of religion in contemporary Indian society. The author examines the role religious institutions and their leaders have in the everyday life of individuals, how they interact with and in the society, and how they approach and interpret social and political issues. The Ramanandis' use of new methods of communication, in particular social media, is an innovative part of the study. A welcome innovation in the studies of South Asian religion, this book will be of interest to historians, anthropologists, and scholars of Hinduism and religion and politics.

The Hindu World is the most complete, authoritative and up-to-date one-volume guide to Hindu faith and culture available today. Written by the world's leading scholars on Hinduism, its twenty-four chapters explore the history, philosophy and practice of one of the world's great religious traditions.

The Hindu World offers new insights into all aspects of Hindu life, ranging from the devotional texts of the Vedas and Ramayana to current perspectives on dharma and kama, temple architecture, sacred food, ritual, caste, cosmic philosophy, history and modernization. This is an ideal reference for students and scholars of Hinduism.

The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. "In Rethinking the Mahabharata," Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-grandfather Vyasa and his wife Draupadi-provides a thread through the bewildering array of frames and stories embedded within stories. Hiltebeitel also offers a revisionist theory regarding the dating and production of the original text and its relation to the Veda. No ordinary reader's guide, this volume will illuminate many mysteries of this enigmatic masterpiece.
This work is the fourth volume in Hiltebeitel's study of the Draupadi cult. Other volumes include "Mythologies: From Gingee to Kuruksetra" (Volume One), "On Hindu Ritual and the Goddess" (Volume Two), and "Rethinking India's Oral and Classical Epics" (Volume Three).

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now.

Offering a summary of ancient Indian philosophy, "The Gita" places particular emphasis on the Supreme Spirit as both immanent and transcendent. In this translation and interpretation, the author bridges this ancient thought with a modern occidental approach.

This volume presents a comparison of seven major religious reformers of the late nineteenth and early twentieth centuries: For Islam, Jamal ad-Din al-Afghani, Muhammad 'Abduh and Muhammad Rashid Rida; for Hinduism, Dayananda Sarasvati and Swami Shraddhananda; for Confucianism, K'ang Yu-wei and Liang Ch'i-ch'ao. Each of these reformers attempted to bring a major world religion in line with global modernity by creatively reinterpreting the traditions on which this religion was based. The book outlines the lives and major ideas of these reformers, highlights the similarities between them, interprets their agenda as expressions of peripheral geoculture (centrist liberalism, antisystemic movements, positivism) in line with the Modern World-System (MWS) approach and links them with their 'fundamentalist' successors from the mid-twentieth to the early twenty-first centuries. This way, the author seeks to redress the Eurocentric bias that sometimes sneaks into the MWS perspective. While there are numerous studies dealing with each of these reformers, the original contribution of this book is to provide a systematic comparison between them and to interpret them within a larger theoretical framework. It will be of interest for scholars and students working on issues related to religion, modernity and historical sociology.

When read superficially, the opening chapter of this text tells of a great war between opposing factions. When interpreted as an allegory the esoteric meaning portrays a drama far more significant than any transitory historical event. What is revealed: (1) the progress of the soul's awakening from self-conscious involvements with physical and psychological circumstances to realisation of its true nature as pure consciousness; (2) the challenges commonly confronted during the process; (3) liberating knowledge that removes awareness from all that is suppressive and restrictive. Roy Eugene Davis is a widely-travelled teacher of meditation and spiritual growth processes, the author of several books, and director of Centre for Spiritual awareness with offices and a retreat centre in the northeast Georgia mountains. He is a direct disciple of Paramahansa Yogananda.

Who we are is not who we think we are. Truth is simpler than mind and deeper than thought. It cannot be learned but only experienced. When at once we awaken, our doubts are alleviated. All is one, beyond time, space, and causation. Such is the direct realization expressed through Advaita Vedanta. Sankaracharya is often called the father of Advaita Vedanta. His hymn Atma Bodha is a classic introduction that brings the pure seeker to liberation. This volume includes Atma Bodha with text and translation, as well as Bhaja Govindam, Hanuman Chalisa, Mahisasura Mardini Stotram, and other devotional favorites. There is no greater joy, and there is nothing more to know. Such is realization of truth. --Atma Bodha, Verse 54

In World of Wonders, Alf Hiltebeitel addresses the Mahabharata and its supplement, the Harivamsa, as a single literary composition. Looking at the work through the critical lens of the Indian aesthetic theory of rasa, "juice, essence, or taste," he argues that the dominant rasa of these two texts is adbhutarasa, the "mood of wonder." While the Mahabharata signposts whole units of the text as "wondrous" in its table of contents, the Harivamsa foregrounds a stepped-up term for wonder (ascarya) that drives home the point that Vishnu and Krishna are one. Two scholars of the 9th and 10th centuries, Anandavardhana and Abhinavagupta, identified the Mahabharata's dominant rasa as santarasa, the "mood of peace." This has traditionally been received as the only serious contestant for a rasic interpretation of the epic. Hiltebeitel disputes both the positive claim that the santarasa interpretation is correct and the negative claim that adbhutarasa is a frivolous rasa that cannot sustain a major work. The heart of his argument is that the Mahabharata and Harivamsa both deploy the terms for "wonder" and "surprise" (vismaya) in significant numbers that extend into every facet of these heterogeneous texts, showing how adbhutarasa is at work in the rich and contrasting textual strategies which are integral to the structure of the two texts.

Hindu Images in the Global Age explores changes in perception of Hindu icons in the United States where second and third generation Hindu Americans have increasingly adopted American attitudes toward sacred objects. Viewing them as symbolic, rather than as actual presence of the deity, this change marks an important transition in Hindu attitudes. The text describes the traditional path in India where Hindu images have been cast for millennia through the lost wax process and brought to life by priests. It also explores the origins of western attitudes toward sacred objects as symbolic. Both perceptions now co-exist in a western globalized world in the United States in a complex layering of attitudes.

Since its inception over two hundred years ago, Swaminarayan Hinduism has flourished into a transnational movement described as one of the fastest growing Hindu groups in the world. Despite being one of the largest and most visible Hindu traditions both in India and the West, surprisingly little is known about what the Swaminarayan fellowship believes. An Introduction to Swaminarayan Hindu Theology provides a comprehensive doctrinal account of the Swaminarayan tradition's belief system, drawing on its rich corpus of theological literature, including the teachings of Swaminarayan himself and classical commentaries on canonical Vedantic texts. Part I delineates the sources and tools of Swaminarayan Hindu theology, while Part II systematically expounds upon its distinctive five eternal entities - Parabrahman, Aksarabrahman, maya, isvara and jiva - and mukti (spiritual liberation). In presenting these key themes theologically and lucidly, Swami Paramtattvadas makes the Swaminarayan Hindu belief system intelligible to scholars, students and serious readers.

Theistic Vedanta originated with Ramanuja (1077-1157), who was one of the foremost theologians of Visistadvaita Vedanta and also an initiate of the Srivaisnava sectarian tradition in South India. As devotees of the God Visnu and his consort Sri, the Srivaisnavas established themselves through various processes of legitimation as a powerful sectarian tradition. One of the processes by which the authority of the Srivaisnavas was consolidated was Ramanuja's synthesis of popular Hindu devotionalism with the philosophy of Vedanta. This book demonstrates that by incorporating a text often thought to be of secondary importance - the Visnu Purana (1st-4th CE) - into his reading of the Upanisads, which were the standard of orthodoxy for Vedanta philosophy, Ramanuja was able to interpret Vedanta within the theistic context of Srivaisnavism. Ramanuja was the first Brahmin thinker to incorporate devotional puranas into Vedanta philosophy. His synthetic theology called Visistadvaita (unity-of-the-differenced) wielded tremendous influence over the expansion of Visnu devotionalism in South India and beyond. In this book, the exploration of the exegetical function of this purana in arguments salient to Ramanuja's Vedanta facilitates our understanding of the processes of textual accommodation and reformulation that allow the incorporation of divergent doctrinal claims. Expanding on and reassessing current views on Ramanuja's theology, the book contributes new insights to broader issues in religious studies such as canon expansion, commentarial interpretation, tradition-building, and the comparative study of scripture. It will be of interest to students and scholars of Indian philosophy and Religious Studies.

The timeless epic of Hindu faith contains a simple, vivid message of daily inspiration for millions throughout the world. This powerful, beautiful scripture is translated into clear, meaningful English which can be read as a living contemporary message that touches the most urgent personal and social problems. (July)

Carol Salomon dedicated over thirty years of her life to researching, translating, and annotating this compilation of songs by the Bengali poet and mystical philosopher Lalan Sai (popularly transliterated as Lalon) who lived in the village of Cheuriya in Bengal in the latter half of the nineteenth century. One major objective of his lyrical riddles was to challenge the restrictions of cultural, political, and sexual identity, and his songs accordingly express a longing to understand humanity, its duties, and its ultimate destiny. His songs also contain thinly veiled references to esoteric yogic practices (sadhana), including body-centered Hathayogic techniques that are related to those found in Buddhist, Kaula, Natha, and Sufi medieval tantric literature. Dr. Salomon's translation of the work is the first dedicated English translation of Lalan's songs to closely follow the Bangla text, with all of its dialectical variations, and is here produced alongside the original text. Although her untimely death left her work unpublished, the editors have worked diligently to reconstruct her translations from her surviving printed and handwritten manuscripts. The result is a finished product that can finally share her groundbreaking scholarship on Baul traditions with the world.

Part of the ancient Hindu epic The Mahabharata, The Bhagavad Gita is one of the enduring religious texts of the world The Bhagavad Gita is an early poem that recounts the conversation between Arjuna the warrior and his charioteer Krishna, a manifestation of God. In the moments before a great battle, Krishna sets out the important lessons Arjuna must learn to understand his own role in the war he is about to fight. Krishna reveals to Arjuna his true cosmic form and counsels the warrior to act according to his sacred obligations. Ranging from instructions on yoga to moral discussion, the Gita has served for centuries as an everyday, practical guide to living well. Translated with an introduction by Laurie L. Patton