‘In death thy glory in heaven, in victory thy glory on earth.  Arise therefore, Arjuna, with thy soul ready to fight’

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, the god Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

Juan Mascaró’s translation of The Bhagavad Gita captures the extraordinary aural qualities of the original Sanskrit. This edition features a new introduction by Simon Brodbeck, which discusses concepts such as dehin, prakriti and Karma.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

Jews often consider Hinduism to be Avoda Zara, idolatry, due to its worship of images and multiple gods. Closer study of Hinduism and of recent Jewish attitudes to it suggests the problem is far more complex. In the process of considering Hinduism's status as Avoda Zara, this book revisits the fundamental definitions of Avoda Zara and asks how we use the category. By appealing to the history of Judaism's view of Christianity, author Alon Goshen-Gottstein seeks to define what Avoda Zara is and how one might recognize the same God in different religions, despite legal definitions. Through a series of leading questions, the discussion moves from a blanket view of Hinduism as idolatry to a recognition that all religions have aspects that are idolatrous and non-idolatrous. Goshen-Gottstein explains how the category of idolatry itself must be viewed with more nuance. Introducing this nuance, he asserts, leads one away from a globalized view of an entire tradition in these terms.

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

There is no clear start point for Hinduism, no single prophet or messiah who taught people how to worship and the forms to follow. Nor is there a single text containing the universal truths; instead, there are many different practices and innumerable variants of common myths and tales. From the ancient Sanskrit texts of the Upanishads, Vedas, Mahabharata and Ramayana, the characters, gods and narratives of Hinduism emerged to demonstrate the moral precepts, duties and correct behaviour of Hinduism. Learn about Vedic cosmology, which is divided into four cyclical Yugas, or epochs, and which has no beginning or end; or the creation myth of Varaha, a powerful boar who saved the earth from primordial waters; or the legend of Rama, who against great odds rescues his love Sita from the demon-king Ravana; or Vishnu, the greatest god in the Hindu Trimurti (triad), who takes the form of nine different avatars and stops the earth from being destroyed through preserving Atman, the unchanging ultimate reality. Illustrated with 120 photographs and artworks, Hindu Myths is an accessible, engaging and highly informative exploration of the complex mythology underlying one of the world's oldest and most influential religions.

Most Americans know about the "Hare Krishnas" only from encounters in airports or from tales of their activities in the East Village and Haight-Ashbury in the 1960s. This entertaining and sensitive book deepens our knowledge by tracing the paths of those Western Hare Krishnas who eventually traveled to or lived in India. The charismatic leader of the sect, the Indian monk Swami Bhaktivedanta, aimed to save Westerners from what he saw as materialism and atheism by converting them to worship of the Hindu god Krishna. In addition, he hoped that Western disciples would inspire Indians to rediscover their own religious heritage. Charles Brooks describes in full detail the work of the "reverse missionaries" in the town of Vrindaban--which, since it is traditionally considered to be identical with Krishna's spiritual world, is one of the holiest places in India and the site of some of its most engaging rituals. Have the Western Hare Krishnas really become part of Indian culture? Can it be that Indians accept these foreigners as essentially Hindu and even Brahman? Brooks answers in a way that radically challenges our accepted images of Indian social dynamics. Analyzing the remarkable success of the International Society for Krishna Consciousness and their temple complex in Vrindaban (where Bhaktivedanta was buried in 1977), Brooks describes the intricate social, economic, and religious relationships between Westerners and Indians. He demonstrates that social rank in the town is based not only on caste but also on religious competence: many Indians of Vrindaban believe, in Bhaktivedanta's words, that "Krishna is for all." Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Every year thousands of pilgrims travel to Brindavan, the village where Krishna is said to have lived as a child. There, they witness a series of religious dramas called ras lilas, whose central roles are performed by children. By translating four plays that collectively span this cycle, John Hawley provides a lively perspective on the mythology of Krishna as Hindus experience it today. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

South India is a land of many temples and shrines, each of which has preserved a local tradition of myth, folklore, and ritual. As one of the first Western scholars to explore this tradition in detail, David Shulman brings together the stories associated with these sacred sites and places them in the context of the greater Hindu religious tradition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'I have heard the supreme mystery, yoga, from Krishna, from the lord of yoga himself.' Thus ends the Bhagavad Gita, the most famous episode from the great Sanskrit epic, the Mahabharata. In its eighteen short chapters Krishna's teaching leads the warrior Arjuna from perplexity to understanding and correct action, in the process raising and developing many key themes from the history of Indian religions. The Bhagavad Gita is the best known and most widely read Hindu religious text in the Western world. It considers social and religious duty, the nature of sacrifice, the nature of action, the means to liberation, and the relationship of human beings to God. It culminates in an awe-inspiring vision of Krishna as God omnipotent, disposer and destroyer of the universe. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Formalized by the tenth century, the expansive Bhagavata Purana resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedanta and Samkhya. No other Purana has inspired so much commentary, imitation, and derivation. The work has grown in vibrancy through centuries of performance, interpretation, worship, and debate and has guided the actions and meditations of elite intellectuals and everyday worshippers alike. This annotated translation and detailed analysis shows how one text can have such enduring appeal. Key selections from the Bhagavata Purana are faithfully translated, while all remaining sections of the Purana are concisely summarized, providing the reader with a continuous and comprehensive narrative. Detailed endnotes explain unfamiliar concepts and several essays elucidate the rich philosophical and religious debates found in the Sanskrit commentaries. Together with the multidisciplinary readings contained in the companion volume The Bhagavata Purana: Sacred Text and Living Tradition (Columbia, 2013), this book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Hindu literature, philosophy, and religion.

Die Beitrage in diesem Sammelband dokumentieren die heutige Diskussion um das Heilige, ein nach wie vor unerledigtes Problem der Religionswissenschaft. Sie wurden auf zwei verschiedenen Veranstaltungen prasentiert: einerseits auf dem Panel "Das Heilige als Problem in der Religionswissenschaft: Fragen und Perspektiven" der 31. Jahrestagung der Deutschen Vereinigung fur Religionswissenschaft in Goettingen im September 2013, andererseits auf dem Symposium "Die Diskussion um das Heilige: alte Fragen - neue Antworten" an der Goethe-Universitat in Frankfurt am Main im November 2013. Es geht um drei Themenbereiche: das Werk Rudolf Ottos, Anwendung der Kategorie des Heiligen in der Religionsforschung sowie die theoretische Auseinandersetzung mit der Kategorie des Heiligen.

Inside the Yoga Sutras presents a clear, up-to-date perspective on the classic text of Yoga theory and practice: the Yoga Sutras of Patanjali. This comprehensive sourcebook includes: commentary for each sutra, extensive cross referencing, a study gu

This book provides a detailed history of Hindu goddess traditions with a special focus on the local goddesses of Andhra Pradesh, past and present. The antiquity and the evolution of these goddess traditions are illustrated and documented with the help of archaeological reports, literary sources, inscriptions and art. Tracing the symbols and images of goddess into the brahmanical (Saiva and Vaisnava), Buddhist, and Jaina religious traditions, the book argues effectively how and with what motivations goddesses and their symbolizations were appropriated and transformed. The book also examines the evolution of popular Hindu goddesses such as Durga and Kali, discussing their tribal and agricultural backgrounds. It also deals extensively with how and in what circumstances women are deified and shows how these deified women cults share characteristics with the village goddesses.

Based on the author's ethnographic research in India, the book explores the psychology of Hinduism, and offers an innovative synthesis of psychoanylsis with modern anthropological theories of cultural difference. Stanley N. Kurtz offers a new interpretation of the multiple "mother goddesses" of Hinduism, and explores how this multiplicity is key to understanding early childhood experience in which a child is raised by many "mothers" in the Hindu joint family.

Arguing that traditional psychoanalytic approaches to Indian culture have applied Western models without regard to differing cultural circumstances, Kurtz suggests that immersion in a joint family plays a central role in the development of feelings and needs which are carried over into adult life. The book concludes with a briefr comparison of mothering in India and contemporary America. "All the Mothers Are One" makes a significant contribution to the growing debate concerning the role of psychoanalysis in the interpretation of culture and the study of cross-cultural human development.

In 1839 a diverse group of Hindu leaders began gathering in Calcutta to share and propagate their faith in a non-idolatrous form of worship. The group, known as the Tattvabodhini Sabha, met weekly to worship and hear discourses from members on the virtues of a rational and morally responsible mode of worship. They called upon ancient sources of Hindu spirituality to guide them in developing a form of modern theism they referred to as "Vedanta." In this book, Brian Hatcher translates these hitherto unknown discourses and situates them against the backdrop of religious and social change in early colonial Calcutta. Apart from bringing to light the theology and moral vision of an association that was to have a profound influence on religious and intellectual life in nineteenth-century Bengal, Hatcher's analysis promotes reflection on a variety of topics central to understanding the development of modern forms of Hindu belief and practice.

"In this jewel-like volume, the venerable Tirtha Maharaja recounts the nectarean activities of the associates of Lord Gauranga and the acharyas of the Gaudiya Vaishnava religion." --Swami B.P. Puri, Founder Acharya, Gopinath Gaudiya Math Srila Bhakti Ballabha Tirtha Goswami Maharaja has gathered a great deal of information about the lives of the devotees from numerous sources, and has made this information more relishable by virtue of his own insight. These biographies of Mahaprabhu's devotees should be read on their appearance and disappearance days, for this will bring great joy to both those who hear and those who read them. In this English translation, it will be possible for devotees around the world to enjoy them. Herein, the author delights in the life stories of Jagannath Mishra, Madhavendra Puri, Ishvara Puri, Advaita Acharya, Srivas Pandit, Chandrasekhar Acharya, Pundarika Vidyanidhi, Gadadhar Pandit, Vakresvara Pandit, Gadadhar Das, Shivananda Sen, Paramananda Puri, Murari Gupta, and many others. Every letter of these accounts is drenched with the nectar of devotion. The sincere seeker will never be able to enter the transcendental kingdom nor to advance in the devotional life unless they also discover this delight.

Offering multilayered explorations of Hindu understandings of the Feminine, both human and divine, this book emphasizes theological and activist methods and aims over historical, anthropological, and literary ones.

Vitthal, also called Vithoba, is the most popular Hindu god in the western Indian state of Maharashtra, and the best-known god of that region outside India. His temple at Pandharpur is the goal of an annual pilgrimage that is one of the largest and most elaborate in the world. This book is the foremost study of the history of Vitthal, his worship, and his worshippers. First published in Marathi in 1984, the book remains the most thorough and insightful work on Vitthal and his cult in any language, and provides an exemplary model for understanding the history and morphology of lived Hinduism. The author, Ramachandra Chintaman Dhere, is the leading scholar of religious traditions in Maharashtra and throughout the Deccan, the plateau that covers most of central India. Vitthal exemplifies the synthesis of Vaisnava and Saiva elements that not only typifies Maharashtrian Hindu religious life but also marks Vitthal's resemblance to another prominent South Indian god, Venkates of Tirupati in Andhra Pradesh. Dhere's analysis highlights Vitthal's connection with pastoralist hero cults, and demonstrates the god's development from a god of shepherds to a god of the majority of the population, including Brahmans. In addition, Dhere also explores the connections of Vitthal with Buddhist and Jain traditions. In the book's final chapter, Dhere presents a culminating stage in the evolution of the worship of Vitthal: the interpretation in spiritual terms of the god, his temple, the town of Pandharpur, and the river that flows past the town. Dhere received India's highest literary award, the Sahitya Akademi prize, for this book.