First published in 1875, this book reflects a growing nineteenth-century British interest in South Asian culture and literature. In it Monier Williams, the Professor of Sanskrit at Oxford, outlines the patterns of thought and customs of the Hindu religion. He also describes the character and content of Sanskrit literature, which had not previously been attempted in English. According to Williams, Sanskrit literature holds the key to a full understanding of Hinduism. He makes it unequivocally clear that Britain's colonial hold over India involves a particular responsibility and indeed opportunity to study the three religions confronting Christianity there, namely Brahmanism, Buddhism and Islam. Monier Williams writes about the Vedas (the sacred texts of Hinduism), the different traditions of philosophy and the five schools of Hindu law. He elaborates on the epic poems and the doctrine of incarnation embedded in them, and compares this ancient poetry with that of Homer.

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.

The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.

Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."


From the Hardcover edition.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 2 focuses on places of worship, ritual practices, and beliefs about death and reincarnation.

William Ward's account of the Hindu communities among whom he served as a Baptist missionary in Serampore in West Bengal was first published in 1811 and reprinted in this third edition in 1817. It was an extremely influential work that shaped British views of the newly defined entity of 'Hinduism' in the early nineteenth century. Ward and his fellow missionaries promoted social reforms and education, establishing the Serampore Mission Press in 1800 and Serampore College in 1818. Ward devoted twenty years to compiling his study of Hindu literature, history, mythology and religion, which was eventually published in four volumes. It provided richly detailed information, and was regarded as authoritative for the next fifty years. It is therefore still an important source for researchers in areas including Indian history, British colonialism, Orientalism and religious studies. Volume 1 describes and categorises Hindu deities and objects of worship, celestial, terrestrial, animate and inanimate.

Practicing Caste attempts a fundamental break from the tradition of caste studies, showing the limits of the historical, sociological, political, and moral categories through which it has usually been discussed. Engaging with the resources phenomenology, structuralism, and poststructuralism offer to our thinking of the body, Jaaware helps to illuminate the ethical relations that caste entails, especially around its injunctions concerning touching. The resulting insights offer new ways of thinking about sociality that are pertinent not only to India but also to thinking the common on a planetary basis.

This is the second in a trilogy of works by the famed Bengali novelist Bankimcandra Chatterji (1838-1894), and the second to be translated by Julius Lipner. The first, Anandamath, or The Sacred Brotherhood was published by OUP in 2005. Bankim Chatterji was perhaps the foremost novelist and intellectual mediating western ideas to India in the latter half of the 19th century. Debi Chaudhurani is a didactic work that champions a particular interpretation of Hindu dharma and wifely duties reflective of the late 19th-century Calcutta context in which it was written. But the story is also compelling. Written in a conversational style, it features surprising plot twists and ideas that are, even today, revolutionary in their daring. Most notably, Bankim makes a woman the embodiment of Lord Krishna's salvific message, as originally enunciated in the Bhagavad Gita. The protagonist, Debi, is a complex figure who is a rejected wife, becomes a bandit queen, represents a goddess figure, and symbolizes the land of India. There is a creative tension between her strength as a leader and her correct role, from the perspective of the author, as a domestic wife. Bankim also focuses on caste and what it means to be a genuine Brahmin, who is transformed by the author into a man who executes responsibilities instead of demanding privileges. Within the context of the teachings of the Gita, the author shares his vision of social activism to improve India. Lipner's idiomatic translation is enhanced by his detailed commentary on the original Bengali text and by a readable introduction that sets the novel and its ideas in context.

The Bhagavad Gita opens with a crisis - Prince Arjuna despairs on the battlefield, unsure if he should fight his kinsmen in a dreadful war. For Easwaran, the Gita's epic battle represents the war in our own hearts and Arjuna's anguish reflects the human condition: torn between opposing forces, confused about how to live. Sri Krishna's timeless guidance, Easwaran argues, can shed light on our dilemmas today. Placing the Gita's teachings in a modern context, Easwaran explores the nature of reality, the illusion of separateness, the search for identity, the meaning of yoga, and how to heal the unconscious. The key message of the Gita is how to resolve our conflicts and live in harmony with the deep unity of life, through the practice of meditation and spiritual disciplines. Sri Krishna doesn't tell Arjuna what to do. He points out the prince's choices, and then leaves it to Arjuna to decide. Easwaran shows us clearly how these teachings still apply - and how, like Arjuna, we must take courage and act wisely if we want our world to thrive.

No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than S=urdD=as-or S=ur, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name.
This book takes us back to the source, offering a selection of S=urd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have thememory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity.
These lyrics from S=ur's Ocean (the S=urs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of S=urd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like S=urd=as, Hawley also provides a substantial set of analytical notes. "S=ur is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.

Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.

The town of Deopatan, three kilometers northeast of Kathmandu, is above all famous for its main sanctum, the temple of Pasupati, the "lord of the animals," a form of Siva and the tutelary deity of the kings of Nepal since ancient times. By its name alone, the temple attracts thousands of pilgrims each year and has made itself known far beyond the Kathamndu Valley. However, for the dominant Newar population the town is by no means merely the seat of Siva or Pasupati. It is also a city of wild goddesses and other deities. Due to this tension between two strands of Hinduism -- the pure, vegetarian Smarta Hinduism and the Newar Hinduism which implies alcohol and blood sacrifices -- Siva/Pasupati has more than once been in trouble, as the many festivals and rituals descripbed and analyzed in this book reveal. Deopatan is a contested field. Different deities, agents social groups, ritual specialists, and institutions are constantly seeking dominance, challenging and even fighting each other, thus contributing to social and political dynamics and tensions that are indeed distinct in South Asia. It is these aspects on which Axel Michaels concentrates in this book.

This book examines the life of =Anandamay=i M=a, one of the most renowned Hindu holy women of modern times. Lisa Hallstrom paints a vivid portrait of this extraordinary woman, her ideas, and her continuing influence. In the process, the author sheds new light on important themes of Hindu religious life, including the centrality of the guru, the influence of living saints, and the apparent paradox of the worship of the divine feminine and the status of Hindu women.

Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices.
Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths.Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice

Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices.
Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths.Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.

Drawing on a large body of previously untapped literature, including documents from the Church Missionary Society and Bengali newspapers, Brian Pennington offers a fascinating portrait of the process by which "Hinduism" came into being. He argues against the common idea that the modern construction of religion in colonial India was simply a fabrication of Western Orientalists and missionaries. Rather, he says, it involved the active agency and engagement of Indian authors as well, who interacted, argued, and responded to British authors over key religious issues such as image-worship, sati, tolerance, and conversion.

In the West Krishna is primarily known as the speaker of the Bhagavad Gita. But it is the stories of Krishna's childhood and his later exploits that have provided some of the most important and widespread sources of religious narrative in the Hindu religious landscape. This volume brings together new translations of representative samples of Krishna religious literature from a variety of genres -- classical, popular, regional, sectarian, poetic, literary, and philosophical.

In this book, Tracy Pintchman has assembled ten leading scholars of Hinduism to explore the complex relationship between Hindu women's rituals and their lives beyond ritual. The book focuses particularly on the relationship of women's ritual practices to domesticity, exposing and exploring the nuances, complexities, and limits of this relationship. In many cultural and historical contexts, including contemporary India, women's everyday lives tend to revolve heavily around domestic and interpersonal concerns, especially care for children, the home, husbands, and other relatives. Hence, women's religiosity also tends to emphasize the domestic realm and the relationships most central to women. But women's religious concerns certainly extend beyond domesticity. Furthermore, even the domestic religious activities that Hindu women perform may not merely replicate or affirm traditionally formulated domestic ideals but may function strategically to reconfigure, reinterpret, criticize, or even reject such ideals.
This volume takes a fresh look at issues of the relationship between Hindu women's ritual practices and normative domesticity. In so doing, it emphasizes female innovation and agency in constituting and transforming both ritual and the domestic realm and calls attention to the limitations of normative domesticity as a category relevant to many forms of Hindu women's religious practice.

Hanuman, the devoted monkey helper of Rama and Sita, has long been recognized as a popular character in India's ancient Ramayana epic. But more recently he has also become one of the most beloved and worshiped gods in the Hindu pantheon - enshrined in majestic new temples, but equally present in poster art, advertising, and mass media. Drawing on Sanskrit and vernacular texts, classical iconography and modern TV serials, and extensive fieldwork and interviews, Philip Lutgendorf challenges the academic cliche of Hanuman as a "minor" or "folk" deity by exploring his complex and growing role in South Asian religion and culture. This wide-ranging study examines the historical evolution of Hanuman's worship, his close association with Shiva and goddesses, his invocation in tantric ritual, his physical immortality and enduring presence in sacred sites, and his appeal to devotees who include scholars, wrestlers, healers, politicians, and middle-class urbanites.
Lutgendorf also offers a rich array of entertaining stories not previously available in English: an expanding epic cycle that he christens the "Hanumayana." Arguing that Hanuman's role as cosmic "middle man" is intimately linked to his embodiment in a charming and provocative simian form, Lutgendorf moves beyond the Indian subcontinent to interrogate the wider human fascination with anthropoid primates as boundary beings and as potent signifiers of both Self and Other.

We live in an era defined by a sense of separation, even in the midst of networked connectivity. As cultural climates sour and divisive political structures spread, we are left wondering about our ties to each other. Consequently, there is no better time than now to reconsider ideas of unity. In The Ethics of Oneness, Jeremy David Engels reads the Bhagavad Gita alongside the works of American thinkers Ralph Waldo Emerson and Walt Whitman. Drawing on this rich combination of traditions, Engels presents the notion that individuals are fundamentally interconnected in their shared divinity. In other words, everything is one. If the lessons of oneness are taken to heart, particularly as they were expressed and celebrated by Whitman, and the ethical challenges of oneness considered seriously, Engels thinks it is possible to counter the pervasive and problematic American ideals of hierarchy, exclusion, violence, and domination.

Hanuman, the Hindu monkey-god, is best known in the west for his role in the ancient epic Ramayana (he is also considered the tales first author), in which, as the devoted servant of Rama, the tales hero, he leads a ferocious monkey army to help defeat the evil Ravana and rescue Ramas wife
Sita. But because he does not figure as prominently as others in the ancient Sanskrit texts that have traditionally been studied by western scholars, Hanuman has often been relegated to the status of minor deity. Philip Lutgendorf moves beyond these texts to examine Hindu popular literature, art,
and ritual, and shows that Hanuman is perhaps the most beloved deity in the Hindu pantheon. Far from being a mere sidekick, Hanuman is worshipped widely in India and the diaspora, across lines of caste and sect. There are more temples devoted to Hanuman than to any other god or goddess, and there
has even been something of a competition to erect the largest statue in his honor (the tallest so far, in Paritala, stands 135 feet high). Lutgendorf offers a comprehensive examination of this remarkable figure, exploring every facet of his legend. Drawing on an enormous treasure trove of previously
untapped sources that he has gathered through years of fieldwork, as well as on interviews with devotees, he traces the history of Hanumans character, teases out the many variations on his story, and examines the sources of his enormous appeal.

Based on three years of anthropological fieldwork in the Indian state of Rajasthan, Casting Kings explores the manner in which semi-nomadic performers known as Bhats understand, and also subvert, caste hierarchies. A number of scholars have recently contended that caste is invented and thus a fiction of a kind. But focus in these studies is typically placed on the way caste is imagined according to the agendas and desires of elite Westerners such as colonial officials. In this book, by contrast, the author argues that Bhats themselves understand the imaginative dimensions of caste relations. Indeed, such insights are shown to lie at the heart of the Bhats traditional profession of praise- and insult-singing. Likewise, the author demonstrates how the ability to cleverly rework and even sabotage lingering caste inequalities continues to form the basis for Bhat claims to status and dignity in contemporary India.

The Fifth Prapathaka of the Vadhula Srautasutra includes a critical edition, followed by a translation and a commentary, of the fifth chapter (prapathaka) of the Vadhula Srautasutra. This chapter is dedicated to the description of the so-called "independent" animal sacrifice (nirudhapasubandha) in Vedic ritual. This series of short monographs relates to particular aspects of the animal sacrifice described in the Veda and to problems of exegesis of Vedic texts. The first part of this edition presents the translation and commentary, while the critical edition makes up the second part. The commentary highlights the peculiarities of the Vadhula version of the nirudhapasubandha. In the conclusion of the first part, the ancientness of the Vadhula school is discussed, as well as its place within the corpus of Taittiriya texts.

Hinduism: A Contemporary Philosophical Investigation explores Hinduism and the distinction between the secular and religious on a global scale. According to Ranganathan, a careful philosophical study of Hinduism reveals it as the microcosm of philosophical disagreements with Indian resources, across a variety of topics, including: ethics, logic, the philosophy of thought, epistemology, moral standing, metaphysics, and politics. This analysis offers an original and fresh diagnosis of studying Hinduism, colonialism, and a global rise of hyper-nationalism, as well as the frequent acrimony between scholars and practitioners of Hindu traditions. This text is appropriate for use in undergraduate and graduate courses on Hinduism, and Indian philosophy, and can be used as an advanced introduction to the problems of philosophy with South Asian resources.

Questioning the conventional depiction of India as a nation divided between religious communities, Gottschalk shows that individuals living in India have multiple identities, some of which cut across religious boundaries. The stories narrated by villagers living in the northern state of Bihar depict everyday social interactions that transcend the simple divide of Hindu and Muslim.

Meditation techniques, including mindfulness, have become popular wellbeing practices and the scientific study of their effects has recently turned 50 years old. But how much do we know about them: what were they developed for and by whom? How similar or different are they, how effective can they be in changing our minds and biology, what are their social and ethical implications? The Oxford Handbook of Meditation is the most comprehensive volume published on meditation, written in accessible language by world-leading experts on the science and history of these techniques. It covers the development of meditation across the world and the varieties of its practices and experiences. It includes approaches from various disciplines, including psychology, neuroscience, history, anthropology, and sociology and it explores its potential for therapeutic and social change, as well as unusual or negative effects. Edited by practitioner-researchers, this book is the ultimate guide for all interested in meditation, including teachers, clinicians, therapists, researchers, or anyone who would like to learn more about this topic.