Hinduism cannot be understood without the Great Goddess and the goddess-orientated Sakta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Sakta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as 'Saktism', and is often considered one of the major branches of Hinduism next to Saivism, Vaisnavism and Smartism. Saktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Sakta traditions that constitute the primary sources for gaining insights into the Sakta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Sakta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.

'Manu was seated, when the great seers came up to him: "Please, Lord, tell us the Laws of all the social classes, as well as of those born in between..."' The Law Code of Manu is the most authoritative and the best-known legal text of ancient India. Famous for two thousand years it still generates controversy, with Manu's verses being cited in support of the oppression of women and members of the lower castes. A seminal Hindu text, the Law Code is important for its classic description of so many social institutions that have come to be identified with Indian society. It deals with the relationships between social and ethnic groups, between men and women, the organization of the state and the judicial system, reincarnation, the workings of karma, and all aspects of the law. Patrick Olivelle's lucid translation is the first to be based on his critically edited text, and it incorporates the most recent scholarship on ancient Indian history, law, society, and religion. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The thousand-year-old Sanskrit classic the Bhagavatapurana, or "Stories of the Lord," is the foundational source of narratives concerning the beloved Hindu deity Krishna. For centuries pious individuals, families, and community groups have engaged specialist scholar-orators to give week-long oral performances based on this text. Seated on a dais in front of the audience, the orator intones selected Sanskrit verses from the text and narrates the story of Krishna in the local language. These sacred performances are thought to bring blessings and good fortune to those who sponsor, perform, or attend them. Devotees believe that the narratives of Krishna are like the nectar of immortality for those who can appreciate them. In recent years, these events have grown in number, scale, and popularity. Once confined to private homes or temple spaces, contemporary performances now fill vast public arenas, such as sports stadiums, and attract live audiences in the tens of thousands while being simulcast around the world. In Seven Days of Nectar, McComas Taylor uncovers the factors that contribute to the explosive growth of this tradition. He explores these events through the lens of performance theory, integrating the text with the intersecting worlds of sponsors, exponents and audiences. This innovative approach, which draws on close textual reading, philology, and ethnography, casts new light on the ways in which narratives are experienced as authentic and transformative, and more broadly, how texts shape societies.

From Gandhi in the East to Emerson and Thoreau in the West, accomplished writers, reformers, poets and intellectuals the world over have turned to the Bhagavad Gita for mystic insight and inspiration. "The Essential Gita culls together some of the Gita's most potent verses, addressing provocative subjects like birth, death, desire, leadership and yoga. From the path of right livelihood to the ocean of unconditional love, the sage advice offered within these pages imparts invaluable teachings on life and how to live it.

A collection of spontaneous "satsangs," or truths, spoken from Sri H. W. L. Poonja's experience of the highest and yet simplest truth: that we are pure love and consciousness, the totality of existence. Reveals thousands of ways to help us inquire into who we really are, to bring our awareness into the infinity of the moment, and surrender to the wisdom of our Truth.

At the turn of the millennium, Nepal was the world's last remaining Hindu kingdom: even the most skeptical of observers could hardly imagine that the institution of the monarchy could ever be in jeopardy. In 2001, however, Nepal's popular King Birendra was killed in the royal palace. The crown passed to his brother Gyanendra, but the monarchy would never fully recover. Nepal witnessed an anti-king uprising in April 2006, and over the course of two years, an interim administration systematically took over all the king's duties and privileges. Most decisively, beginning in the summer of 2007, the government began blocking the king from participating in his many public rituals, sending the prime minister in his place instead. Demoting Vishnu argues that Nepal's dramatic political transformation from monarchy to republic was contested-and in key ways accomplished through-ritual performance. By co-opting state ritual, the king's opponents were able to attack the monarchy's social identity at its foundations, enabling the final legal dissolution of kingship in 2008 to take place without physically harming the king himself. All once-royal rituals continue to be performed, but now they are handled by the country's President-a position created in 2008 to take over state ceremonial functions. Ex-King Gyanendra Shah continues to live in Nepal, is permitted to move about the country and abroad, but is no longer king in any respect. Mocko's book theorizes the role of public ritual in producing Nepal's state ideology. It examines how royal ritual once authorized kings to serve as the privileged apex of national governance and how, in the 21st-century, those rituals stopped serving the king and began instead to authorize rule by a party-based 'head of state.' Demoting Vishnu illustrates how upheaval in ritual contexts undermined the institutional logic of the monarchy, demonstrating in very public ways that kingship was contingent, opposable, and ultimately dispensable.

Rama goes to the monkey capital of Kishkindha to seek help in finding Sita, and meets Hanuman, the greatest of the monkey heroes. There are two claimants for the monkey throne, Valin and Sugriva; Rama helps Sugriva win the throne, and in return Sugriva promises to help in the search for Sita. The monkey hordes set out in every direction to scour the world, but without success until an old vulture tells them she is in Lanka. Hanuman promises to leap over the ocean to Lanka to pursue the search.

Co-published by New York University Press and the JJC Foundation

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At last, an edition of the Bhagavad Gita that speaks with unprecedented fidelity and clarity. It contains an unusually informative introduction, the Sanskrit text of the Bhandarkar Oriental Research Institute's critical edition, an accurate and accessible English translation, a comprehensive glossary of names and epithets, and a thorough index.

Hindu Christian Faqir compares two colonial Indian saints from Punjab, the neo-Vedantin Hindu Rama Tirtha (1873-1906) and the Christian convert Sundar Singh (1889-1929). Timothy S. Dobe shows that varied asceticisms, personal exemplary models, and material religion exuded their ambivalent and powerful public presence in Protestant metropolitan centers as much as in colonial peripheries. Challenging ideas of the invention of modern Hinduism, the transparent translation of Christianity, and the construction of saints by devotees, this book focuses on the long-standing, shared religious idioms on which these two men creatively drew to appeal to transnational audiences and to pursue religious perfection. Following both men's usage of Urdu, the book adopts the word "faqir" to examine the vernacular and performative dimensions of Indian holy man traditions, thereby calling special attention to missionary and Orientalist anti-ascetic accounts of the "fukeer" indigenous Islamic traditions and this-worldly religion. Exploring Rama Tirtha and Sundar Singh's global tours in Europe and America, self-conscious sartorial styles, and intimate autobiographical writings, Dobe demonstrates that the vernacular holy man traditions of Punjab provided resources that both men drew on to construct their forms of modern monkhood. The rise of heroic, anti-colonial sannyasis or sadhus of modern Hinduism like Swami Vivekananda is thus repositioned in relation to global Christianity, Sufi, bhakti, and Sikh regional practices, religious boundary-crossing, contestation and conversion. A comparative and contextualized story of two Punjabi holy men's particular performance of sainthood, Hindu Christian Faqir reveals much about the broad, interactional history of religious modernities.

The influence of the Universal World Teacher in the figure of Sri Sathya Sai Baba has already reached the far corners of the Earth. Yet this Avatar, His miracles and teachings, are still a great mystery to even those who are acquainted with Him. This book is thoroughly researched and gives an objective appreciation of Sai Baba's teachings about spirituality and modern science. Priddy gives an in-depth analysis of His miraculous actions and words, and shares the experiences, both subtle and indirect, that ultimately led him to make a major life transformation. Priddy appeals to both devotees and newcomers to Sai's teachings, and for the devotees, shares his accounts of Sai's mystery, grace, and joy, with balanced reflections upon their likely purpose and meaning.

Lethal Spots, Vital Secrets provides an ethnographic study of varmakkalai, or "the art of the vital spots," a South Indian esoteric tradition that combines medical practice and martial arts. Although siddha medicine is officially part of the Indian Government's medically pluralistic health-care system, very little of a reliable nature has been written about it. Drawing on a diverse array of materials, including Tamil manuscripts, interviews with practitioners, and his own personal experience as an apprentice, Sieler traces the practices of varmakkalai both in different religious traditions-such as Yoga and Ayurveda-and within various combat practices. His argument is based on in-depth ethnographic research in the southernmost region of India, where hereditary medico-martial practitioners learn their occupation from relatives or skilled gurus through an esoteric, spiritual education system. Rituals of secrecy and apprenticeship in varmakkalai are among the important focal points of Sieler's study. Practitioners protect their esoteric knowledge, but they also engage in a kind of "lure and withdrawal"--a performance of secrecy--because secrecy functions as what might be called "symbolic capital." Sieler argues that varmakkalai is, above all, a matter of texts in practice; knowledge transmission between teacher and student conveys tacit, non-verbal knowledge, and constitutes a "moral economy." It is not merely plain facts that are communicated, but also moral obligations, ethical conduct and tacit, bodily knowledge. Lethal Spots, Vital Secrets will be of interest to students of religion, medical anthropologists, historians of medicine, indologists, and martial arts and performance studies.

Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind thousands of short inscriptions in a forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the other key urban cultures of the time, in Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. What language did the Indus people speak? How might we decipher the exquisitely carved Indus inscriptions? What deities did they worship? Are the roots of contemporary Hinduism to be found in the religion of the Indus civilization as well as in the Vedic religion? Since the rise of Hindu nationalist politics in the 1980s, these questions have been debated with increasing animosity, colored by the history of modern colonialism in India. This is especially true of the enigmatic Indus script, which is at the hub of the debates, and a particular focus of this book. Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions. In this pioneering book, he traces the Indo-Iranian speakers from the Aryan homeland north of the Black Sea through the Eurasian steppes to Central, West, and South Asia. Among many other things, he discusses the profound impact of the invention of the horse-drawn chariot on Indo-Aryan religion, and presents new ideas on the origin and formation of the Vedic literature and rites, and the great Hindu epics.

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.

In Divine Mother, Blessed Mother, Francis X. Clooney, S.J., a scholar of Hinduism as well as a Catholic priest and theologian, offers the first full-length comparative study of Hindu goddesses and the Virgin Mary. Clooney begins by looking at three specific goddesses as they are presented and addressed in religiously and theologically rich hymns from the Sanskrit and Tamil traditions: Nullri Laksmi, the eternal consort of Lord Visnu and life-giver to Him and all the world; the great Goddess Devi, in whom the world and gods too exist and flourish; and the lovely Tamil Goddess Apirnullami, who illumines the inmost mind and heart. Clooney then shows how Goddess traditions can be drawn into fruitful conversation with Christian tradition, taking a fresh look at the veneration and theology of Mary, the Mother of Jesus and Mother of God, as displayed in three famous Marian hymns from the Greek, Latin, and Tamil traditions. The book is enriched by the inclusion of fresh and full translations of all of the hymns, including two translated here for the first time. Analyzing these six Hindu and Christian hymns, Clooney examines such questions as: How have Hindu theologians made room for a feminine divine alongside the masculine--and why? How has Christian thinking about divine gender differed from Hindu thinking? What might contemporary feminists learn from the goddess traditions of India? How might the study of Hindu goddesses affect Christian thinking about God and Mary? This is a book to read for its insights into the nature of gender and the divine, for the power of the hymns themselves, and for the sake of a religious adventure, an encounter with three Goddess traditions and Mary seen in a new light.

Throughout the history of Indian religions, the ascetic figure is most closely identified with power. Power is a by-product of the ascetic path, and is displayed in the ability to fly, walk on water or through dense objects, read minds, discern the former lives of others, see into the future, harm others, or simply levitate one's body. Using religio-philosophical discourses and narratives from epic, puranic, and hagiographical literature, Indian Asceticism focuses on the powers exhibited by ascetics of India from ancient to modern time. The discourses and narratives show ascetics performing violent acts and using language to curse and harm opponents. They also give rise to questions about how power and violence are related to the phenomenon of play. Olson discusses the erotic, the demonic, the comic, and the miraculous forms of play and their connections to power and violence. His focus is on Hinduism, from early Indian religious history to more modern times, but evidence is also presented from both Buddhism and Jainism, which provides evidence that the subject matter of this book pervades India's major indigenous religious traditions. The book also includes a look at the extent to which contemporary findings in cognitive science can add to our understanding about these various powers; Olson argues that violence is built into the practice of the ascetic. Indian Asceticism culminates with an attempt to rethink the nature of power in a way that does justice to the literary evidence from Hindu, Buddhist, and Jain sources.

The Bhagavad Gita is one of the most widely read Hindu scriptures in the Western world. Taking the form of a dialogue between the warrior Arjuna and the divine Krishna on the eve of battle, it is concerned with the most profound aspects of social and religious duty, and the relationship of human beings to God. In its eighteen short chapters it explores the spiritual struggle of the human soul and the search for both the true self and eternal life, culminating in an unparalleled vision of God the omnipotent.

For countless generations families have lived in isolated communities in the Godavari Delta of coastal Andhra Pradesh, learning and reciting their legacy of Vedas, performing daily offerings and occasional sacrifices. They are the virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition. In Vedic Voices, David M. Knipe offers for the first time, an opportunity for them to speak about their lives, ancestral lineages, personal choices as pandits, wives, children, and ways of coping with an avalanche of changes in modern India. He presents a study of four generations of ten families, from those born at the outset of the twentieth century down to their great-grandsons who are just beginning, at the age of seven, the task of memorizing their Veda, the Taittiriya Samhita, a feat that will require eight to twelve years of daily recitations. After successful examinations these young men will reside with the Veda family girls they married as children years before, take their places in the oral transmission of a three-thousand-year Vedic heritage, teach the Taittiriya collection of texts to their own sons, and undertake with their wives the major and minor sacrifices performed by their ancestors for some three millennia. Coastal Andhra, famed for bountiful rice and coconut plantations, has received scant attention from historians of religion and anthropologists despite a wealth of cultural traditions. Vedic Voices describes in captivating prose the geography, cultural history, pilgrimage traditions, and celebrated persons of the region. Here unfolds a remarkable story of Vedic pandits and their wives, one scarcely known in India and not at all to the outside world.

Wendy Doniger and Martha Nussbaum bring together leading scholars from a wide array of disciplines to address a crucial question: How does the world's most populous democracy survive repeated assaults on its pluralistic values? India's stunning linguistic, cultural, and religious diversity has been supported since Independence by a political structure that emphasizes equal rights for all, and protects liberties of religion and speech. But a decent Constitution does not implement itself, and challenges to these core values repeatedly arise---not least in the first decade of the twenty-first century, when the rise of Hindu Right movements threatened to destabilize the nation and upend its core values, in the wake of a notorious pogrom in the state of Gujarat in which approximately 2000 Muslim civilians were killed.
Focusing on this time of tension and threat, the essays in this volume consider how a pluralistic democracy managed to survive. They examine the role of political parties and movements, including the women's movement, as well as the role of the arts, the press, the media, and a historical legacy of pluralistic thought and critical argument. Featuring essays from eminent scholars in history, religious studies, political science, economics, women's studies, and media studies, Pluralism and Democracy in India offers an urgently needed case study in democratic survival. As Nehru said of India on the eve of Independence: ''These dreams are for India, but they are also for the world.'' The analysis this volume offers illuminates not only the past and future of one nation, but the prospects of democracy for all.

This affordable, critical edition of the Shiva Samhita contains a new introduction, the original Sanskrit, a new English translation, nine full-page photographs, and an index. The first edition of this classic Yoga text to meet high academic, literary, and production standards, it's for people who practice Yoga or have an interest in health and fitness, philosophy, religion, spirituality, mysticism, or meditation.