An Introduction to Swaminarayan Hinduism, third edition, offers a comprehensive study of a contemporary form of Hinduism. Begun as a revival and reform movement in India 200 years ago, it has now become one of the fastest growing and most prominent forms of Hinduism. The Swaminarayan Hindu transnational network of temples and institutions is expanding in India, East Africa, the UK, USA, Australasia, and in other African and Asian cities. The devotion, rituals, and discipline taught by its founder, Sahajanand Swami (1781-1830) and elaborated by current leaders in major festivals, diverse media, and over the Internet, help preserve ethnic and religious identity in many modern cultural and political contexts. Swaminarayan Hinduism, here described through its history, divisions, leaders, theology and practices, provides valuable case studies of contemporary Hinduism, religion, migrants, and transnationalism. This new edition includes up-to-date information about growth, geographic expansion, leadership transitions, and impact of Swaminarayan institutions in India and abroad.

This brief introduction to Hinduism is designed to help readers understand this important religious tradition. With both nuance and balance, this text provides broad coverage of various forms of Hinduism with an arresting layout with rich colors. It offers both historical overviews and modern perspectives on Hindu beliefs and practices. The user-friendly content is enhanced by charts of religious festivals, historic timelines, updated maps, and a useful glossary. It is ideal for courses on Hinduism and South Asian religions and will be a useful, concise reference for all readers eager to know more about this important religious tradition and its place in our contemporary world.

In Herrschergenealogie und religioeses Patronat, Annette Schmiedchen analyses some 250 inscriptions from the time of the early medieval royal dynasties of the Rastrakutas, Silaharas, and Yadavas, who reigned in central India from the 8th to the 13th centuries. The information derived from copper-plate charters and stone inscriptions primarily consists of genealogies of the ruling kings as well as of data regarding their religious foundations and endowments and the donations of other members of society. Annette Schmiedchen shows how genealogical accounts were modified to legitimize individual claims to power, and she convincingly proves that the 10th and 11th centuries were a period of religious change, which witnessed a shift in patronage patterns and a closer link between Vedic Brahmanism and Hindu temple worship.

One of the world's leading authorities on Hinduism gives us a work of extraordinary scholarship on the religion. Through this magisterial volume - which she calls 'the book of my books' - Wendy Doniger, widely acknowledged as one of the greatest and most original scholars of Hinduism, enlarges our understanding of an ancient and complex religion. Comprising a series of connected essays, On Hinduism examines many of the most crucial and contested issues in Hinduism, from the time of the Vedas to the present day: Are Hindus monotheists or polytheists? Is it possible to reconcile images of god with qualities (saguna) and without qualities (nirguna)? How can atheists be Hindu, and how can unrepentant Hindu sinners obtain salvation? Why have Hindus devoted so much attention to addictions, and why have they always been ambivalent about non-injury (ahimsa)? How have Hindu ideas about death, rebirth and karma changed in the course of history, and what do dogs and cows tell us about Hinduism? How and under what conditions does a pluralistic religion remarkable for its intellectual tolerance foster intolerance? The book closes with short autobiographical essays in which Doniger looks back upon her academic career - complete with its Orientalist heritage, self-critiques and controversies - and talks eloquently and movingly about the influence of Hinduism on her own philosophy of life. Drawing upon Doniger's writing over forty years, On Hinduism is scholarship of the highest order, and a compelling analysis of one of the world's great faiths.

This book offers a systematic and radical introduction to the Buddhist roots of Patanjala-yoga, or the Yoga system of Patanjali. By examining each of 195 aphorisms (sutras) of the Yogasutra and discussing the Yogabhasya, it shows that traditional and popular views on Patanjala-yoga obscure its true nature. The book argues that Patanjali's Yoga contains elements rooted in both orthodox and heterodox philosophical traditions, including Sankhya, Jaina and Buddhist thought. With a fresh translation and a detailed commentary on the Yogasutra, the author unearths how several of the terms, concepts and doctrines in Patanjali's Yoga can be traced to Buddhism, particularly the Abhidharma Buddhism of Vasubandhu and the early Yogacara of Asanga. The work presents the Yogasutra of Patanjali as a synthesis of two perspectives: the metaphysical perspective of Sankhya and the empirical-psychological perspective of Buddhism. Based on a holistic understanding of Yoga, the study explores key themes of the text, such as meditative absorption, means, supernormal powers, isolation, Buddhist conceptions of meditation and the interplay between Sankhya and Buddhist approaches to suffering and emancipation. It further highlights several new findings and clarifications on textual interpretation and discrepancies. An important intervention in Indian and Buddhist philosophy, this book opens up a new way of looking at the Yoga of Patanjali in the light of Buddhism beyond standard approaches and will greatly interest scholars and researchers of Buddhist studies, Yoga studies, Indian philosophy, philosophy in general, literature, religion and comparative studies, Indian and South Asian Studies and the history of ideas.

The whole world is changing with incredible speed towards something radically new, yet people across the globe also show resistance to the forces that homogenize our lives. This book deals with a community that has found its niche in the remote Niamgiri mountain range of Odisha (India) and is struggling to preserve its way of life: the Dongria Kond. In recent years, they made the headlines as the real "Avatars" because they successfully fought a multinational company's plans to mine the mountains. From the perspective of the Dongria Kond, these mountains are the seat of gods, and the whole environment is animated by spiritual forces. This highly complex cosmic order includes humans and non-humans and rests on a divine law (niam). This book captures the viewpoint of the Dongria Kond and provides deep insights into their vision of the world. It offers elaborate accounts of how the Dongria relate to the outside world, conceive of their own society and engage in complex rituals in order to (re-)establish the cosmos. The book confronts the reader with radically different imaginings of familiar human concerns: love, fertility, wealth, status and well-being.

This book about the missing Divine Feminine in Christianity and Judaism chronicles a personal as well as an academic quest of an Indian woman who grew up with Kali and myriad other goddesses. It is born out of a women's studies course created and taught by the author called The Goddess in World Religions. The book examines how the Divine Feminine was erased from the western consciousness and how it led to an exclusive spiritually patriarchal monotheism with serious consequences for both women's and men's psychological and spiritual identity. While colonial, proselytizing and patriarchal ways have denied the divinity inherent in the female of the species, a recent upsurge of body-centric practices like Yoga and innumerable books about old and new goddesses reveal a deep seated mother hunger in the western consciousness. Written from a practicing Hindu/Buddhist perspective, this book looks at the curious phenomenon called the Black Madonna that appears in Europe and also examines mystical figures like Shekhinah in Jewish mysticism. People interested in symbols of the goddess, feminist theologians, and scholars interested in the absence of goddesses in monotheisms may find this book's perspective and insights provocative.

This book provides the first full-scale English-language study of Pradyumna, the son of the Hindu god Krsna. Often represented as a young man in mid-adolescence, Pradyumna is both a handsome double of his demon-slaying father and the rebirth of Kamadeva, the God of Love. Sanskrit epic, puranic, and kavya narratives of the 300-1300 CE period celebrate Pradyumna's sexual potency, mastery of illusory subterfuges, and military prowess in supporting the work of his avatara father. These materials reflect the values of an evolving Brahminical and Vaisnava tradition that was deeply invested in the imperatives of family, patrilines, the violent but necessary defense of the social and cosmic order, and the celebration of beauty and desire as a means to the divine. Pradyumna's evolving narratives, almost completely absent from existing studies of Hindu mythology, provide a point of access to the development of Krsna bhakti and Vaisnava theism more broadly. Conversely, Jain sources cast Pradyumna as an exemplary figure through whom a pointed rejection of these values can be articulated, even while sharing certain of their elementary premises. Pradyumna: Lover, Magician, and Scion of the Avatara assembles these narratives, presents key Sanskrit materials in translation and summary form, and articulates the social, gender, and religious values encoded in them. Most importantly, the study argues that Pradyumna's signature two-handed maneuver-the audacious appropriation of a feminine partner, enabled by the emasculating destruction of her demonic male protector-communicates a persistent fantasy of male power expressed in the language of a mutually implicating sex and violence.

The great Indian epic rendered in modern prose
India's most beloved and enduring legend, the "Ramayana "is widely acknowledged to be one of the world's great literary masterpieces. Still an integral part of India's cultural and religious expression, the Ramayana was originally composed by the Sanskrit poet Valmiki around 300 b.c. The epic of Prince Rama's betrayal, exile, and struggle to rescue his faithful wife, Sita, from the clutches of a demon and to reclaim his throne has profoundly affected the literature, art, and culture of South and Southeast Asia-an influence most likely unparalleled in the history of world literature, except, possibly, for the Bible. Throughout the centuries, countless versions of the epic have been produced in numerous formats and languages. But previous English versions have been either too short to capture the magnitude of the original; too secular in presenting what is, in effect, scripture; or dry, line-by-line translations. Now novelist Ramesh Menon has rendered the tale in lyrical prose that conveys all the beauty and excitement of the original, while making this spiritual and literary classic accessible to a new generation of readers.

In this book Paramahansa Yogananda offers prayers and affirmations that beginners and experienced meditators alike can use to awaken the boundless joy, peace, and inner freedom of the soul.

Includes introductory instructions on how to meditate. An encouraging guide that teaches us through our own experience how to spiritually enrich our everyday life.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The second volume of aPreparations for Wara seals the fate of the PAndavas and Kurus. This book is the turning point of the entire MahaA-bhArata. The failure of diplomacy ensures war is now inevitable, and with this realization come dramatic arguments, miracles and temptations. The MahaA-bhArata explores timeless problems of humanity, and in this volume of aPreparations for War, a it explores the realities of human nature in times of conflict. The lust for power and bloodshed overwhelms all attempts at negotiation.Interwoven with these serious issues come beautiful accountsof divinities, magical realms and legendary marvels.

This fascinating new study traces traditions and memories relating to the twelfth-century Indian ruler Prithviraj Chauhan; a Hindu king who was defeated and overthrown during the conquest of Northern India by Muslim armies from Afghanistan. Surveying a wealth of narratives that span more than 800 years, Cynthia Talbot explores the reasons why he is remembered, and by whom. In modern times, the Chauhan king has been referred to as 'the last Hindu emperor', because Muslim rule prevailed for centuries following his defeat. Despite being overthrown, however, his name and story have evolved over time into a historical symbol of India's martial valor. The Last Hindu Emperor sheds new light on the enduring importance of heroic histories in Indian culture and the extraordinary ability of historical memory to transform the hero of a clan into the hero of a community, and finally a nation.

When European missionaries arrived in India in the sixteenth century, they entered a world both fascinating and bewildering. Hinduism, as they saw it, was a pagan mess: a worship of devils and monsters by a people who burned women alive, performed outlandish rites and fed children to crocodiles. But it quickly became clear that Hindu ‘idolatry’ was far more layered and complex than European stereotypes allowed, surprisingly even sharing certain impulses with Christianity.

Nonetheless, missionaries became a threatening force as European power grew in India. Western ways of thinking gained further ascendancy during the British Raj: while interest in Hindu thought influenced Enlightenment thinkers like Voltaire in Europe, Orientalism and colonial rule pressed Hindus to reimagine their religion. In fact, in resisting foreign authority, they often adopted the missionaries’ own tools and strategies. It is this encounter, Manu S. Pillai argues, that has given Hinduism its present shape, also contributing to the birth of an aggressive Hindu nationalism.

Gods, Guns and Missionaries surveys these remarkable dynamics with an arresting cast of characters – maharajahs, poets, gun-wielding revolutionaries, politicians, polemicists, philosophers and clergymen. Lucid, ambitious, and provocative, it is at once a political history, an examination of the mutual impact of Hindu culture and Christianity upon each other, and a study of the forces that have prepared the ground for politics in India today. Turning away from simplistic ideas on religious evolution and European imperialism, the past as it appears here is more complicated – and infinitely richer – than previous narratives allow.

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.

The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.

Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."


From the Hardcover edition.