It would not be an exaggeration to say that during the last century, most especially during and since the 1960s, the language of spirituality has become one of the most significant ways in which the sacred has come to be understood and judged in the West, and, increasingly, elsewhere. Whether it is true that 'spirituality' has eclipsed 'religion' in Western settings remains debatable. What is incontestable is that the language of spirituality, together with practices (most noticeably spiritual, complementary, and alternative medicine), has become a major feature of the sacred dimensions of contemporary modernity. Equally incontestably, spirituality is a growing force in all those developing countries where its presence is increasingly felt among the cosmopolitan elite, and where spiritual forms of traditional, complementary, and alternative medicine are thriving. This new four-volume Major Work collection from Routledge provides a coherent compilation of landmark texts which cannot be ignored by those intent on making sense of what is happening to the sacred as spirituality-more exactly what is taken to be spirituality-develops as an increasingly important lingua franca, series of practices, and as a humanistic ethicality.

Hinduism is currently followed by one-fifth of humankind. Far from a monolithic theistic tradition, the religion comprises thousands of gods, a complex caste system, and hundreds of languages and dialects. Such internal plurality inspires vastly ranging rites and practices amongst Hinduism's hundreds of millions of adherents. It is therefore not surprising that scholars have been hesitant to define universal Hindu beliefs and practices. In this book, Axel Michaels breaks this trend. He examines the traditions, beliefs, and rituals Hindus hold in common through the lens of what he deems its "identificatory habitus," a cohesive force that binds Hindu religions together and fortifies them against foreign influences. Thus, in his analysis, Michaels not only locates Hinduism's profoundly differentiating qualities, but also provides the framework for an analysis of its social and religious coherence.

Michaels blends his insightful arguments and probing questions with introductions to major historical epochs, ample textual sources as well as detailed analyses of major life-cycle rituals, the caste system, forms of spiritualism, devotionalism, ritualism, and heroism. Along the way he points out that Hinduism has endured and repeatedly resisted the missionary zeal and universalist claims of Christians, Muslims, and Buddhists. He also contrasts traditional Hinduism with the religions of the West, "where the self is preferred to the not-self, and where freedom in the world is more important than liberation from the world."

Engaging and accessible, this book will appeal to laypersons and scholars alike as the most comprehensive introduction to Hinduism yet published. Not only is Hinduism refreshingly new in its methodological approach, but it also presents a broad range of meticulous scholarship in a clear, readable style, integrating Indology, religious studies, philosophy, anthropological theory and fieldwork, and sweeping analyses of Hindu texts.

The seventh and final book of the monumental R?m?ya?a of V?lm?ki, the Uttarak???a, brings the epic saga to a close with an account of the dramatic events of King R?ma's millennia-long reign. It opens with a colorful history of the demonic race of the r?k?asas and the violent career of R?ma's villainous foe R?va?a, and later recounts R?ma's grateful discharge of his allies in the great war at Lank? as well as his romantic reunion with his wife S?t?. But dark clouds gather as R?ma, confronted by scandal over S?t?'s time in captivity under the lustful R?va?a, makes the agonizing decision to banish his beloved wife, now pregnant. As R?ma continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarak???a has long served as a point of social and religious controversy largely for its accounts of the banishment of S?t?, as well as of R?ma's killing of a low-caste ascetic. The translators' introduction provides a full discussion of these issues and the complex reception history of the Uttarak???a. This translation of the critical edition also includes exhaustive notes and a comprehensive bibliography.

This innovative introductory textbook explores the central practices and beliefs of Hinduism through contemporary, everyday practice. * Introduces and contextualizes the rituals, festivals and everyday lived experiences of Hinduism in text and images * Includes data from the author s own extensive ethnographic fieldwork in central India (Chhattisgarh), the Deccan Plateau (Hyderabad), and South India (Tirupati) * Features coverage of Hindu diasporas, including a study of the Hindu community in Atlanta, Georgia * Each chapter includes case study examples of specific topics related to the practice of Hinduism framed by introductory and contextual material

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

"Gods, Sages and Kings is a very important book. It fills a major void in our understanding of human history...It calls into question our entire view of human history...it is much more significantly a truly spiritual vision of where we come from and who we are." Vyaas Houston

Why do Hindus revere the cow? Must Hindus be vegetarian? Hinduism is the world's oldest religion, yet the word 'Hindu' was never used before the 18th century by Hindus to describe themselves. it is defined as polytheistic, but Gandhi declared that a Hindu needn't believe in any god. it is a religion as much of myth as of history - it has no founder, no single authoritative book, even few central doctrines. Introducing Hinduism offers a guide to the key philosophical, literary, mythological and cultural traditions of the extraordinarily diverse faith. It untangles the complexities of Hinduism's gods and goddesses, its caste system and its views on sex, everyday life and asceticism. Vinay Lal and Borin Van Loon's hugely enjoyable tour through Hinduism also explores its links with and differences from Buddhism, Jainism and other religions, the resurgence of Hindu extremism, the phenomenon of Bollywood and the overseas Hindu diaspora.

We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The "lives" of objects are considered, along with the categories of "sacred" and "profane", "religious" and "secular". As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.

This is a sequel to a volume published in 2011 by OUP under the title The Ubiquitous Siva: Somananda's Sivadrsti and his Tantric Interlocutors. The first volume offered an introduction, critical edition, and annotated translation of the first three chapters of the Sivadrsti of Somananda, along with its principal commentary, the Sivadrstivrtti, written by Utpaladeva. It dealt primarily with Saiva theology and the religious views of competing esoteric traditions. The present volume presents the fourth chapter of the Sivadrsti and Sivadrstivrtti and addresses a fresh set of issues that engage a distinct family of opposing schools and authors of mainstream Indian philosophical traditions. In this fourth chapter, Somananda and Utpaladeva engage logical and philosophical works that exerted tremendous influence in the Indian subcontinent in its premodernity. Among the authors and schools addressed by Somananda in this chapter are the Buddhist Epistemologists, and Dharmakirti in particular; the Hindu school of hermeneutics, i.e., the Mimamsa; the Hindu realist schools of the logic- and debate-oriented Nyaya and their ontologically-oriented partners, the Vaisesika; and the Hindu, dualist Samkhya and Yoga schools. Throughout this chapter, Somananda endeavors to explain his brand of Saivism philosophically. Somananda challenges his philosophical interlocutors with a single over-arching argument: he suggests that their views cannot cohere-they cannot be explained logically-unless their authors accept the Saiva non-duality for which he advocates. The argument he offers, despite its historical influence, remains virtually unstudied. The Ubiquitous Siva Volume II offers the first English translation of Chapter Four of the Sivadrsti and Sivadrstivrtti along with an introduction and critical edition.

This introduction to hinduism sets out the major beliefs and practices which inform Hinduism at the end of the 1990s. It depicts the colour and diversity of the many dimensions of Hinduism, and deals with the fundamental beliefs which underpin the religion.

Paramahansa Yogananda - author of the bestselling classic "Autobiography of a Yogi" - delves into the deeper meaning of the Bhagavad Gita's symbology, and sheds a fascinating light on the true intent of India's beloved scripture. He describes how each of us, through applying the profound wisdom of yoga, can achieve material and spiritual victory on the battlefield of daily life. This concise and inspiring book is a compilation of selections from Yogananda's in-depth, critically acclaimed two-volume translation of and commentary on the Bhagavad Gita ("God Talks with Arjuna").

This book explores past expressions of the Jewish interest in Hinduism in order to learn what Hinduism has meant to Jews living mainly in the 12th through the 19th centuries. India and Hinduism, though never at the center of Jewish thought, claim a place in its history, in the picture Jews held of the wider world, of other religions and other human beings. Each chapter focuses on a specific author or text and examines the literary context as well as the cultural context, within and outside Jewish society, that provided images and ideas about India and its religions. Overall the volume constructs a history of ideas that changed over time with different writers in different settings. It will be especially relevant to scholars interested in Jewish thought, comparative religion, interreligious dialogue, and intellectual history.

The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.

Hinduism is practised by nearly eighty per cent of India's population, and by some seventy million people outside India. In this Very Short Introduction, Kim Knott offers a succinct and authoritative overview of this major religion, and analyses the challenges facing it in the twenty-first century. She discusses key preoccupations of Hinduism such as the centrality of the Veda as religious texts, the role of Brahmins, gurus, and storytellers in the transmission of divine truths, and the cultural and moral importance of epics such as the Ramayana. In this second edition Knott considers the impact of changes in technology and the flourishing of social media on Hinduism, and looks at the presence of Hinduism in popular culture, considering pieces such as Sita Sings the Blues. She also analyses recent developments in India, and the impact issues such as Hindu nationalism and the politicization of Hinduism have on Hindus worldwide. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

In the early 11th century, the Kashmiri philosopher Abhinavagupta proposed panentheism-seeing the divine as both immanent in the world and at the same time as transcendent-as a way to reclaim the material world as something real, something solid. His theology understood the world itself, with its manifold inhabitants-from gods to humans to insects down to the merest rock-as part of the unfolding of a single conscious reality, Siva. This conscious singularity-the word "god" here does not quite do it justice-with its capacity to choose and will, pervades all through, top to bottom; as Abhinavagupta writes, "even down to a worm - when they do their own deeds, that which is to be done first stirs in the heart." His panentheism proposed an answer to a familiar conundrum, one we still grapple with today: Consciousness is so unlike matter. How does consciousness actually connect to the materiality of our world? To put this in more familar twenty-first-century terms, how does mind connect to body? These questions drive Loriliai Biernacki's The Matter of Wonder: Abhinavagupta's Panentheism and New Materialism. Biernacki draws on Abhinavagupta's thought-and particularly his yet-untranslated, philosophical magnum opus, the Isvara Pratyabhijna Vivrti Vimarsini-to think through contemporary issues such as the looming prospect of machine AI, ideas about information, and our ecological crises. She argues that Abhinavagupta's panentheism can help us understand our current world and can contribute to a New Materialist re-envisioning of the relationship that humans have with matter.

Mindfulness and yoga are widely said to improve mental and physical health, and booming industries have emerged to teach them as secular techniques. This movement is typically traced to the 1970s, but it actually began a century earlier. Wakoh Shannon Hickey shows that most of those who first advocated meditation for healing were women: leaders of the "Mind Cure" movement, which emerged during the late nineteenth and early twentieth centuries. Instructed by Buddhist and Hindu missionaries, many of these women believed that by transforming consciousness, they could also transform oppressive conditions in which they lived. For women - and many African-American men - "Mind Cure" meant not just happiness, but liberation in concrete political, economic, and legal terms. In response to the perceived threat posed by this movement, white male doctors and clergy with elite academic credentials began to channel key Mind Cure methods into "scientific" psychology and medicine. As mental therapeutics became medicalized and commodified, the religious roots of meditation, like the social-justice agendas of early Mind Curers, fell by the wayside. Although characterized as "universal," mindfulness has very specific historical and cultural roots, and is now largely marketed by and accessible to affluent white people. Hickey examines religious dimensions of the Mindfulness movement and clinical research about its effectiveness. By treating stress-related illness individualistically, she argues, the contemporary movement obscures the roles religious communities can play in fostering civil society and personal wellbeing, and diverts attention from systemic factors fueling stress-related illness, including racism, sexism, and poverty.

The appearance of "religion" as a category describing a set of practices and beliefs allegedly an aspect of all cultures dates only from the modern period, emerging as Europe expanded trade abroad and established its first colonial relations in the 17th and 18th centuries. The invention of Hinduism can be seen in the encounter between modernity's greatest colonial power, Britain, and the jewel of her imperial crown, India. This encounter was deeply shaded by the articulation and development of the concept of "religion," and it produced the now common idea that Hinduism is a religion. The Bengal Presidency, home of Calcutta - the capital of colonial India and center of economic gravity in the eastern hemisphere - emerged as the locus of ongoing and direct contact between Indians and colonial officials, journalists, and missionaries. Drawing on a large body of previously untapped literature, including documents from the Church Missionary Society and Bengali newspapers, Brian Pennington offers a fascinating portrait of the process by which "Hinduism" came into being. He argues against the common idea that the modern construction of religion in colonial India was simply a fabrication of Western Orientalists and missionaries. Rather, he says, it involved the active agency and engagement of Indian authors as well, who interacted, argued, and responded to British authors over key religious issues such as image-worship, sati, tolerance, and conversion. Pennington retells the story of Christians' and Hindus' reception of each other in the early 19th century in a way that takes seriously the power of their religious worldviews to shape the encounter itself and help to produce the very religions that colonialism thought it "discovered." While post-colonial theory can illuminate issues of power and domination, he demonstrates, history of religions reminds us of the continuing importance of the sacred and spiritual dimensions of the peoples under colonial rule.

This gorgeously illustrated gift edition of a spiritual classic details the story of the magical, heroic Hanuman. The timeless story of the monkey-god Hanuman is that of a valiant superhero, best known for battling the demon Ravana in the classic tale "Ramayana". Although Hanuman has the mystic ability to shrink and expand, and to leap great distances, it is his sensitivity and devotion to King Rama that make him such a memorable character. As a youth, Hanuman's mischievousness often landed him in trouble with the village elders. Finally they cast a spell causing him to forget his immense powers. Hanuman grew up thinking he was an ordinary monkey. His potential was realised only later when he was compelled to rescue Sita, the kidnapped wife of Rama, from the clutches of Ravana. This delightful mini book features gorgeously illustrated images of Hanuman from both traditional and contemporary artists.

The idea of Maya pervades Indian philosophy. It is enigmatic, multivalent, and foundational, with its oldest referents found in the Rig Veda. This book explores Maya's rich conceptual history, and then focuses on the highly developed theology of Maya found in the Sanskrit Bhagavata Purana, one of the most important Hindu sacred texts. Gopal K. Gupta examines Maya's role in the Bhagavata's narratives, paying special attention to its relationship with other key concepts in the text, such as human suffering (duhkha), devotion (bhakti), and divine play (lila). In the Bhagavata, Maya is often identified as the divine feminine, and has a far-reaching influence. For example, Maya is both the world and the means by which God creates the world, as well as the facilitator of God's play, paradoxically revealing him to his devotees by concealing his majesty. While Vedanta philosophy typically sees Maya as a negative force, the Bhagavata affirms that Maya also has a positive role, as Maya is ultimately meant to draw living beings toward Krishna and intensify their devotion to him.

'To read Ka is to experience a giddy invasion of stories - brilliant, enigmatic, troubling, outrageous, erotic, beautiful' The New York Times 'Who?' - or 'ka' - is the question that runs through Roberto Calasso's retelling of the stories of the minds and gods of India; the primordial question that continues to haunt human existence. From the Rigveda to the Upanishads, the Mahabharata to the life of Buddha, this book delves into the corpus of classical Sanskrit literature to re-imagine the ancient Indian myths and how they resonate through space and time. 'The very best book about Hindu mythology that anyone has ever written' Wendy Doniger 'Dazzling, complex, utterly original ... Ka is his masterpiece' Sunday Times

Traditions of asceticism, yoga, and devotion (bhakti), including dance and music, developed in Hinduism over long periods of time. Some of these practices, notably those denoted by the term yoga, are orientated towards salvation from the cycle of reincarnation and go back several thousand years. These practices, borne witness to in ancient texts called Upanisads, as well as in other traditions, notably early Buddhism and Jainism, are the subject of this volume in the Oxford History of Hinduism. Practices of meditation are also linked to asceticism (tapas) and its institutional articulation in renunciation (samnyasa). There is a range of practices or disciplines from ascetic fasting to taking a vow (vrata) for a deity in return for a favour. There are also devotional practices that might involve ritual, making an offering to a deity and receiving a blessing, dancing, or visualization of the master (guru). The overall theme-the history of religious practices-might even be seen as being within a broader intellectual trajectory of cultural history. In the substantial introduction by the editor this broad history is sketched, paying particular attention to what we might call the medieval period (post-Gupta) through to modernity when traditions had significantly developed in relation to each other. The chapters in the book chart the history of Hindu practice, paying particular attention to indigenous terms and recognizing indigenous distinctions such as between the ritual life of the householder and the renouncer seeking liberation, between 'inner' practices of and 'external' practices of ritual, and between those desirous of liberation (mumuksu) and those desirous of pleasure and worldly success (bubhuksu). This whole range of meditative and devotional practices that have developed in the history of Hinduism are represented in this book.