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Books > Humanities > Religion & beliefs > Non-Christian religions > Religions of Indic & Oriental origin > Hinduism
Jewel of Reflection on the Truth about Epistemology is here translated and explained in an invaluable contribution to the history of knowledge, making available in English the very best within the traditions of philosophical speculation and argument in India and Sanskrit over more than twenty centuries. The "Jewel" distills the best arguments and most important positions of the past and provides the dominant focus for later philosophic reflection. The achievement of a great 14th-century logician, Gangesa Upadhyaya ("Professor Gangesa"), the Tattva-cinta-mani is a masterpiece of world philosophy, impacting in classical India not only philosophy but also literary criticism, jurisprudence, and medical theory for centuries. Among scholars, it is commonly counted-with perhaps one or two Buddhist treatises and one or two in Vedanta-among the top four or five philosophic works in the whole long history of classical Indian civilization (from 500 bce to the modern period). This three-volume edition of the work marks the first time time it has been translated into English in its entirety. Becoming the focal point of the long-running Nyaya school and canonized in Sanskrit literature, it is famed, across many schools of philosophy, for cogency of argument and consistency of analysis. Focused on four "knowledge sources" recognized in Nyaya, the text covers the epistemology of perception, inference, analogy and testimony in four chapters. In this landmark translation, Stephen Phillips provides an English-speaking audience all four parts with readable translations and running commentary. He contextualizes, analyzes and translates the text into understandable prose targeting especially those working in analytic philosophy but also anyone unfamiliar with Nyaya who may want to see and make use of its findings now accessible as never before.
The Bhagavad Gita is one of the most revered texts of all time, but it's often impenetrable to the 21st-century seeker. In "Gita Wisdom," Joshua Greene retells this timeless text in a completely new way, revealing that it is, in essence, a heart-to-heart talk between two friends about the meaning of life. As Krishna and his friend Arjuna reminisce on a battlefield known as Kurukshetra, readers learn that the two played together as children, were close as young men, and became family when Arjuna married Krishna's sister. In later life the men shared extraordinary adventures, including a journey to places outside the known universe. Like all great literature, the Gita explores the human condition: who we are, where we came from, and why we're here. With a helpful glossary that lists names, terms, and places, this accessible, enlightening retelling is the perfect introduction to the Gita's venerable wisdom.
Between the late sixteenth and early twentieth centuries, Banaras, the iconic Hindu center in northern India that is often described as the oldest living city in the world, was reconstructed materially as well as imaginatively, and embellished with temples, monasteries, mansions, and ghats (riverfront fortress-palaces). Banaras's refurbished sacred landscape became the subject of pilgrimage maps and its spectacular riverfront was depicted in panoramas and described in travelogues. In Banaras Reconstructed, Madhuri Desai examines the confluences, as well as the tensions, that have shaped this complex and remarkable city. In so doing, she raises issues central to historical as well as contemporary Indian identity and delves into larger questions about religious urban environments in South Asia.
In the second half of the eighteenth century, several British East India Company servants published accounts of what they deemed to be the original and ancient religion of India. Drawing on what are recognised today as the texts and traditions of Hinduism, these works fed into a booming enlightenment interest in Eastern philosophy. At the same time, the Company's aggressive conquest of Bengal was facing a crisis of legitimacy and many of the prominent political minds of the day were turning their attention to the question of empire. In this original study, Jessica Patterson situates these Company works on the 'Hindu religion' in the twin contexts of enlightenment and empire. In doing so, she uncovers the central role of heterodox religious approaches to Indian religions for enlightenment thought, East India Company policy, and contemporary ideas of empire.
The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.
"Bhishma," the sixth book of the eighteen-book epic The Maha bh rata, narrates the first ten days of the great war between the K uravas and the P ndavas. This first volume covers four days from the beginning of the great battle and includes the famous "Bh gavad gita ("The Song of the Lord"), presented here within its original epic context. In this "bible" of Indian civilization the charioteer Krishna empowers his disciple Arjuna to resolve his personal dilemma: whether to follow his righteous duty as a warrior and slay his opponent relatives in the just battle, or to abstain from fighting and renounce the warrior code to which he is born.
Tantra has been defined as "a mystical philosophy" and as "an unorthodox religious tendency." Both definitions are incomplete. While Tantra has mystical, philosophical and religious aspects it is, above all, a technique of action - a system of physical, mental and spiritual disciple incorporating meditation, yoga, and sacramental worship in the widest sense of the phrase. This system has one purpose: the transformation of the individual - his or her rebirth to a new existence, . There is no "tantric faith" to be accepted or rejected on the bases of thought and emotion. tantrics make the same claim as Western magicians: "if you follow a certain course of action you will be led back to the roots of your own identity and will learn the truth about yourself and the universe you inhabit." Tantra of Westerners is a complete theoretical and practical guide to the Way of Action, covering the concepts of pleasure and pain, power and passivity, esoteric physiology, Tantra and Qabalism, right-hand and left-hand Tantra, tantric ritual for westerners and the arousal of kundalini - the serpent power, . Francis King (1934-1994) was a well known authority on magick, mysticism and religion. His books includes Ritual Magic in England and The Magical World of Aleister Crowley.
Hindu and Greek mythologies teem with stories of women and men who
are doubled, who double themselves, who are seduced by gods
doubling as mortals, whose bodies are split or divided. In
"Splitting the Difference, " the renowned scholar of mythology
Wendy Doniger recounts and compares a vast range of these tales
from ancient Greece and India, with occasional recourse to more
recent "double features" from "Dr. Jekyll and Mr. Hyde" to
"Face/Off."
This edited volume seeks to build a scholarly discourse about how Hinduism is being defined, reformed, and rearticulated in the digital era and how these changes are impacting the way Hindus view their own religious identities. It seeks to interrogate how digital Hinduism has been shaped in response to the dominant framing of the religion, which has often relied on postcolonial narratives devoid of context and an overemphasis on the geopolitics of the Indian subcontinent post-partition. From this perspective, this volume challenges previous frameworks of how Hinduism has been studied, particularly in the West, where Marxist and Orientalist approaches are often ill-fitting paradigms to understanding Hinduism. This volume engages with and critiques some of these approaches while also enriching existing models of research within media studies, ethnography, cultural studies, and religion.
Contemporary debates on "mansplaining" foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. This book excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of "masculinity." This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess's role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi's speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today's world where female voices are still often undervalued.
This is the first critical edition in transcription with facing English translation of a medieval Sanskrit text that is known in most parts of India, especially in Bengal. The Krsnakarnamrta ("Nectar to the Ears of Krishna") is a devotional anthology of stanzas in praise of the youthful Krishna, "the dark blue boy," "Lord of Life," lover of the milkmaids in Indian legend, and an incarnation of the great God Vishnu. Of its importance there can be no doubt: for many devout Indians it is a Book of Common Prayer, whose short and ardent hymns to the Lord Krishna come frequently and familiarly to mind. Frances Wilson here provides a masterly English translation of this moving expression of religious adoration. Collating over seventy manuscripts, she has established an authoritative Sanskrit text, including its literary and critical history. In the full introduction, she discusses the legends that have arisen about its author, the mysterious Līlasuka Bilvamangala. Medieval Sanskrit studies have in the past been much neglected by European scholars. In breaking free of the classical traditions of Sanskrit philology, Wilson has produced a work that is of profound relevance to the study of Indian civilization today.
The rise, fall, and modern resurgence of an enigmatic book revered by yoga enthusiasts around the world Consisting of fewer than two hundred verses written in an obscure if not impenetrable language and style, Patanjali's Yoga Sutra is extolled by the yoga establishment as a perennial classic and guide to yoga practice-except it isn't. Virtually forgotten in India for hundreds of years and maligned when it was first discovered in the West, the Yoga Sutra has been elevated to its present iconic status only in the course of the past forty years. David Gordon White retraces the strange and circuitous journey of this confounding work from its ancient origins to today, bringing to life the improbable cast of characters whose interpretations and misappropriations of the Yoga Sutra led to its revered place in contemporary popular culture.
This innovative book offers a dynamic analysis of Hinduism in the
perspective of Western notions of modernity. After reviewing
definitions of modernity and Hinduism and looking at modernity in
India, the author considers Hinduism in relation to Islam and the
West. The second half of the book presents key aspects of Hinduism,
ancient and modern, in the light of their contrast with
modernity.
The scope of the book is extremely broad, covering topics such
as Orientalism, women, goddesses, gods, and the central problem of
contemporary Hinduism - the rise of Hindu nationalism.
The book will be of interest not only to students of Hinduism but also to all those interested in the sociology of religion more broadly, and indeed everyone interested in the conjunction of modernity and tradition.
If by monotheism we mean the idea of a single transcendent God who creates the universe out of nothing (creatio ex nihilo), as in the Abrahamic religions, then that is not found in the history of Hinduism. But if we mean a supreme, transcendent deity who impels the universe, sustains it and ultimately destroys it before causing it to emerge once again, who is the ultimate source of all other gods who are her or his emanations, then this idea does develop within that history. It is a Hindu monotheism and its nature that is the topic of this Element.
Keshab Chandra Sen (1838-84) was one of the most powerful and controversial figures in nineteenth-century Bengal. A religious leader and social reformer, his universalist interpretation of Hinduism found mass appeal in India, and generated considerable interest in Britain. His ideas on British imperial rule, religion and spirituality, global history, universalism and modernity were all influential, and his visit to England made him a celebrity. Many Britons regarded him as a prophet of world-historical significance. Keshab was the subject of extreme adulation and vehement criticism. Accounts tell of large crowds prostrating themselves before him, believing him to be an avatar. Yet he died with relatively few followers, his reputation in both India and Britain largely ruined. As a representative of India, Keshab became emblematic of broad concerns regarding Hinduism and Christianity, science and faith, India and the British Empire. This innovative study explores the transnational historical forces that shaped Keshab's life and work. It offers an alternative religious history of empire, characterised by intercultural dialogue and religious syncretism. A fascinating and often tragic portrait of Keshab's experience of the imperial world, and the ways in which he carried meaning for his contemporaries.
Mahatma Gandhi, one of the greatest influencers in the world, was himself influenced by trailblazing thinkers and writers like Tolstoy, Ruskin, Thoreau, and others-each one contributing significantly to his moral and spiritual development. Yet only a few people know the most consequential person to have played a pivotal role in the making of the Mahatma: Shrimad Rajchandra. About the unparalleled influence of this person, Gandhi himself wrote: "I have met many a religious leader or teacher... and I must say that no one else ever made on me the impression that Raychandbhai did." Uma Majmudar, digging deep into the original Gujarati writings of both Gandhi and Rajchandra, explores this important relationship and unfolds the unique impact of Rajchandra's teachings and contributions upon Gandhi. The volume examines the contents and significance of their intimate spiritual discussions, letters, questions and answers. In this book, Dr. Majmudar brings to the forefront the scarcely known but critically important facts of how Rajchandra "molded Gandhi's inner self, his character, his life, thoughts and actions." This Jain zaveri (jeweller)-cum-spiritual seeker became Gandhi's most trusted friend, as well as an exemplary mentor and "refuge in spiritual crisis."
Take a fresh look at India's great epic and rediscover the lost kingdoms, dynasties, and characters of the Mahabharata, accompanied by beautiful images and discussion points. Often described as the longest poem ever written, the Mahabharata is one of two Sanskrit epics of ancient India. Its stories resonate with us even today through its themes of conflict and dilemmas, and have been drawn on for inspiration in film, theatre, and art. The Illustrated Mahabharata follows the tale as it unfolds through 18 episodes, or parvas, alongside stunning photographs, paintings, sculptures, and historical artefacts. Discover the principal characters of the Mahabharata and their family trees, and understand key moments - from the birth of Pandavas and Kauravas to the death of the elders. This definitive guide also highlights important quotes, themes, and historical context points to explore and enrich your understanding of the stories. Know the Mahabharata with this beautiful retelling of India's greatest epic. "
The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.
The Fundamentalism Project
Ishita Pande's innovative study provides a dual biography of India's path-breaking Child Marriage Restraint Act (1929) and of 'age' itself as a key category of identity for upholding the rule of law, and for governing intimate life in late colonial India. Through a reading of legislative assembly debates, legal cases, government reports, propaganda literature, Hindi novels and sexological tracts, Pande tells a wide-ranging story about the importance of debates over child protection to India's coming of age. By tracing the history of age in colonial India she illuminates the role of law in sculpting modern subjects, demonstrating how seemingly natural age-based exclusions and understandings of legal minority became the alibi for other political exclusions and the minoritization of entire communities in colonial India. In doing so, Pande highlights how childhood as a political category was fundamental not just to ideas of sexual norms and domestic life, but also to the conceptualisation of citizenship and India as a nation in this formative period.
The Rigveda is a monumental text in both world religion and world literature, yet outside a small band of specialists it is little known. Composed in the latter half of the second millennium BCE, it stands as the foundational text of what would later be called Hinduism. The text consists of over a thousand hymns dedicated to various divinities, composed in sophisticated and often enigmatic verse. This concise guide from two of the Rigveda's leading English-language scholars introduces the text and breaks down its large range of topics-from meditations on cosmic enigmas to penetrating reflections on the ability of mortals to make contact with and affect the divine and cosmic realms through sacrifice and praise-for a wider audience.
The "Bhagavad Gita," perhaps the most famous of all Indian scriptures, is universally regarded as one of the world's spiritual and literary masterpieces. Richard Davis tells the story of this venerable and enduring book, from its origins in ancient India to its reception today as a spiritual classic that has been translated into more than seventy-five languages. The "Gita" opens on the eve of a mighty battle, when the warrior Arjuna is overwhelmed by despair and refuses to fight. He turns to his charioteer, Krishna, who counsels him on why he must. In the dialogue that follows, Arjuna comes to realize that the true battle is for his own soul. Davis highlights the place of this legendary dialogue in classical Indian culture, and then examines how it has lived on in diverse settings and contexts. He looks at the medieval devotional traditions surrounding the divine character of Krishna and traces how the "Gita" traveled from India to the West, where it found admirers in such figures as Ralph Waldo Emerson, Henry David Thoreau, J. Robert Oppenheimer, and Aldous Huxley. Davis explores how Indian nationalists like Mahatma Gandhi and Swami Vivekananda used the "Gita" in their fight against colonial rule, and how contemporary interpreters reanimate and perform this classical work for audiences today. An essential biography of a timeless masterpiece, this book is an ideal introduction to the "Gita" and its insights into the struggle for self-mastery that we all must wage. |
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