Burning the Dead traces the evolution of cremation in India and the South Asian diaspora across the nineteenth and twentieth centuries. Through interconnected histories of movement, space, identity, and affect, it examines how the so-called traditional practice of Hindu cremation on an open-air funeral pyre was culturally transformed and materially refashioned under British rule, following intense Western hostility, colonial sanitary acceptance, and Indian adaptation. David Arnold examines the critical reception of Hindu cremation abroad, particularly in Britain, where India formed a primary reference point for the cremation debates of the late nineteenth century, and explores the struggle for official recognition of cremation among Hindu and Sikh communities around the globe. Above all, Arnold foregrounds the growing public presence and assertive political use made of Hindu cremation, its increasing social inclusivity, and its close identification with Hindu reform movements and modern Indian nationhood.

Modern Hindu Traditionalism addresses Hindu traditions that resisted contact with both Neo-Hindu thought and views of "classical" Hinduism perceived to be outmoded. This book provides an in-depth understanding of Modern Hindu Traditionalism through the case study of the Ramanandi order (sampradaya) and the portrait of the Jagadguru Ramanandacarya Ramnaresacarya. This guru belongs to the ancient tradition of the Ramanandi order, which is active at the present time and the biggest Vaisnava religious order in Northern India. Analyzing the historical evolution of the Ramanandi order, the author shows how different centers have undergone different changes over the centuries, and focuses on the independence struggle of a group of Ramanandis from the Ramanujis, which led to the creation of the role of Jagadguru Ramanandacarya and the construction of the Sri Math. Drawing on extensive fieldwork, this book casts light on figures and processes central to the development of Hinduism in the twentieth and twenty-first century and consequently describes the role of religion in contemporary Indian society. The author examines the role religious institutions and their leaders have in the everyday life of individuals, how they interact with and in the society, and how they approach and interpret social and political issues. The Ramanandis' use of new methods of communication, in particular social media, is an innovative part of the study. A welcome innovation in the studies of South Asian religion, this book will be of interest to historians, anthropologists, and scholars of Hinduism and religion and politics.

The Hindu World is the most complete, authoritative and up-to-date one-volume guide to Hindu faith and culture available today. Written by the world's leading scholars on Hinduism, its twenty-four chapters explore the history, philosophy and practice of one of the world's great religious traditions.

The Hindu World offers new insights into all aspects of Hindu life, ranging from the devotional texts of the Vedas and Ramayana to current perspectives on dharma and kama, temple architecture, sacred food, ritual, caste, cosmic philosophy, history and modernization. This is an ideal reference for students and scholars of Hinduism.

The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. "In Rethinking the Mahabharata," Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-grandfather Vyasa and his wife Draupadi-provides a thread through the bewildering array of frames and stories embedded within stories. Hiltebeitel also offers a revisionist theory regarding the dating and production of the original text and its relation to the Veda. No ordinary reader's guide, this volume will illuminate many mysteries of this enigmatic masterpiece.
This work is the fourth volume in Hiltebeitel's study of the Draupadi cult. Other volumes include "Mythologies: From Gingee to Kuruksetra" (Volume One), "On Hindu Ritual and the Goddess" (Volume Two), and "Rethinking India's Oral and Classical Epics" (Volume Three).

Peter Adamson and Jonardon Ganeri present a lively introduction to one of the world's richest intellectual traditions: the philosophy of classical India. They begin with the earliest extant literature, the Vedas, and the explanatory works that these inspired, known as Upanisads. They also discuss other famous texts of classical Vedic culture, especially the Mahabharata and its most notable section, the Bhagavad-Gita, alongside the rise of Buddhism and Jainism. In this opening section, Adamson and Ganeri emphasize the way that philosophy was practiced as a form of life in search of liberation from suffering. Next, the pair move on to the explosion of philosophical speculation devoted to foundational texts called 'sutras,' discussing such traditions as the logical and epistemological Nyaya school, the monism of Advaita Vedanta, and the spiritual discipline of Yoga. In the final section of the book, they chart further developments within Buddhism, highlighting Nagarjuna's radical critique of 'non-dependent' concepts and the no-self philosophy of mind found in authors like Dignaga, and within Jainism, focusing especially on its 'standpoint' epistemology. Unlike other introductions that cover the main schools and positions in classical Indian philosophy, Adamson and Ganeri's lively guide also pays attention to philosophical themes such as non-violence, political authority, and the status of women, while considering textual traditions typically left out of overviews of Indian thought, like the Carvaka school, Tantra, and aesthetic theory as well. Adamson and Ganeri conclude by focusing on the much-debated question of whether Indian philosophy may have influenced ancient Greek philosophy and, from there, evaluate the impact that this area of philosophy had on later Western thought.

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now.

Offering a summary of ancient Indian philosophy, "The Gita" places particular emphasis on the Supreme Spirit as both immanent and transcendent. In this translation and interpretation, the author bridges this ancient thought with a modern occidental approach.

This volume presents a comparison of seven major religious reformers of the late nineteenth and early twentieth centuries: For Islam, Jamal ad-Din al-Afghani, Muhammad 'Abduh and Muhammad Rashid Rida; for Hinduism, Dayananda Sarasvati and Swami Shraddhananda; for Confucianism, K'ang Yu-wei and Liang Ch'i-ch'ao. Each of these reformers attempted to bring a major world religion in line with global modernity by creatively reinterpreting the traditions on which this religion was based. The book outlines the lives and major ideas of these reformers, highlights the similarities between them, interprets their agenda as expressions of peripheral geoculture (centrist liberalism, antisystemic movements, positivism) in line with the Modern World-System (MWS) approach and links them with their 'fundamentalist' successors from the mid-twentieth to the early twenty-first centuries. This way, the author seeks to redress the Eurocentric bias that sometimes sneaks into the MWS perspective. While there are numerous studies dealing with each of these reformers, the original contribution of this book is to provide a systematic comparison between them and to interpret them within a larger theoretical framework. It will be of interest for scholars and students working on issues related to religion, modernity and historical sociology.

The Upanisads are among the most sacred foundational scriptures in the Hindu religion. Composed from 800 BCE onwards and making up part of the larger Vedic corpus, they offer the reader "knowledge lessons" on life, death, and immortality. While they are essential to understanding Hinduism and Asian religions more generally, their complexities make them almost impenetrable to anyone but serious scholars of Sanskrit and ancient Indian culture. This book is divided into five parts: Composition, authorship, and transmission of the Upanisads; The historical, cultural, and religious background of the Upanisads; Religion and philosophy in the Upanisads; The classical Upanisads; The later Upanisads. The chapters cover critical issues such as the origins of the Upanisads, authorship, and redaction, as well as exploring the broad religious and philosophical themes within the texts. The guide analyzes each of the Upanisads separately, unpacking their contextual relevance and explaining difficult terms and concepts. The Upanisads: A Complete Guide is a unique and valuable reference source for undergraduate religious studies, history, and philosophy students and researchers who want to learn more about these foundational sacred texts and the religious lessons in the Hindu tradition.

In World of Wonders, Alf Hiltebeitel addresses the Mahabharata and its supplement, the Harivamsa, as a single literary composition. Looking at the work through the critical lens of the Indian aesthetic theory of rasa, "juice, essence, or taste," he argues that the dominant rasa of these two texts is adbhutarasa, the "mood of wonder." While the Mahabharata signposts whole units of the text as "wondrous" in its table of contents, the Harivamsa foregrounds a stepped-up term for wonder (ascarya) that drives home the point that Vishnu and Krishna are one. Two scholars of the 9th and 10th centuries, Anandavardhana and Abhinavagupta, identified the Mahabharata's dominant rasa as santarasa, the "mood of peace." This has traditionally been received as the only serious contestant for a rasic interpretation of the epic. Hiltebeitel disputes both the positive claim that the santarasa interpretation is correct and the negative claim that adbhutarasa is a frivolous rasa that cannot sustain a major work. The heart of his argument is that the Mahabharata and Harivamsa both deploy the terms for "wonder" and "surprise" (vismaya) in significant numbers that extend into every facet of these heterogeneous texts, showing how adbhutarasa is at work in the rich and contrasting textual strategies which are integral to the structure of the two texts.

Hindu Images in the Global Age explores changes in perception of Hindu icons in the United States where second and third generation Hindu Americans have increasingly adopted American attitudes toward sacred objects. Viewing them as symbolic, rather than as actual presence of the deity, this change marks an important transition in Hindu attitudes. The text describes the traditional path in India where Hindu images have been cast for millennia through the lost wax process and brought to life by priests. It also explores the origins of western attitudes toward sacred objects as symbolic. Both perceptions now co-exist in a western globalized world in the United States in a complex layering of attitudes.

Since its inception over two hundred years ago, Swaminarayan Hinduism has flourished into a transnational movement described as one of the fastest growing Hindu groups in the world. Despite being one of the largest and most visible Hindu traditions both in India and the West, surprisingly little is known about what the Swaminarayan fellowship believes. An Introduction to Swaminarayan Hindu Theology provides a comprehensive doctrinal account of the Swaminarayan tradition's belief system, drawing on its rich corpus of theological literature, including the teachings of Swaminarayan himself and classical commentaries on canonical Vedantic texts. Part I delineates the sources and tools of Swaminarayan Hindu theology, while Part II systematically expounds upon its distinctive five eternal entities - Parabrahman, Aksarabrahman, maya, isvara and jiva - and mukti (spiritual liberation). In presenting these key themes theologically and lucidly, Swami Paramtattvadas makes the Swaminarayan Hindu belief system intelligible to scholars, students and serious readers.

Theistic Vedanta originated with Ramanuja (1077-1157), who was one of the foremost theologians of Visistadvaita Vedanta and also an initiate of the Srivaisnava sectarian tradition in South India. As devotees of the God Visnu and his consort Sri, the Srivaisnavas established themselves through various processes of legitimation as a powerful sectarian tradition. One of the processes by which the authority of the Srivaisnavas was consolidated was Ramanuja's synthesis of popular Hindu devotionalism with the philosophy of Vedanta. This book demonstrates that by incorporating a text often thought to be of secondary importance - the Visnu Purana (1st-4th CE) - into his reading of the Upanisads, which were the standard of orthodoxy for Vedanta philosophy, Ramanuja was able to interpret Vedanta within the theistic context of Srivaisnavism. Ramanuja was the first Brahmin thinker to incorporate devotional puranas into Vedanta philosophy. His synthetic theology called Visistadvaita (unity-of-the-differenced) wielded tremendous influence over the expansion of Visnu devotionalism in South India and beyond. In this book, the exploration of the exegetical function of this purana in arguments salient to Ramanuja's Vedanta facilitates our understanding of the processes of textual accommodation and reformulation that allow the incorporation of divergent doctrinal claims. Expanding on and reassessing current views on Ramanuja's theology, the book contributes new insights to broader issues in religious studies such as canon expansion, commentarial interpretation, tradition-building, and the comparative study of scripture. It will be of interest to students and scholars of Indian philosophy and Religious Studies.

The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India's great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story-a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar's thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

The Bhagavad Gita is one of the most widely read Hindu scriptures in the Western world. Taking the form of a dialogue between the warrior Arjuna and the divine Krishna on the eve of battle, it is concerned with the most profound aspects of social and religious duty, and the relationship of human beings to God. In its eighteen short chapters it explores the spiritual struggle of the human soul and the search for both the true self and eternal life, culminating in an unparalleled vision of God the omnipotent.

The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India's great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story-a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar's thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

In recent years, scholars from a wide range of disciplines have examined the revival in intellectual and literary cultures that took place during India's 'early modern' centuries. This was both a revival as well as a period of intense disputation and critical engagement. It took in the relationship of contemporaries to their own intellectual inheritances, shifts in the meaning and application of particular disciplines, the development of new literary genres and the emergence of new arenas and networks for the conduct of intellectual and religious debate. Exploring the worlds of Sanskrit and vernacular learning and piety in the subcontinent, these essays examine the role of individual scholar intellectuals in this revival, looking particularly at the interplay between intellectual discipline, sectarian links, family history and the personal religious interests of these men. Each essay offers a fine-grained study of an individual. Some are distinguished scholars, poets and religious leaders with subcontinent-wide reputations, others obscure provincial writers whose interest lies precisely in their relative anonymity. A particular focus of interest will be the way in which these men moved across the very different social milieus of early modern India, finding ways to negotiate relationships at courtly centres, temples, sectarian monasteries, the pandit assemblies of the cosmopolitan city of Banaras and lesser religious centres in the regions. This bookw as published as a special issue of South Asian History and Culture.

Today, powerful political forces seek to make the Indian state Hindu. Their rising influence since 1980 has occurred during a period of radical change in Indian society and politics, and has been accomplished by electoral means as well as by organized violence. The 1996 elections will be a major test of their power and of the influence of Hindu majoritarianism among the Indian electorate.Animated by a sense of urgency that was heightened by the massive violence following the destruction of the Babri mosque in Ayodhya on December 6, 1992, "Contesting the Nation" explores Hindu majoritarian politics over the last century and its dramatic reformulation during the decline of the Congress Party in the 1980s. Twelve prominent scholars from India, Europe, and the United States provide perspectives from the fields of political science, religious studies, ethnomusicology, history, art history, and anthropology, comparing trends in India with ethnic, religious, and cultural movements in other parts of the world.

‘In death thy glory in heaven, in victory thy glory on earth.  Arise therefore, Arjuna, with thy soul ready to fight’

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, the god Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

Juan Mascaró’s translation of The Bhagavad Gita captures the extraordinary aural qualities of the original Sanskrit. This edition features a new introduction by Simon Brodbeck, which discusses concepts such as dehin, prakriti and Karma.

Paramahansa Yogananda renowned author of the spiritual classic, "Autobiography of a Yogi" - teaches us how to break the shackles of fear and reveals how we can overcome our own psychological stumbling blocks. Filled with life-transforming counsel, this book features informal talks and personal anecdotes complemented by parable and prayer. Living Fearlessly is a testament to what we can become if we have faith in the divinity of our true nature as the soul.

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: "Krsna," "Visnu," and "Siva." The chapter "The Goddess" presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names given the gods and goddesses in the Sanskrit texts have been retained since their multiplicity is an essential part of the richness of the original. The editors have provided a thorough glossary to make these names accessible.