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Books > Humanities > Religion & beliefs > Non-Christian religions > Religions of Indic & Oriental origin > Hinduism
The seventh and final book of the monumental R?m?ya?a of V?lm?ki,
the Uttarak???a, brings the epic saga to a close with an account of
the dramatic events of King R?ma's millennia-long reign. It opens
with a colorful history of the demonic race of the r?k?asas and the
violent career of R?ma's villainous foe R?va?a, and later recounts
R?ma's grateful discharge of his allies in the great war at Lank?
as well as his romantic reunion with his wife S?t?. But dark clouds
gather as R?ma, confronted by scandal over S?t?'s time in captivity
under the lustful R?va?a, makes the agonizing decision to banish
his beloved wife, now pregnant. As R?ma continues as king,
marvelous tales and events unfurl, illustrating the benefits of
righteous rule and the perils that await monarchs who fail to
address the needs of their subjects. The Uttarak???a has long
served as a point of social and religious controversy largely for
its accounts of the banishment of S?t?, as well as of R?ma's
killing of a low-caste ascetic. The translators' introduction
provides a full discussion of these issues and the complex
reception history of the Uttarak???a. This translation of the
critical edition also includes exhaustive notes and a comprehensive
bibliography.
A short reading for every day. Spurgeon wrote this selection of
readings to encourage believers to enter into the full provision
that their relationship to Jesus entitled them to realise, on a
daily basis. He explains we have to present the promises of
Scripture to God in prayer and faith, anticipating that he will
honour what he has said. Beautiful volume in burgundy leather.
The volume collects a series of contributions that help reconstruct
the recent history of the Nath tradition, highlighting important
moments of self.reinterpretation in the sampradaya's interaction
with different social milieus. The leitmotif tying together the
selection of articles is the authors' explorations of the overlap
between religious authority and political power. For example, in
which ways do the Naths' hagiographical claim of possessing yogic
charisma (often construed as supernatural powers, siddhis)
translate into mundane expressions of socio-political power? And
how does it morph into the authority to reinterpret and recreate
particular traditions? The articles approach different aspects of
the recent history of the Nath sampradaya, spanning from stories of
yogis guiding kings in the petty principalities of the eighteenth
century to gurus who sought prominence in the transnational
environments of the twentieth century; examining some Nath lineages
and institutions under the British Raj, in the history of Nepal,
and in contemporary India.
In most mainstream traditions of Hinduism and Buddhism, women have
for centuries largely been excluded from positions of religious and
ritual leadership. However, as this volume shows, in an increasing
number of late-20th-century and early-21st-century contexts, women
can and do undergo monastic and priestly education; they can
receive ordination/initiation as Buddhist nuns or Hindu
priestesses; and they are accepted as religious and political
leaders. Even though these processes still take place largely
outside or at the margins of traditional religious institutions, it
is clear that women are actually establishing new religious trends
and currents. They are attracting followers, and they are occupying
religious positions on par with men. At times women are filling a
void left behind by male religious specialists who left the
profession, and at times they are perceived as their rivals. In
some cases, this process takes place in collaboration with male
religious specialists, in others against the will of the women's
male counterparts. However, in most cases we see both acceptance
and resistance. Whether silently or with great fanfare, women are
grasping new opportunities to occupy positions of leadership. This
book offers ten in-depth case studies analysing culturally,
historically, and geographically unique situations in order to
explore the historical background, contemporary trajectories, and
impact of the emergence of new and powerful forms of female agency
in mostly conservative Hindu and Buddhist religious traditions.
The Ramayana, one of the two pre-eminent Hindu epics, has played a
foundational role in many aspects of India's arts and social norms.
For centuries, people learned this narrative by watching,
listening, and participating in enactments of it. Although the
Ramayana's first extant telling in Sanskrit dates back to ancient
times, the story has continued to be retold and rethought through
the centuries in many of India's regional languages, such as Hindi,
Tamil, and Bengali. The narrative has provided the basis for
enactments of its episodes in recitation, musical renditions,
dance, and avant-garde performances. This volume introduces
non-specialists to the Ramayana's major themes and complexities, as
well as to the highly nuanced terms in Indian languages used to
represent theater and performance. Two introductions orient readers
to the history of Ramayana texts by Tulsidas, Valmiki, Kamban,
Sankaradeva, and others, as well as to the dramaturgy and
aesthetics of their enactments. The contributed essays provide
context-specific analyses of diverse Ramayana performance
traditions and the narratives from which they draw. The essays are
clustered around the shared themes of the politics of caste and
gender; the representation of the anti-hero; contemporary
re-interpretations of traditional narratives; and the presence of
Ramayana discourse in daily life.
Paramahansa Yogananda - author of the bestselling classic
"Autobiography of a Yogi" - delves into the deeper meaning of the
Bhagavad Gita's symbology, and sheds a fascinating light on the
true intent of India's beloved scripture. He describes how each of
us, through applying the profound wisdom of yoga, can achieve
material and spiritual victory on the battlefield of daily life.
This concise and inspiring book is a compilation of selections from
Yogananda's in-depth, critically acclaimed two-volume translation
of and commentary on the Bhagavad Gita ("God Talks with Arjuna").
Burning the Dead traces the evolution of cremation in India and the
South Asian diaspora across the nineteenth and twentieth centuries.
Through interconnected histories of movement, space, identity, and
affect, it examines how the so-called traditional practice of Hindu
cremation on an open-air funeral pyre was culturally transformed
and materially refashioned under British rule, following intense
Western hostility, colonial sanitary acceptance, and Indian
adaptation. David Arnold examines the critical reception of Hindu
cremation abroad, particularly in Britain, where India formed a
primary reference point for the cremation debates of the late
nineteenth century, and explores the struggle for official
recognition of cremation among Hindu and Sikh communities around
the globe. Above all, Arnold foregrounds the growing public
presence and assertive political use made of Hindu cremation, its
increasing social inclusivity, and its close identification with
Hindu reform movements and modern Indian nationhood.
Mindfulness and yoga are widely said to improve mental and physical
health, and booming industries have emerged to teach them as
secular techniques. This movement is typically traced to the 1970s,
but it actually began a century earlier. Wakoh Shannon Hickey shows
that most of those who first advocated meditation for healing were
women: leaders of the "Mind Cure" movement, which emerged during
the late nineteenth and early twentieth centuries. Instructed by
Buddhist and Hindu missionaries, many of these women believed that
by transforming consciousness, they could also transform oppressive
conditions in which they lived. For women - and many
African-American men - "Mind Cure" meant not just happiness, but
liberation in concrete political, economic, and legal terms. In
response to the perceived threat posed by this movement, white male
doctors and clergy with elite academic credentials began to channel
key Mind Cure methods into "scientific" psychology and medicine. As
mental therapeutics became medicalized and commodified, the
religious roots of meditation, like the social-justice agendas of
early Mind Curers, fell by the wayside. Although characterized as
"universal," mindfulness has very specific historical and cultural
roots, and is now largely marketed by and accessible to affluent
white people. Hickey examines religious dimensions of the
Mindfulness movement and clinical research about its effectiveness.
By treating stress-related illness individualistically, she argues,
the contemporary movement obscures the roles religious communities
can play in fostering civil society and personal wellbeing, and
diverts attention from systemic factors fueling stress-related
illness, including racism, sexism, and poverty.
The idea of Maya pervades Indian philosophy. It is enigmatic,
multivalent, and foundational, with its oldest referents found in
the Rig Veda. This book explores Maya's rich conceptual history,
and then focuses on the highly developed theology of Maya found in
the Sanskrit Bhagavata Purana, one of the most important Hindu
sacred texts. Gopal K. Gupta examines Maya's role in the
Bhagavata's narratives, paying special attention to its
relationship with other key concepts in the text, such as human
suffering (duhkha), devotion (bhakti), and divine play (lila). In
the Bhagavata, Maya is often identified as the divine feminine, and
has a far-reaching influence. For example, Maya is both the world
and the means by which God creates the world, as well as the
facilitator of God's play, paradoxically revealing him to his
devotees by concealing his majesty. While Vedanta philosophy
typically sees Maya as a negative force, the Bhagavata affirms that
Maya also has a positive role, as Maya is ultimately meant to draw
living beings toward Krishna and intensify their devotion to him.
In India, statues of Ganesh are placed at the inner gates of many
temples, symbolizing his role as keeper of sacred spaces. Here,
pilgrims and passersby pay homage and seek his blessings. It is
this symbolic presence at the entrance of our most holy places that
makes Ganesh such a vital figure in our lives.
Stationed at the threshold of sacredness and awareness, mediating
between the possibility of the profound and our often habitual,
mundane perception of the world, Ganesh is the guiding force behind
this very moment of experience - where desire meets possibility.
"Ganesh: Removing the Obstacles" offers practical and meaningful
interpretations of folk narratives and sacred texts concerning the
larger-than-life elephant-headed god, Ganesh.
Traditions of asceticism, yoga, and devotion (bhakti), including
dance and music, developed in Hinduism over long periods of time.
Some of these practices, notably those denoted by the term yoga,
are orientated towards salvation from the cycle of reincarnation
and go back several thousand years. These practices, borne witness
to in ancient texts called Upanisads, as well as in other
traditions, notably early Buddhism and Jainism, are the subject of
this volume in the Oxford History of Hinduism. Practices of
meditation are also linked to asceticism (tapas) and its
institutional articulation in renunciation (samnyasa). There is a
range of practices or disciplines from ascetic fasting to taking a
vow (vrata) for a deity in return for a favour. There are also
devotional practices that might involve ritual, making an offering
to a deity and receiving a blessing, dancing, or visualization of
the master (guru). The overall theme-the history of religious
practices-might even be seen as being within a broader intellectual
trajectory of cultural history. In the substantial introduction by
the editor this broad history is sketched, paying particular
attention to what we might call the medieval period (post-Gupta)
through to modernity when traditions had significantly developed in
relation to each other. The chapters in the book chart the history
of Hindu practice, paying particular attention to indigenous terms
and recognizing indigenous distinctions such as between the ritual
life of the householder and the renouncer seeking liberation,
between 'inner' practices of and 'external' practices of ritual,
and between those desirous of liberation (mumuksu) and those
desirous of pleasure and worldly success (bubhuksu). This whole
range of meditative and devotional practices that have developed in
the history of Hinduism are represented in this book.
The appearance of "religion" as a category describing a set of
practices and beliefs allegedly an aspect of all cultures dates
only from the modern period, emerging as Europe expanded trade
abroad and established its first colonial relations in the 17th and
18th centuries. The invention of Hinduism can be seen in the
encounter between modernity's greatest colonial power, Britain, and
the jewel of her imperial crown, India. This encounter was deeply
shaded by the articulation and development of the concept of
"religion," and it produced the now common idea that Hinduism is a
religion. The Bengal Presidency, home of Calcutta - the capital of
colonial India and center of economic gravity in the eastern
hemisphere - emerged as the locus of ongoing and direct contact
between Indians and colonial officials, journalists, and
missionaries. Drawing on a large body of previously untapped
literature, including documents from the Church Missionary Society
and Bengali newspapers, Brian Pennington offers a fascinating
portrait of the process by which "Hinduism" came into being. He
argues against the common idea that the modern construction of
religion in colonial India was simply a fabrication of Western
Orientalists and missionaries. Rather, he says, it involved the
active agency and engagement of Indian authors as well, who
interacted, argued, and responded to British authors over key
religious issues such as image-worship, sati, tolerance, and
conversion. Pennington retells the story of Christians' and Hindus'
reception of each other in the early 19th century in a way that
takes seriously the power of their religious worldviews to shape
the encounter itself and help to produce the very religions that
colonialism thought it "discovered." While post-colonial theory can
illuminate issues of power and domination, he demonstrates, history
of religions reminds us of the continuing importance of the sacred
and spiritual dimensions of the peoples under colonial rule.
In Hindutva as Political Monotheism, Anustup Basu offers a
genealogical study of Hindutva-Hindu right-wing nationalism-to
illustrate the significance of Western anthropology and political
theory to the idea of India as a Hindu nation. Connecting Nazi
jurist Carl Schmitt's notion of political theology to traditional
theorems of Hindu sovereignty and nationhood, Basu demonstrates how
Western and Indian theorists subsumed a vast array of polytheistic,
pantheistic, and henotheistic cults featuring millions of gods into
a singular edifice of faith. Basu exposes the purported "Hindu
Nation" as itself an orientalist vision by analyzing three crucial
moments: European anthropologists' and Indian intellectuals'
invention of a unified Hinduism during the long nineteenth century;
Indian ideologues' adoption of ethnoreligious nationalism in
pursuit of a single Hindu way of life in the twentieth century; and
the transformations of this project in the era of finance capital,
Bollywood, and new media. Arguing that Hindutva aligns with
Enlightenment notions of nationalism, Basu foregrounds its
significance not just to Narendra Modi's right-wing, anti-Muslim
government but also to mainstream Indian nationalism and its credo
of secularism and tolerance.
Hinduism has two major roots. The more familiar is the religion
brought to South Asia in the second millennium BCE by speakers of
Aryan or Indo-Iranian languages, a branch of the Indo-European
language family. Another, more enigmatic, root is the Indus
civilization of the third millennium BCE, which left behind
thousands of short inscriptions in a forgotten pictographic script.
Discovered in the valley of the Indus River in the early 1920s, the
Indus civilization had a population estimated at one million
people, in more than 1000 settlements, several of which were cities
of some 50,000 inhabitants. With an area of nearly a million square
kilometers, the Indus civilization was more extensive than the
other key urban cultures of the time, in Mesopotamia and Egypt.
Yet, after almost a century of excavation and research the Indus
civilization remains little understood. What language did the Indus
people speak? How might we decipher the exquisitely carved Indus
inscriptions? What deities did they worship? Are the roots of
contemporary Hinduism to be found in the religion of the Indus
civilization as well as in the Vedic religion? Since the rise of
Hindu nationalist politics in the 1980s, these questions have been
debated with increasing animosity, colored by the history of modern
colonialism in India. This is especially true of the enigmatic
Indus script, which is at the hub of the debates, and a particular
focus of this book. Asko Parpola has spent fifty years researching
the roots of Hinduism to answer these fundamental questions. In
this pioneering book, he traces the Indo-Iranian speakers from the
Aryan homeland north of the Black Sea through the Eurasian steppes
to Central, West, and South Asia. Among many other things, he
discusses the profound impact of the invention of the horse-drawn
chariot on Indo-Aryan religion, and presents new ideas on the
origin and formation of the Vedic literature and rites, and the
great Hindu epics.
This book details the goddess Kali and the culture of devotion to
her in West Bengal and South Asia. The term Adya means primal,
original or archean. Adya Kali is the primordial energy, the
shakti, that creates, preserves, and transforms/dissolves all
existence. She is the womb that births all, and the tomb that
swallows all. In Praise of Adya Kali is different from most
contemporary books about Kali because it offers a liturgy of
worship, a type of spiritual practice (sadhana) that the reader
(both male and female) can use over the course of days, weeks, or
months, to cultivate a direct devotional relationship to Kali. But,
beyond that, In Praise of Adya Kali is a context-setting guide.
Rather than simply recommending that we recite these sacred names,
each one a prayer, the author establishes this practice as a
general orientation to life. Furthermore, and most compelling, the
text and Commentaries on this liturgy contain an intimate
revelation of how the goddess establishes herself in her devotees'
bodies and thus intervenes, by unconditional love and acceptance,
in their lives. A lengthy Introduction, both scholarly and
personal, describes the goddess and the possibilities that these
prayers will offer. Aditi Devi guides us in how to build a shrine
to Kali, various types of offerings to make to her, and suggests a
schedule for how to use this liturgy with a long-term commitment
over the course of 108 nights. This book presents a serious
practice, not for the faint-hearted. It requires courage, strength
and joy to permit the goddess's energy to slowly, sensuously and
irrevocably be invoked-conceived, allowed to gestate, birthed
according to her will. And while the orientation here is toward
realizing her sacred presence in the "womb" of the devotee, the
practice can be undertaken by anyone. The physical form of the body
is not a limitation, as the author notes: "In this lineage we
practice into the depths of whatever form we have, & arise from
within that, knowing that we are her, male or female. This Song of
the Hundred Names is a powerful teaching that all forms are her
forms." Male, female or other gendered, we are presented with the
possibility to experience the depths of our own internal feminine
energies & thereby come into greater healing & wholeness,
more readily able to express this often neglected part of
ourselves. Aditi Devi's long study & spiritual practice within
living tantric lineages in South Asia has made this book possible.
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